The Cinema and Social Science
Author | : Luc de Heusch |
Publisher | : |
Total Pages | : 574 |
Release | : 1975 |
Genre | : Documentary films |
ISBN | : |
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Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Cinema And Social Science A Survey Of Ethnographic And Sociological Films PDF full book. Access full book title The Cinema And Social Science A Survey Of Ethnographic And Sociological Films.
Author | : Luc de Heusch |
Publisher | : |
Total Pages | : 574 |
Release | : 1975 |
Genre | : Documentary films |
ISBN | : |
Author | : Luc de Heusch |
Publisher | : |
Total Pages | : 0 |
Release | : 1962 |
Genre | : |
ISBN | : |
Author | : Fatimah Tobing Rony |
Publisher | : Duke University Press |
Total Pages | : 324 |
Release | : 1996 |
Genre | : Performing Arts |
ISBN | : 9780822318408 |
Charting the intersection of technology and ideology, cultural production and social science, Fatimah Tobing Rony explores early-twentieth-century representations of non-Western indigenous peoples in films ranging from the documentary to the spectacular to the scientific. Turning the gaze of the ethnographic camera back onto itself, bringing the perspective of a third eye to bear on the invention of the primitive other, Rony reveals the collaboration of anthropology and popular culture in Western constructions of race, gender, nation, and empire. Her work demonstrates the significance of these constructions--and, more generally, of ethnographic cinema--for understanding issues of identity. In films as seemingly dissimilar as Nanook of the North, King Kong, and research footage of West Africans from an 1895 Paris ethnographic exposition, Rony exposes a shared fascination with--and anxiety over--race. She shows how photographic "realism" contributed to popular and scientific notions of evolution, race, and civilization, and how, in turn, anthropology understood and critiqued its own use of photographic technology. Looking beyond negative Western images of the Other, Rony considers performance strategies that disrupt these images--for example, the use of open resistance, recontextualization, and parody in the films of Katherine Dunham and Zora Neale Hurston, or the performances of Josephine Baker. She also draws on the work of contemporary artists such as Lorna Simpson and Victor Masayesva Jr., and writers such as Frantz Fanon and James Baldwin, who unveil the language of racialization in ethnographic cinema. Elegantly written and richly illustrated, innovative in theory and original in method, The Third Eye is a remarkable interdisciplinary contribution to critical thought in film studies, anthropology, cultural studies, art history, postcolonial studies, and women's studies.
Author | : James C. Kaufman |
Publisher | : Oxford University Press, USA |
Total Pages | : 325 |
Release | : 2014 |
Genre | : Performing Arts |
ISBN | : 0199797811 |
This book compiles research from such varied disciplines as psychology, economics, sociology business, and communications to find the best empirical research being done on the movies, based on perspectives that many filmgoers have never considered.
Author | : Ian Charles Jarvie |
Publisher | : Routledge |
Total Pages | : 415 |
Release | : 2014-05-12 |
Genre | : Social Science |
ISBN | : 1317854152 |
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : David MacDougall |
Publisher | : Princeton University Press |
Total Pages | : 329 |
Release | : 2021-07-13 |
Genre | : Performing Arts |
ISBN | : 1400851815 |
David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer. In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.
Author | : Luc Pauwels |
Publisher | : Cambridge University Press |
Total Pages | : 351 |
Release | : 2015-08-27 |
Genre | : Social Science |
ISBN | : 1107008077 |
Insights into culture and society can be acquired by observing, analyzing and theorizing visible behavior of people and material products of culture. This book provides scholars, students, artists and professionals with a systematic and analytical presentation and discussion of methods and techniques to visually study and communicate culture and society.
Author | : Rolf Husmann |
Publisher | : LIT Verlag Münster |
Total Pages | : 350 |
Release | : 1992 |
Genre | : Language Arts & Disciplines |
ISBN | : 9783894733520 |
Author | : David MacDougall |
Publisher | : Princeton University Press |
Total Pages | : 328 |
Release | : 2006 |
Genre | : Performing Arts |
ISBN | : 0691121567 |
David MacDougall argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words.
Author | : David MacDougall |
Publisher | : Manchester University Press |
Total Pages | : 393 |
Release | : 2022-11-15 |
Genre | : Performing Arts |
ISBN | : 1526165333 |
The art of the observer is a personal guide to documentary filmmaking, based on the author’s years of pioneering work in the fields of ethnographic and documentary cinema. It stands in sharp contrast to books of academic film criticism and handbooks on visual research methods, being based extensively on concrete examples from the author’s own filmmaking experience. The book places particular emphasis on observational filmmaking and the ways in which this approach is distinct from other forms of documentary. It offers both practical insights and reflections on what it means, in both emotional and intellectual terms, to attempt to represent the lives of others. The book makes clear that documentary cinema is not simply a matter of recording reality, but of artfully organising the filmmaker’s observations in ways that reveal the complex patterns of social life.