Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Codex Mendoza PDF full book. Access full book title The Codex Mendoza.
| Author | : Frances Berdan |
| Publisher | : Univ of California Press |
| Total Pages | : 460 |
| Release | : 1997-01-01 |
| Genre | : History |
| ISBN | : 9780520204546 |
Consists of v. 2 and 4 of Berdan and Anawalt's The Codex Mendoza (4 v. -- Berkeley : University of California Press, c1992).
| Author | : Jorge Gómez Tejada |
| Publisher | : USFQ Press |
| Total Pages | : 536 |
| Release | : 2022-02-16 |
| Genre | : History |
| ISBN | : 9978682074 |
Conceived as a contribution to the continuous construction of the identity of the Codex Mendoza, the present volume is organized around three axes: material analysis, textual and stylistic interpretation, and reception and circulation studies. The works of Barker-Benfield and MOLAB further our objective of understanding the manuscript's materiality. The re-binding and conservation process registered by Barker-Benfield has allowed us to do away with speculation regarding the method of production used to create the manuscript and its previous bindings. This, in turn, has allowed heretofore accepted connections, such as the authorship of Francisco Gualpuyogualcal, to be reexamined. Similarly, the analysis undertaken by the MOLAB team and headed by Davide Domenici has settled the debate on the nature of the pigments used in the production of the manuscript. This has added additional layers of nuance to previously held interpretative hypotheses on the meaning of specific pigments and the strictness of their application in the tlacuilolli. While color holds meaning for the tlacuilo, color is not inexorably linked to its materiality. These observations have the potential to inspire a new generation of interpretative studies, based on ever more accurate data regarding the material nature of the Codex Mendoza. Interpretative studies of the manuscript in this volume represent a line of inquiry that, by considering the manuscript from the complex perspectives of the work of art, literature, and bibliography, complement previous anthropological and historical readings of the Codex Mendoza. My essays as well as those by Diana Magaloni and Daniela Bleichmar reconsider the number and style of the artists who produced the manuscript in order to understand both the process by which it was created as well as the place it occupies in the artistic context of the early viceroyalty. Far from entering a binary relation between subjugator and subjugated, the decisions made by these artists and intellectuals manifest the forms of thinking and seeing time and space in the Mesoamerican world. I demonstrate that the pictures in the Codex Mendoza were painted in a workshop in which one, two, or more individuals collaborated on each page to create a single composition; as such, the creation of these pictures took on an air of rituality and functioned as "an instrument to recreate, reactualize, and make coherent the historical becoming linked to territory with cosmic patterns" (Magaloni, this volume). This last observation complements and reinforces Joanne Harwood's proposed reading of the third section of the manuscript. For Harwood, notwithstanding the originality of the visual solutions used to compose this section of the manuscript, the Codex Mendoza's pre-Columbian model resonates with a Mesoamerican religious genre: the teoamoxtli.
| Author | : Edward King Viscount Kingsborough |
| Publisher | : Legare Street Press |
| Total Pages | : 324 |
| Release | : 2021-09-09 |
| Genre | : |
| ISBN | : 9781013908446 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Donald Robertson |
| Publisher | : |
| Total Pages | : 234 |
| Release | : 1959 |
| Genre | : Indian art |
| ISBN | : 9780806126753 |
Reprint of the Yale U. Press original (Yale Historical Publications. History of Art, v.12) of 1959 with a new (8 p.) foreword by Elizabeth H. Boone. The Yale edition is cited in BCL3. Annotation copyright Book News, Inc. Portland, Or.
| Author | : Frances F. Berdan |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 1992 |
| Genre | : Aztecs |
| ISBN | : |
This four-volume hardcover facsimile edition of Codex Mendoza places the most comprehensive, most extensively illustrated document of Aztec civilization within reach of a broad audience. Compiled in Mexico City around 1541 under the supervision of Spanish clerics, the Codex was intended to inform King Charles V about his newly conquered subjects. The manuscript contains pictorial accounts of Aztec emperors' conquests and tribute paid by the conquered, as well as a remarkable ethnographic record of Aztec daily life from cradle to grave. This four-volume publication is an unsurpassed source of information about Aztec history, geography, economy, social and political organization, glyphic writing, costumes, textiles, military attire, and indigenous art styles. Volume 1 contains interpretive essays by the authors and other leading specialists on every aspect of Codex Mendoza. Volume 2 offers a thorough description and discussion of each pictorial page, and Volume 3 is a complete color facsimile of the manuscript itself. Volume 4, a parallel image volume, is the most innovative and in some ways the most useful of the four. It provides an exact duplicate in black and white of the facsimile Volume 3, with the sixteenth-century Spanish text transcribed and then translated into English. In addition, all the glosses are translated and positioned exactly as on the original pictorial pages. The extensive and useful appendices add such things as pictorial charts of costumes and textiles, translations and discussions of all the glyphs in the codex, and a table of comparative chronologies. In making this extraordinary sixteenth-century work accessible (the original manuscript resides in the Bodleian Library, Oxford, England), the authors have performed an invaluable service to Mesoamerican scholars and all those interested in pre-Columbian peoples. -- Amazon.com.
| Author | : Daniela Bleichmar |
| Publisher | : University of Chicago Press |
| Total Pages | : 299 |
| Release | : 2012-10-08 |
| Genre | : Art |
| ISBN | : 0226058530 |
Between 1777 and 1816, botanical expeditions crisscrossed the vast Spanish empire in an ambitious project to survey the flora of much of the Americas, the Caribbean, and the Philippines. While these voyages produced written texts and compiled collections of specimens, they dedicated an overwhelming proportion of their resources and energy to the creation of visual materials. European and American naturalists and artists collaborated to manufacture a staggering total of more than 12,000 botanical illustrations. Yet these images have remained largely overlooked—until now. In this lavishly illustrated volume, Daniela Bleichmar gives this archive its due, finding in these botanical images a window into the worlds of Enlightenment science, visual culture, and empire. Through innovative interdisciplinary scholarship that bridges the histories of science, visual culture, and the Hispanic world, Bleichmar uses these images to trace two related histories: the little-known history of scientific expeditions in the Hispanic Enlightenment and the history of visual evidence in both science and administration in the early modern Spanish empire. As Bleichmar shows, in the Spanish empire visual epistemology operated not only in scientific contexts but also as part of an imperial apparatus that had a long-established tradition of deploying visual evidence for administrative purposes.
| Author | : Daniela Bleichmar |
| Publisher | : Yale University Press |
| Total Pages | : 241 |
| Release | : 2017-01-01 |
| Genre | : Art |
| ISBN | : 0300224028 |
An unprecedented visual exploration of the intertwined histories of art and science, of the old world and the new From the voyages of Christopher Columbus to those of Alexander von Humboldt and Charles Darwin, the depiction of the natural world played a central role in shaping how people on both sides of the Atlantic understood and imaged the region we now know as Latin America. Nature provided incentives for exploration, commodities for trade, specimens for scientific investigation, and manifestations of divine forces. It also yielded a rich trove of representations, created both by natives to the region and visitors, which are the subject of this lushly illustrated book. Author Daniela Bleichmar shows that these images were not only works of art but also instruments for the production of knowledge, with scientific, social, and political repercussions. Early depictions of Latin American nature introduced European audiences to native medicines and religious practices. By the 17th century, revelatory accounts of tobacco, chocolate, and cochineal reshaped science, trade, and empire around the globe. In the 18th and 19th centuries, collections and scientific expeditions produced both patriotic and imperial visions of Latin America. Through an interdisciplinary examination of more than 150 maps, illustrated manuscripts, still lifes, and landscape paintings spanning four hundred years, Visual Voyages establishes Latin America as a critical site for scientific and artistic exploration, affirming that region's transformation and the transformation of Europe as vitally connected histories.
| Author | : Camilla Townsend |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 337 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 0190673060 |
Fifth Sun offers a comprehensive history of the Aztecs, spanning the period before conquest to a century after the conquest, based on rarely-used Nahuatl-language sources written by the indigenous people.
| Author | : Frances F. Berdan |
| Publisher | : Dumbarton Oaks |
| Total Pages | : 408 |
| Release | : 1996 |
| Genre | : History |
| ISBN | : 9780884022114 |
Papers from the 1986 Summer Seminar, "Empire, Province, and Village in Aztec History."
| Author | : Isabel Laack |
| Publisher | : BRILL |
| Total Pages | : 455 |
| Release | : 2019-03-27 |
| Genre | : History |
| ISBN | : 9004392017 |
Laack’s study presents an innovative interpretation of Aztec religion and art of writing. She explores the Nahua sense of reality from the perspective of the aesthetics of religion and analyzes Indigenous semiotics and embodied meaning in Mesoamerican pictorial writing.
