The Clash of Morality in the American Forest
Author | : Wilcomb E. Washburn |
Publisher | : |
Total Pages | : 16 |
Release | : 1976 |
Genre | : |
ISBN | : |
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Author | : Wilcomb E. Washburn |
Publisher | : |
Total Pages | : 16 |
Release | : 1976 |
Genre | : |
ISBN | : |
Author | : Robert Sayre |
Publisher | : U of Nebraska Press |
Total Pages | : 568 |
Release | : 2017 |
Genre | : History |
ISBN | : 1496204778 |
In Modernity and Its Other Robert Woods Sayre examines eighteenth-century North America through discussion of texts drawn from the period. He focuses on this unique historical moment when early capitalist civilization (modernity) in colonial societies, especially the British, interacted closely with Indigenous communities (the "Other") before the balance of power shifted definitively toward the colonizers. Sayre considers a variety of French perspectives as a counterpoint to the Anglo-American lens, including J. Hector St. John de Crèvecoeur and Philip Freneau, as well as both Anglo-American and French or French Canadian travelers in "Indian territory," including William Bartram, Jonathan Carver, John Lawson, Alexander Mackenzie, Baron de Lahontan, Pierre Charlevoix, and Jean-Baptiste Trudeau. Modernity and Its Other is an important addition to any North American historian's bookshelf, for it brings together the social history of the European colonies and the ethnohistory of the American Indian peoples who interacted with the colonizers.
Author | : James Axtell |
Publisher | : Oxford University Press |
Total Pages | : 313 |
Release | : 1988-08-25 |
Genre | : History |
ISBN | : 0198022069 |
This volume comprises a new collection of essays--four previously unpublished--by James Axtell, author of the acclaimed The European and the Indian and The Invasion Within: The Contest of Cultures in Colonial North America, and the foremost contemporary authority on Indian-European relations in Colonial North America. Arguing that moral judgements have a legitimate place in the writing of history, Axtell scrutinizes the actions of various European invaders--missionaries, traders, soldiers, and ordinary settlers--in the sixteenth century. Focusing on the interactions of Spanish, French, and English colonists with American Indians over the eastern half of the United States, he examines what the history of colonial America might have looked like had the New World truly been a "virgin land," devoid of Indians.
Author | : Karen Ordahl Kupperman |
Publisher | : UNC Press Books |
Total Pages | : 448 |
Release | : 1995 |
Genre | : History |
ISBN | : 9780807845103 |
For review see: Stephen J. Homick, in The Hispanic Historical Review (HAHR), vol. 77, no. 1 (February 1997); p. 78-80.
Author | : Gustavo Verdesio |
Publisher | : Temple University Press |
Total Pages | : 218 |
Release | : 2011-02-07 |
Genre | : History |
ISBN | : 1439907781 |
Re-reading Uruguay's colonial history.
Author | : Richard M. Dorson |
Publisher | : Indiana University Press |
Total Pages | : 614 |
Release | : 1986-02-22 |
Genre | : Music |
ISBN | : 9780253203731 |
Includes material on interpretation methods and presentation of research.
Author | : Swapan Chakravorty |
Publisher | : Clarendon Press |
Total Pages | : 246 |
Release | : 1996-05-23 |
Genre | : |
ISBN | : 019159170X |
A comprehensive reassessment of Middleton's cultural importance, this wide-ranging study examines both the writer's dramatic and non-dramatic texts to show how he laid bare the complicit interests at work behind assumptions about sex, morality, society, and politics in late feudal culture. Middleton's importance has long been acknowledged in the modern theatre, but academic criticism still seems distracted by questions regarding his morals and `Puritanism'. Swapan Chakravorty argues again the reductivism of such enquiries, and demonstrates the complexity behind the texts' disengagement from received ideological premises and gneric formulae. Combining close reading with lively historical analysis, Society and Politics in the Plays of Thomas Middleton reveals Middleton to have been a pioneer of politically self-conscious theatre. Full of insight, this study brings alive the plays' meanings by engaging with the social, political, and cultural concerns of Middleton's day.
Author | : Francis Schmidt |
Publisher | : Taylor & Francis |
Total Pages | : 404 |
Release | : 1987 |
Genre | : Gods |
ISBN | : 9783718603671 |
First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Sergei Kan |
Publisher | : U of Nebraska Press |
Total Pages | : 559 |
Release | : 2006-01-01 |
Genre | : History |
ISBN | : 080325363X |
In this volume some of the leading scholars working in Native North America explore contemporary perspectives on Native culture, history, and representation. Written in honor of the anthropologist Raymond D. Fogelson, the volume charts the currents of contemporary scholarship while offering an invigorating challenge to researchers in the field. The essays employ a variety of theoretical and methodological approaches and range widely across time and space. The introduction and first section consider the origins and legacies of various strands of interpretation, while the second part examines the relationship among culture, power, and creativity. The third part focuses on the cultural construction and experience of history, and the volume closes with essays on identity, difference, and appropriation in several historical and cultural contexts. Aimed at a broad interdisciplinary audience, the volume offers an excellent overview of contemporary perspectives on Native peoples.
Author | : Armando José Prats |
Publisher | : Cornell University Press |
Total Pages | : 343 |
Release | : 2018-08-06 |
Genre | : Performing Arts |
ISBN | : 1501729535 |
This incisive, provocative, and wide-ranging book casts a critical eye on the representation of Native Americans in the Western film since the genre's beginnings. Armando José Prats shows the ways in which film reflects cultural transformations in the course of America's historical encounter with "the Indian." He also explores the relation between the myth of conquest and American history. Among the films he discusses at length are Northwest Passage, Stagecoach, The Searchers, Hombre, Hondo, Ulzana's Raid, The Last of the Mohicans, and Dances With Wolves.Throughout, Prats emphasizes the irony that the Western seems to be able to represent Native Americans only by rendering them absent. In addition, he points out that Native Americans who appear in Westerns are almost always male; Native women rarely figure into the plot, and are often portrayed by white women rendered "Indian" by narrative necessity. Invisible Natives offers an intriguing view of the possibilities and consequences—as well as the historical sources and cultural origins—of the Western's strategies for evading the actual portrayal of Native Americans.