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| Author | : Ian Finseth |
| Publisher | : Oxford University Press |
| Total Pages | : 297 |
| Release | : 2018 |
| Genre | : HISTORY |
| ISBN | : 0190848340 |
The "ghastly spectacle": witnessing Civil War death -- Body images: the Civil War dead in visual culture -- Blood and ink: historicizing the Civil War dead -- Plotting mortality: the Civil War dead and the narrative imagination
| Author | : Ian Frederick Finseth |
| Publisher | : Oxford University Press, USA |
| Total Pages | : |
| Release | : 2018 |
| Genre | : Collective memory |
| ISBN | : 9780190848378 |
| Author | : Drew Gilpin Faust |
| Publisher | : Vintage |
| Total Pages | : 385 |
| Release | : 2009-01-06 |
| Genre | : History |
| ISBN | : 0375703837 |
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation. An estiated 750,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be seven and a half million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality. With a new introduction by the author, and a new foreword by Mike Mullen, 17th Chairman of the Joint Chiefs of Staff.
| Author | : Shannon Bontrager |
| Publisher | : U of Nebraska Press |
| Total Pages | : 432 |
| Release | : 2020-02 |
| Genre | : History |
| ISBN | : 1496219090 |
Hundreds of thousands of individuals perished in the epic conflict of the American Civil War. As battles raged and the specter of death and dying hung over the divided nation, the living worked not only to bury their dead but also to commemorate them. President Abraham Lincoln’s Gettysburg Address perhaps best voiced the public yearning to memorialize the war dead. His address marked the beginning of a new tradition of commemorating American soldiers and also signaled a transformation in the relationship between the government and the citizenry through an embedded promise and obligation for the living to remember the dead. In Death at the Edges of Empire Shannon Bontrager examines the culture of death, burial, and commemoration of American war dead. By focusing on the Civil War, the Spanish-Cuban-American War, the Philippine-American War, and World War I, Bontrager produces a history of collective memories of war expressed through American cultural traditions emerging within broader transatlantic and transpacific networks. Examining the pragmatic collaborations between middle-class Americans and government officials negotiating the contradictory terrain of empire and nation, Death at the Edges of Empire shows how Americans imposed modern order on the inevitability of death as well as how they used the war dead to reimagine political identities and opportunities into imperial ambitions.
| Author | : Kimberly J. Lamay Licursi |
| Publisher | : U of Nebraska Press |
| Total Pages | : 291 |
| Release | : 2018-03-01 |
| Genre | : History |
| ISBN | : 0803290853 |
State war histories: an atom of interest in an ocean of apathy -- War memoirs: they pour from the presses daily -- War stories: fiction cannot ignore the greatest adventure in a man's life -- War films: shootin' and kissin'
| Author | : Brook Thomas |
| Publisher | : JHU Press |
| Total Pages | : 399 |
| Release | : 2017-01-17 |
| Genre | : History |
| ISBN | : 1421421321 |
"In this groundbreaking new study, author Brook Thomas argues that literary analysis can enhance our historical understanding of race and Reconstruction. The standard view that Reconstruction ended with the Compromise of 1877 is a retrospective construction. Works of literature provide the perspective of those who continued to see possibilities for its renewal well past 1877. Historians have long tried to reconcile social history's emphasis on the local with political history's emphasis on the national. Literature creates national political allegories while focusing on events in a particular locale. Moreover, the debate over Reconstruction was a debate about state legitimacy as well as specific laws. It was a question of foundational myths as well as foundational legal principles. Literature's political allegories allow us to recreate those debates rather than view the end of Reconstruction as a foregone conclusion. Because many of the issues raised by Reconstruction remain unresolved, those debates continue into the present. Chapters treat how the racial issues raised by Reconstruction are interwoven with debates over state v. national authority, efforts to combat terrorism (the KKK), the paternalism of welfare, economic expansion, and the question of who should rightly inherit the nation's past. Thomas examines authors who opposed Reconstruction, authors who supported it, and authors who struggled with mixed feelings. This exciting text will set the standard in literary historical studies for decades to come"--
| Author | : Mark E Neely |
| Publisher | : Harvard University Press |
| Total Pages | : 286 |
| Release | : 2009-06-30 |
| Genre | : History |
| ISBN | : 0674041364 |
The Civil War is often portrayed as the most brutal war in America's history, a premonition of twentieth-century slaughter and carnage. In challenging this view, Mark E. Neely, Jr., considers the war's destructiveness in a comparative context, revealing the sense of limits that guided the conduct of American soldiers and statesmen. Neely begins by contrasting Civil War behavior with U.S. soldiers' experiences in the Mexican War of 1846. He examines Price's Raid in Missouri for evidence of deterioration in the restraints imposed by the customs of war; and in a brilliant analysis of Philip Sheridan's Shenandoah Valley campaign, he shows that the actions of U.S. cavalrymen were selective and controlled. The Mexican war of the 1860s between French imperial forces and republicans provided a new yardstick for brutality: Emperor Maximilian's infamous Black Decree threatened captured enemies with execution. Civil War battles, however, paled in comparison with the unrestrained warfare waged against the Plains Indians. Racial beliefs, Neely shows, were a major determinant of wartime behavior. Destructive rhetoric was rampant in the congressional debate over the resolution to avenge the treatment of Union captives at Andersonville by deliberately starving and freezing to death Confederate prisoners of war. Nevertheless, to gauge the events of the war by the ferocity of its language of political hatred is a mistake, Neely argues. The modern overemphasis on violence in Civil War literature has led many scholars to go too far in drawing close analogies with the twentieth century's total war and the grim guerrilla struggles of Vietnam.
| Author | : Christopher Hager |
| Publisher | : Harvard University Press |
| Total Pages | : 360 |
| Release | : 2018-01-08 |
| Genre | : History |
| ISBN | : 0674981812 |
For men in the Union and Confederate armies and their families at home, letter writing was the sole means to communicate. Taking pen to paper was a new and daunting task, but Christopher Hager shows how ordinary people made writing their own, and how they in turn transformed the culture of letters into a popular, democratic mode of communication.
| Author | : Bruce Catton |
| Publisher | : Wesleyan University Press |
| Total Pages | : 132 |
| Release | : 1958 |
| Genre | : Art |
| ISBN | : 9780819560162 |
A fascinating study of the first modern war and its effect on American Culture.
| Author | : Eliza Richards |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 256 |
| Release | : 2018-11-13 |
| Genre | : Literary Criticism |
| ISBN | : 0812250699 |
During the U.S. Civil War, a combination of innovative technologies and catastrophic events stimulated the development of news media into a central cultural force. Reacting to the dramatic increases in news reportage and circulation, poets responded to an urgent need to make their work immediately relevant to current events. As poetry's compressed forms traveled more quickly and easily than stories, novels, or essays through ephemeral print media, it moved alongside and engaged with news reports, often taking on the task of imagining the mental states of readers on receiving accounts from the war front. Newspaper and magazine poetry had long editorialized on political happenings—Indian wars, slavery and abolition, prison reform, women's rights—but the unprecedented scope of what has been called the first modern war, and the centrality of the issues involved for national futures, generated a powerful sense of single-mindedness among readers and writers that altered the terms of poetic expression. In Battle Lines, Eliza Richards charts the transformation of Civil War poetry, arguing that it was fueled by a symbiotic relationship between the development of mass media networks and modern warfare. Focusing primarily on the North, Richards explores how poets working in this new environment mediated events via received literary traditions. Collectively and with a remarkable consistency, poems pulled out key features of events and drew on common tropes and practices to mythologize, commemorate, and ponder the consequences of distant battles. The lines of communication reached outward through newspapers and magazines to writers such as Dickinson, Whitman, and Melville, who drew their inspiration from their peers' poetic practices and reconfigured them in ways that bear the traces of their engagements.
