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| Author | : Thomas Nash |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 1884 |
| Genre | : |
| ISBN | : |
| Author | : Thomas Nash |
| Publisher | : |
| Total Pages | : 310 |
| Release | : 1883 |
| Genre | : |
| ISBN | : |
| Author | : Thomas Nash |
| Publisher | : |
| Total Pages | : 308 |
| Release | : 1883 |
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| ISBN | : |
| Author | : Thomas Nash |
| Publisher | : Legare Street Press |
| Total Pages | : 0 |
| Release | : 2022-10-27 |
| Genre | : |
| ISBN | : 9781018725390 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Thomas Nash |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 1884 |
| Genre | : |
| ISBN | : |
| Author | : |
| Publisher | : Arihant Publications India limited |
| Total Pages | : 889 |
| Release | : |
| Genre | : |
| ISBN | : 9326192512 |
| Author | : Thomas Nashe |
| Publisher | : Delphi Classics |
| Total Pages | : 1395 |
| Release | : 2024-03-28 |
| Genre | : Drama |
| ISBN | : 1801701652 |
The Elizabethan playwright, poet and satirist, Thomas Nashe was the author of ‘The Unfortunate Traveller’, the first picaresque novel of English literature. His masterpiece was ‘Pierce Penniless, His Supplication to the Divell’, a prose satire that was among the most popular of the Elizabethan pamphlets. Employing a free and extemporaneous prose style, full of colloquialisms, neologisms and fantastic idiosyncrasies, Nashe entertains the reader with a story in which immediate entertainment is favoured over narrative structure. Complex, witty and colourfully anecdotal, Nashe’s work is as brash and bitingly sharp today as when it was first penned over four centuries ago. For the first time, this eBook presents Nashe’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Nashe’s life and works * Concise introductions to the major texts * All the plays, poetry and pamphlets, with individual contents tables * Rare texts appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Scarce pamphlets available in no other collection * Includes Nashe’s poetry * Features two biographies – discover Nashe’s Elizabethan world * Ordering of texts into chronological order and genres CONTENTS: The Novel The Unfortunate Traveller (1594) The Plays Summer’s Last Will and Testament (1592) The Tragedie of Dido, Queene of Carthage (1594) The Poetry The Choise of Valentines (c. 1593) Other Verses Harvey-Nashe Controversy Pamphlets Strange Newes, of the Intercepting Certaine Letters (1592) Christ’s Tears over Jerusalem (1593) Have with You to Saffron-Walden (1596) Other Pamphlets The Anatomy of Absurdity (1589) A Countercuffe Given to Martin Junio (1589) The Returne of Pasquill (1589) Preface to Greene’s Menaphon (1589) An Almond for a Parrot (1590) The First Parte of Pasquils Apologie (1590) A Wonderfull strange and miraculous Astrologicall Prognostication (1591) Preface to Sir Philip Sidney’s Astrophel and Stella (1591) Pierce Penilesse His Supplication to the Divell (1592) The Terrors of the Night (1594) Nashe’s Lenten Stuffe (1599) The Biographies An Essay on the Life and Writings of Thomas Nash (1892) by Edmund Gosse Thomas Nashe (1900) by Sidney Lee
| Author | : Donna Murphy |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 230 |
| Release | : 2013-01-03 |
| Genre | : Literary Criticism |
| ISBN | : 1443845094 |
Thomas Nashe was in a pickle. During the summer of 1597, he was banished from London for his co-authorship of the "scandalous" play "The Isle of Dogs." With its publishing houses and theaters, London was the place to be for a professional humorist, pamphleteer, and playwright like Nashe. In January, 1598, humorist Thomas Dekker came to life in the London record books; curiously, he wrote just like Nashe. The Archbishop of Canterbury destroyed Nashe’s works in 1599 and banned him from future publishing, and at some point between then and 1601 Nashe died, although details of his death are lacking. Thomas Dekker took up Nashe’s banner, however, specializing in Nashe’s mediums, plays and pamphlets plus poetry within them, tackling many of the same subjects in a similar style. Coincidence or deception? The Mysterious Connection between Thomas Nashe, Thomas Dekker, and T. M.: An English Renaissance Deception? sets forth substantial linguistic evidence that the witty Nashe out-witted authorities by assuming the identity of Thomas Dekker and writing under that name as well as T. M., Adam Evesdropper, Jocundary Merry-brains, Jack Daw, William Fennor, and Anonymous, making it appear that several authors could write in Nashe’s seemingly distinctive style. Under these names, it proposes, Nashe shed light onto societal abuses, and bestowed the gift of lightheartedness to all.
| Author | : Jean Jules Jusserand |
| Publisher | : BoD – Books on Demand |
| Total Pages | : 278 |
| Release | : 2018-05-23 |
| Genre | : Fiction |
| ISBN | : 3732698424 |
Reproduction of the original: The English Novel in the Time of Shakespeare by Jean Jules Jusserand
| Author | : Donna Murphy |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 330 |
| Release | : 2013-09-11 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1443852627 |
In The Marlowe-Shakespeare Continuum, Donna N. Murphy demonstrates how Christopher Marlowe, sometimes in co-authorship with humorist Thomas Nashe, appears to have “become” Shakespeare on a linguistic basis. She documents a sharp, upward learning curve, with the initial penning of works she examines in the following chronological order: Caesar’s Revenge, II Henry VI, The Taming of a Shrew, III Henry VI, Edward III, Titus Andronicus, Thomas of Woodstock, Romeo and Juliet, and I Henry IV, and separates certain plays into Marlowe and Nashe components. Those who read Murphy’s book with an open mind are likely to find her work surprisingly convincing.
