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The Classical Drama of India

The Classical Drama of India
Author: Henry Willis Wells
Publisher: Praeger
Total Pages: 222
Release: 1975-03-18
Genre: Literary Criticism
ISBN:

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The Classical Drama of India

The Classical Drama of India
Author: Henry W. Wells
Publisher:
Total Pages: 0
Release: 1963
Genre: Sanskrit drama
ISBN:

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History of Indian Theatre: Classical theatre

History of Indian Theatre: Classical theatre
Author: Manohar Laxman Varadpande
Publisher: Abhinav Publications
Total Pages: 408
Release: 1987
Genre: Dramatists, Sanskrit
ISBN: 9788170174301

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Indian Theatre

Indian Theatre
Author: Farley P. Richmond
Publisher: Motilal Banarsidass Publ.
Total Pages: 518
Release: 1993
Genre: Folklore
ISBN: 9788120809819

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Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.


The Norton Anthology of Drama

The Norton Anthology of Drama
Author: J. Ellen Gainor
Publisher:
Total Pages: 1792
Release: 2018
Genre: Drama
ISBN: 9780393283471

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Comprehensive and up-to-date, now with more instructor resources


The Recognition of Shakœntala

The Recognition of Shakœntala
Author: Kālidāsa
Publisher: NYU Press
Total Pages: 419
Release: 2006-11
Genre: Literary Collections
ISBN: 0814788157

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A well-known Sanskrit drama presented here in a bilingual translation.


A Yoga of Indian Classical Dance

A Yoga of Indian Classical Dance
Author: Roxanne Kamayani Gupta
Publisher: Simon and Schuster
Total Pages: 216
Release: 2000-03-01
Genre: Body, Mind & Spirit
ISBN: 1594775273

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The yoga and classical dance traditions of India have been inextricably entwined for millennia. The exacting hand gestures, postures and movements of Indian classical dance can only be achieved through yogic concentration. Conversely, the esthetics, symmetry, and dynamism of dance enhance the practice of yoga. These two traditions, so complementary and essential to one another, are united and explicated for the first time in A Yoga of Indian Classical Dance. Twenty-five years ago Roxanne Kamayani Gupta embarked on a journey of dance and yoga, yearning to unlock their mysteries and discover their common origins. As a twenty-year-old student from America she was miraculously and mysteriously absorbed into Indian culture, became a Hindu, and began an odyssey so unusual and unique that the reader will be enchanted by its telling. Choosing the path of the dancer, Roxanne Gupta accomplished what no Western woman had done before: being accepted and trained by Indian masters and then performing in the Indian classical traditions--from the palaces of maharajas to the arts festivals of Europe and America--while at the same time achieving a doctorate in the anthropology of religion and being initiated into a number of yogic traditions. Having mastered the classical form of Kuchipudi dance and studied with teachers of the hatha and kriya yoga traditions, she brings together these two great streams of consciousness and practice. In this tantric approach to yoga and dance, expressed through the body and through a yoga of emotions, we see the traditions embodied in a manner that embraces the totality of the human experience. The result is the dance of the yogini, the sacred feminine initiatress who dances with one foot in nature and the other in the realm of the gods. With extensive photographs of innovative yoga routines, Roxanne Kamayani Gupta distills her experience into techniques for yogic study certain to assist students of all levels to achieve a dynamic, beautiful, and graceful practice.


Classical Sanskrit Tragedy

Classical Sanskrit Tragedy
Author: Bihani Sarkar
Publisher: Bloomsbury Publishing
Total Pages: 225
Release: 2021-01-28
Genre: History
ISBN: 0755617878

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It is often assumed that classical Sanskrit poetry and drama lack a concern with the tragic. However, as Bihani Sarkar makes clear in this book, this is far from the case. In the first study of tragedy in classical Sanskrit literature, Sarkar draws on a wide range of Sanskrit dramas, poems and treatises – much of them translated for the first time into English – to provide a complete history of the tragic in Indian literature from the second to the fourth centuries. Looking at Kalidasa, the most celebrated writer of Sanskrit poetry and drama (kavya), this book argues that constructions of absence and grief are central to Kalidasa's compositions and that these 'tragic middles' are much more sophisticated than previously understood. For Kalidasa, tragic middles are modes of thinking, in which he confronts theological and philosophical issues. Through a close literary analysis of the tragic middle in five of his works, the Abhijñanasakuntala, the Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the Meghaduta, Sarkar demonstrates the importance of tragedy for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy.