The Cinema Of Max Ophuls PDF Download
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Author | : Susan M. White |
Publisher | : Columbia University Press |
Total Pages | : 422 |
Release | : 1995 |
Genre | : Performing Arts |
ISBN | : 0231101139 |
Download The Cinema of Max Ophuls Book in PDF, ePub and Kindle
Using film theory and current criticism, White traces the figure of woman in the work of Max Ophuls.
Author | : Alan Larson Williams |
Publisher | : |
Total Pages | : |
Release | : 1980 |
Genre | : |
ISBN | : |
Download Max Ophuls and the cinema of desire Book in PDF, ePub and Kindle
Author | : Alan Larson Williams |
Publisher | : |
Total Pages | : 194 |
Release | : 1980 |
Genre | : Performing Arts |
ISBN | : |
Download Max Ophuls and the Cinema of Desire Book in PDF, ePub and Kindle
Author | : Lutz Bacher |
Publisher | : Rutgers University Press |
Total Pages | : 404 |
Release | : 1996 |
Genre | : Biography & Autobiography |
ISBN | : 9780813522913 |
Download Max Ophuls in the Hollywood Studios Book in PDF, ePub and Kindle
Drawing on documents in many archives and on interviews with more than sixty of Ophuls' contemporaries, Bacher traces the European director's struggle to find a niche in the U.S. film industry.
Author | : Francis Ford Coppola |
Publisher | : Liveright Publishing |
Total Pages | : 224 |
Release | : 2017-09-26 |
Genre | : Performing Arts |
ISBN | : 1631493736 |
Download Live Cinema and Its Techniques Book in PDF, ePub and Kindle
From a master of cinema comes this “gold mine of a book . . . a rocket ride to the potential future” of filmmaking (Walter Murch). Celebrated as an “exhilarating account” of a revolutionary new medium (Booklist), Francis Ford Coppola’s indispensable guide to live cinema is a boon for moviegoers, film students, and teachers alike. As digital movie-making, like live sports, can now be performed by one director—or by a collaborative team online— it is only a matter of time before cinema auteurs will create “live” movies to be broadcast instantly in faraway theaters. “Peppered with brilliant personal observations” (Wendy Doniger), Live Cinema and Its Techniques offers a behind-the-scenes look at a consummate career: from Coppola’s formative boyhood obsession with live 1950s television shows and later attempts to imitate the spontaneity of live performance on set, the book usefully includes a guide to presenting state-of-the-art techniques on everything from rehearsals to equipment. A testament to Coppola’s prodigious enthusiasm for reinvigorating the form, Live Cinema is an indispensable guide that “reenergizes . . . the search for a new way of storytelling” (William Friedkin).
Author | : Barry Salt |
Publisher | : |
Total Pages | : 453 |
Release | : 2009 |
Genre | : Performing Arts |
ISBN | : 9780950906652 |
Download Film Style and Technology Book in PDF, ePub and Kindle
Film Style and Technology is a history of film style and its relationship to film technology. It also includes a theory of film analysis and demonstrates this theory using the films of Max Ophuls.
Author | : Robin Wood |
Publisher | : Wayne State University Press |
Total Pages | : 442 |
Release | : 2006-07-24 |
Genre | : Performing Arts |
ISBN | : 0814340067 |
Download Personal Views Book in PDF, ePub and Kindle
Robin Wood, the renowned scholarly critic and writer on film, has prepared a new introduction and added three essays to his classic text Personal Views. This important book contains essays on a wide range of films and filmmakers and considers questions of the nature of film criticism and the critic. Wood, the proud "unreconstructed humanist," offers in this collection persuasive arguments for the importance of art, creativity, and personal response and also demonstrates these values in his analyses. Personal Views is the only book on cinema by Wood never to have been published in the United States. It contains essays on popular Hollywood directors such as Howard Hawks, Vincente Minnelli, and Leo McCarey; as well as pieces on recognized auteurs like Max Ophuls, Orson Welles, Fritz Lang, and Josef von Sternberg; and essays on art-film icons Jean-Luc Godard, Michelangelo Antonioni, and Kenji Mizoguchi. The writings that make up Personal Views appeared duing a pivotal time in both film studies-during its academic institutionalization-and in the author's life. Throughout this period of change, Wood remained a stalwart anchor of the critical discipline, using theory without being used by it and always staying attentive to textual detail. Wood's overall critical project is to combine aesthetics and ideology in understanding films for the ultimate goal of enriching our lives individually and together. This is a major work to be read and reread not just by film scholars and students of film but by anyone with an interest in twentieth-century culture.
Author | : Miriam Hansen |
Publisher | : Univ of California Press |
Total Pages | : 406 |
Release | : 2012 |
Genre | : Art |
ISBN | : 0520265599 |
Download Cinema and Experience Book in PDF, ePub and Kindle
Kracauer. Film, medium of a disintegrating world. -- Curious Americanism. -- Benjamin. Actuality, antinomies. -- Aura: the appropriation of a concept. -- Mistaking the moon for a ball. -- Micky-maus. -- Room-for-play. -- Adorno. The question of film aesthetics. -- Kracauer in exile. Theory of film.
Author | : John Weightman |
Publisher | : |
Total Pages | : 356 |
Release | : 1974 |
Genre | : Performing Arts |
ISBN | : |
Download Masterworks of the French Cinema Book in PDF, ePub and Kindle
Vertaalde scripts van vier Franse films van rond de Tweede Wereldoorlog: Un chapeau de paille d'Italie, La grande illusion, La ronde, Le salaire de la peur.
Author | : Daniel Morgan |
Publisher | : Univ of California Press |
Total Pages | : 305 |
Release | : 2021-08-17 |
Genre | : Performing Arts |
ISBN | : 0520344278 |
Download The Lure of the Image Book in PDF, ePub and Kindle
The Lure of the Image shows how a close study of camera movement challenges key assumptions underlying a wide range of debates within cinema and media studies. Highlighting the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera—and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick and in contemporary digital technologies, The Lure of the Image exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways that filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, one that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style.