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| Author | : C. G. Crisp |
| Publisher | : Indiana University Press |
| Total Pages | : 522 |
| Release | : 1993 |
| Genre | : Motion pictures |
| ISBN | : 9780253315502 |
Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.
| Author | : Colin Crisp |
| Publisher | : Indiana University Press |
| Total Pages | : 342 |
| Release | : 2015-06-29 |
| Genre | : Performing Arts |
| ISBN | : 0253017033 |
This invaluable resource by one of the world's leading experts in French cinema presents a coherent overview of French cinema in the 20th century and its place and function in French society. Each filmography includes 101 films listed chronologically (Volume 1: 1929–1939 and Volume 2: 1940–1958) and provides accessible points of entry into the remarkable world of 20th-century French cinema. All entries contain a list of cast members and characters, production details, an overview of the film's cultural and historical significance, and a critical summary of the film's plot and narrative structure. Each volume includes an appendix listing rewards earned and an extensive reference list for further reading and research. A third volume, covering the period 1958–1974, is forthcoming.
| Author | : C. G. Crisp |
| Publisher | : Indiana University Press |
| Total Pages | : 492 |
| Release | : 2002 |
| Genre | : Film Genres |
| ISBN | : 9780253215161 |
This work identifies patterns in the fields of character, narrative, and setting in the French cinema of the early sound period.
| Author | : Colin Crisp |
| Publisher | : Indiana University Press |
| Total Pages | : 362 |
| Release | : 2015-08-10 |
| Genre | : Performing Arts |
| ISBN | : 0253017025 |
This invaluable resource by one of the world’s leading experts in French cinema presents a coherent overview of French cinema in the 20th century and its place and function in French society. Each filmography includes 101 films listed chronologically (Volume 1: 1929–1939 and Volume 2: 1940–1958) and provides accessible points of entry into the remarkable world of 20th-century French cinema. All entries contain a list of cast members and characters, production details, an overview of the film's cultural and historical significance, and a critical summary of the film's plot and narrative structure. Each volume includes an appendix listing rewards earned and an extensive reference list for further reading and research. A third volume, covering the period 1958–1974, is forthcoming.
| Author | : R�mi Fournier Lanzoni |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 633 |
| Release | : 2015-10-22 |
| Genre | : Performing Arts |
| ISBN | : 1501303074 |
"An all-encompassing history of French motion pictures and cinematographic trends chronologically from 1895 to the present"--
| Author | : Colleen Kennedy-Karpat |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 231 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 1611476135 |
Many popular French films of the 1930s captured the world and brought it into neighborhood cinemas for filmgoers who craved adventure. These films often served as visual postcards from the French empire, which enjoyed an unprecedented visibility in domestic popular culture between the world wars. But the public appetite for the exotic also transcended imperial borders. Exoticist films displayed landscapes and different that lay beyond the metropole, many of which were not subject to European rule. This broad conception of the exotic meant that French narrative cinema represented both colonial and non-colonial settings and populations, developing a coherent set of tropes that were shaped, yet not entirely defined, by the politics of imperial rule. Empire alone cannot address the full range of the French exoticist imaginary that was projected onto movie screens in the 30s. Only by venturing beyond imperial boundaries can we fully understand how the French saw non-Westerners and, by extension, how they saw themselves during this tumultuous decade. Rogues, Romance, and Exoticism in French Cinema of the 1930s proposes a critical framework for exoticist cinema that includes and exceeds the limits of empire. From rogue colons to the m tisse in love, from the deserts of North Africa to the streets of Shanghai, this book identifies and analyzes recurring figures, common settings, major stars, plot devices, and narrative outcomes that dominated exoticist cinema at its popular peak.
| Author | : Peter Graham |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 322 |
| Release | : 2022-09-08 |
| Genre | : Performing Arts |
| ISBN | : 1839022329 |
The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc. This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Françoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's À bout de souffle, the new edition includes a case study of the critical reception of two films by Agnès Varda: La Pointe Courte and Cléo de 5 à 7 . The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.
| Author | : Michael Temple |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 370 |
| Release | : 2018-01-18 |
| Genre | : Performing Arts |
| ISBN | : 1349929093 |
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
| Author | : Dayna Oscherwitz |
| Publisher | : Scarecrow Press |
| Total Pages | : 506 |
| Release | : 2009-09-02 |
| Genre | : Performing Arts |
| ISBN | : 081087038X |
It can be argued that cinema was created in France by Louis Lumi_re in 1895 with the invention of the cinZmatographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinZmatographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumi_re's La Sortie de l'usine, a minute-long film of workers leaving the Lumi_re factory, captured the imagination of the nation and quickly inspired the likes of Georges MZli_s, Alice Guy, and Charles PathZ. Through the years, French cinema has been responsible for producing some of the world's best directors_Jean Renoir, Jean-Luc Godard, Fran_ois Truffaut, and Louis Malle_and actors_Charles Boyer, Catherine Deneuve, GZrard Depardieu, and Audrey Tautou. The A to Z of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.
| Author | : Dudley Andrew |
| Publisher | : Oxford University Press |
| Total Pages | : 193 |
| Release | : 2023-10-18 |
| Genre | : History |
| ISBN | : 0198718616 |
It is often claimed that the French invented cinema, and although their prominence may have been supplanted by Hollywood today, the French film industry remains both prolific and highly lauded. Exploring the entire French cinematic oeuvre, Andrew teases out the distinguishing themes, to bring the defining features of French cinema to light.
