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| Author | : Guy Saunders |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2014-05-22 |
| Genre | : Philosophy |
| ISBN | : 0521111242 |
An original book about consciousness which draws on interviews with former captives, thought experiment stories and treatments in the arts.
| Author | : Jonathan Cohen |
| Publisher | : MIT Press |
| Total Pages | : 457 |
| Release | : 2010-05-21 |
| Genre | : Philosophy |
| ISBN | : 0262013851 |
Leading philosophers and scientists consider what conclusions about color can be drawn when the latest analytic tools are applied to the most sophisticated color science.Philosophers and scientists have long speculated about the nature of color. Atomists such as Democritus thought color to be "conventional," not real; Galileo and other key figures of the Scientific Revolution thought that it was an erroneous projection of our own sensations onto external objects. More recently, philosophers have enriched the debate about color by aligning the most advanced color science with the most sophisticated methods of analytical philosophy. In this volume, leading scientists and philosophers examine new problems with new analytic tools, considering such topics as the psychophysical measurement of color and its implications, the nature of color experience in both normal color-perceivers and the color blind, and questions that arise from what we now know about the neural processing of color information, color consciousness, and color language. Taken together, these papers point toward a complete restructuring of current orthodoxy concerning color experience and how it relates to objective reality. Kuehni, Jameson, Mausfeld, and Niederee discuss how the traditional framework of a three-dimensional color space and basic color terms is far too simple to capture the complexities of color experience. Clark and MacLeod discuss the difficulties of a materialist account of color experience. Churchland, Cohen, Matthen, and Westphal offer competing accounts of color ontology. Finally, Broackes and Byrne and Hilbert discuss the phenomenology of color blindness.Contributors Justin Broackes, Alex Byrne, Paul M. Churchland, Austen Clark, Jonathan Cohen, David R. Hilbert, Kimberly A. Jameson, Rolf Kuehni, Don I.A. MacLeod, Mohan Matthen, Rainer Mausfeld, Richard Niederée, Jonathan Westphal
| Author | : Roy S. Berns |
| Publisher | : Getty Publications |
| Total Pages | : 210 |
| Release | : 2016-07-01 |
| Genre | : Art |
| ISBN | : 1606064819 |
“A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar.” What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, and color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics. Engaging, incisive, and absolutely critical for any scholar or student interested in color science, Color Science and the Visual Arts is sure to become a key reference for the entire field.
| Author | : Sam Coleman |
| Publisher | : Cambridge University Press |
| Total Pages | : 313 |
| Release | : 2019-09-19 |
| Genre | : Philosophy |
| ISBN | : 1107141990 |
A cutting-edge and groundbreaking set of new essays by top philosophers on key topics related to the ever-influential knowledge argument.
| Author | : Optical Society of America. Committee on Colorimetry |
| Publisher | : |
| Total Pages | : 440 |
| Release | : 1963 |
| Genre | : Color |
| ISBN | : |
| Author | : Hsien-Che Lee |
| Publisher | : Cambridge University Press |
| Total Pages | : 717 |
| Release | : 2005-02-24 |
| Genre | : Computers |
| ISBN | : 1139444557 |
Colour imaging technology has become almost ubiquitous in modern life in the form of monitors, liquid crystal screens, colour printers, scanners, and digital cameras. This book is a comprehensive guide to the scientific and engineering principles of colour imaging. It covers the physics of light and colour, how the eye and physical devices capture colour images, how colour is measured and calibrated, and how images are processed. It stresses physical principles and includes a wealth of real-world examples. The book will be of value to scientists and engineers in the colour imaging industry and, with homework problems, can also be used as a text for graduate courses on colour imaging.
| Author | : Ruth Johnston-Feller |
| Publisher | : Getty Publications |
| Total Pages | : 386 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : 0892365862 |
This volume presents the life work of the late Ruth Johnston-Feller, one of the nation's leading color scientists. It combines an overview of basic theoretical concepts with detailed, hands-on guidance for the professional conservator and conservation scientist. The author focuses on the application of color science to the solution of practical problems, providing a comprehensive discussion of the nondestructive spectrophotometric tools and techniques used to understand the color and appearance of materials during the technical examination of works of art. The book, which features numerous examples of reference reflectance spectra, can help prevent misinterpretation of color measurements and the erroneous conclusions that might result. Topics include spectrophotometry, colorimetry, colorant mixtures, analytical techniques, reflection, fluorescence, and the effects of extenders, fillers, and inerts.
| Author | : M. Chirimuuta |
| Publisher | : MIT Press |
| Total Pages | : 263 |
| Release | : 2015-05-08 |
| Genre | : Philosophy |
| ISBN | : 0262029081 |
Draws on contemporary perceptual science to address metaphysical questions about color.
| Author | : Arielle Eckstut |
| Publisher | : Abrams |
| Total Pages | : 292 |
| Release | : 2020-04-28 |
| Genre | : Science |
| ISBN | : 1683355199 |
A comprehensive illustrated exploration of the fascinating science of color Arielle and Joann Eckstut, authors of The Secret Language of Color, offer a thorough, readable, and highly visual exploration of the science of color. Organized by 50 of the most essential questions about color across a variety of fields—physics, chemistry, biology, technology, and psychology—this book examines how and why we see color; how color relates to light; what the real primary colors are; how biology, language, and culture affect the colors that we see; and much more. Full of clear and elegant infographics, What Is Color? is a must-have for artists and designers, scientists, students, and decorators, and anyone else whose work or play involves color.
| Author | : Kurt Nassau |
| Publisher | : Elsevier |
| Total Pages | : 511 |
| Release | : 1997-12-18 |
| Genre | : Computers |
| ISBN | : 0080529372 |
The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because: • the measurement of color still has unresolved complexities (Chapter 2) • many of the fine details of color vision remain unknown (Chapter 3) • every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5) • the philosophical approach to color has not yet crystallized (Chapter 7) • new pigments and dyes continue to be discovered (Chapters 10 and 11) • the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2). Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge.
