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The Cinema of David Cronenberg

The Cinema of David Cronenberg
Author: Ernest Mathijs
Publisher:
Total Pages: 330
Release: 2008
Genre: Performing Arts
ISBN:

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This volume explores the proliferation of contemporary art that uses sequences of images to explore ideas of space, time, movement and duration. Etienne-Jules Marey, Eadweard Muybridge and other 'chronophotographers' first explored these ideas at the turn of the nineteenth century; since then chronophotography has been in the shadow of cinema, but now it is emerging once again in post-cinema practices, digital art and new experimental photography. At the beginning of the twenty-first century, artists have found that sequences offer new opportunities for exploring continuing issues regarding aesthetics that operate at the intersection of time and space.#13;#13;The book contains number of illustrated essays by international critics and theorists and discusses the work of a wide range of artists engaged in contemporary chronophotography. The introduction also uses insights from chronophotography to dispel the myth of persistence of vision.


The Artist as Monster

The Artist as Monster
Author: William Beard
Publisher: University of Toronto Press
Total Pages: 585
Release: 2006-01-01
Genre: Performing Arts
ISBN: 0802038077

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The first systematic examination in English of Cronenberg's feature films, from Stereo (1969) to Crash (1996).


Consumed

Consumed
Author: David Cronenberg
Publisher: Simon and Schuster
Total Pages: 320
Release: 2014-09-30
Genre: Fiction
ISBN: 1416596135

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The story of two journalists whose entanglement in a French philosopher's death becomes a surreal journey into global conspiracy.


David Cronenberg's A History of Violence

David Cronenberg's A History of Violence
Author: Bart Beaty
Publisher: University of Toronto Press
Total Pages: 153
Release: 2008-01-01
Genre: Performing Arts
ISBN: 0802099327

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David Cronenberg's A History of Violence - the lead title in the new Canadian Cinema series - presents readers with a lively study of some of the filmmaker's favourite themes: violence, concealment, transformation, sex, and guilt.


The Cinema of David Cronenberg

The Cinema of David Cronenberg
Author: Ernest Mathijs
Publisher:
Total Pages: 324
Release: 2008
Genre: Literary Criticism
ISBN:

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This volume explores the proliferation of contemporary art that uses sequences of images to explore ideas of space, time, movement and duration. Etienne-Jules Marey, Eadweard Muybridge and other 'chronophotographers' first explored these ideas at the turn of the nineteenth century; since then chronophotography has been in the shadow of cinema, but now it is emerging once again in post-cinema practices, digital art and new experimental photography. At the beginning of the twenty-first century, artists have found that sequences offer new opportunities for exploring continuing issues regarding aesthetics that operate at the intersection of time and space.#13;#13;The book contains number of illustrated essays by international critics and theorists and discusses the work of a wide range of artists engaged in contemporary chronophotography. The introduction also uses insights from chronophotography to dispel the myth of persistence of vision.


The Philosophy of David Cronenberg

The Philosophy of David Cronenberg
Author: Simon Riches
Publisher: University Press of Kentucky
Total Pages: 232
Release: 2012-05-23
Genre: Philosophy
ISBN: 0813140609

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Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise. The Philosophy of David Cronenberg examines Cronenberg's body of work, from his breakthrough Scanners (1981) through his most recognizable films such as The Fly (1986) and more recent works. Editor Simon Riches and a collaboration of scholars introduce the filmmaker's horrific storylines and psychologically salient themes that reveal his pioneering use of the concept of "body horror," as well as his continued aim to satirize the modern misuse of science and technology. The Philosophy of David Cronenberg also explores the mutation of self, authenticity and the human mind, as well as language and worldviews. While Cronenberg's films have moved from small-market cult classics to mainstream successes, his intriguing visions of humanity and the self endure.


David Cronenberg

David Cronenberg
Author: Mark Browning
Publisher: Intellect (UK)
Total Pages: 216
Release: 2007
Genre: Performing Arts
ISBN:

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For more than thirty years, David Cronenberg has made independent films such as "Scanners" and "A History of Violence" which aim to disturb, surprise, and challenge audiences. He has also repeatedly drawn on literary fiction for inspiration, adapting themes from authors like William Burroughs, J. G. Ballard, and Patrick McGrath for the big screen; "David Cronenberg: Author or Filmmaker?" is the first book to explore how underground and mainstream fiction have influenced and can help illuminate his labyrinthine films. Film scholar Mark Browning examines Cronenberg s literary aesthetic not only in relation to his films obvious source material, but by comparing his movies to the writings of Vladimir Nabokov, Angela Carter, and Bret Easton Ellis. This groundbreaking volume addresses Cronenberg s narrative structures and his unique conception of auteurism, as well as his films shocking psychological frameworks, all in the broader context of film adaptation studies. "David Cronenberg" is an essential read for anyone interested in the symbiotic relationship between literature and filmmaking. "David Cronenberg" is a work that attempts to illuminate and unravel the connection between the great Canadian auteur and his literary influences. "Film Snob Weekly""" "David Cronenberg" is an essential read for anyone interested in the symbiotic relationship between literature and filmmaking. "Video Canada""" """""


Cronenberg on Cronenberg

Cronenberg on Cronenberg
Author: David Cronenberg
Publisher: Knopf Canada
Total Pages: 0
Release: 1992
Genre: Motion picture producers and directors
ISBN: 9780394222707

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David Cronenberg is Canada's most provocative director. With internationally acclaimed films such as "Scanners, The Fly, Dead Ringers and "Naked Lunch, he has demonstrated his ability to touch painful nerves and invest his own unique genre with a rare philosophical and emotional intensity. In this stimulating, vivid book--combining memoir, behind-the-scenes movie stories and unsettling and original insights into the traumas of the late 20th century--David Cronenberg reveals the concerns and obsessions which dominate his rich, complex work.


Cosmopolis

Cosmopolis
Author: Don DeLillo
Publisher: Simon and Schuster
Total Pages: 257
Release: 2003
Genre: Foreign exchange market
ISBN: 0743244249

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Eric Packer, a young billionaire asset manager, journeys across New York in his limousine despite a threat against his life, and the occurances of various events that are stalling traffic throughout the city.


Horror after 9/11

Horror after 9/11
Author: Aviva Briefel
Publisher: University of Texas Press
Total Pages: 272
Release: 2012-08-24
Genre: Performing Arts
ISBN: 0292742428

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Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.