The Cineaste Interviews
Author | : Dan Georgakas |
Publisher | : |
Total Pages | : 436 |
Release | : 1983 |
Genre | : Biography & Autobiography |
ISBN | : |
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Author | : Dan Georgakas |
Publisher | : |
Total Pages | : 436 |
Release | : 1983 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : |
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Total Pages | : |
Release | : 1985 |
Genre | : |
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Author | : |
Publisher | : |
Total Pages | : 396 |
Release | : 1983 |
Genre | : Film |
ISBN | : 9780941702027 |
Author | : Dan Georgakas |
Publisher | : |
Total Pages | : 396 |
Release | : 1985 |
Genre | : Art |
ISBN | : 9780745300146 |
Author | : Gary Crowdus |
Publisher | : Lakeview |
Total Pages | : 0 |
Release | : 2002 |
Genre | : Film and culture |
ISBN | : 9780941702508 |
Cineaste, America's leading magazine on the art and politics of the cinema, has been acclaimed worldwide for its interviews with filmmakers and film critics. In the early 1980s, a collection of some of the best of these was published as The Cineaste Interviews. Now, Cineaste Interviews 2 takes on the aesthetic and political issues that have dominated the film scene over the last twenty years. The focus of this particular collection of twenty-five interviews is on the role of the director.
Author | : Daniel Georgakas |
Publisher | : |
Total Pages | : |
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Author | : Cynthia Lucia |
Publisher | : University of Texas Press |
Total Pages | : 393 |
Release | : 2017-11-01 |
Genre | : Performing Arts |
ISBN | : 1477313419 |
Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no "material" prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: "Film Criticism in America Today" (2000), "International Film Criticism Today" (2005), "Film Criticism in the Age of the Internet" (2008), "Film Criticism: The Next Generation" (2013), "The Art of Repertory Film Exhibition and Digital Age Challenges" (2010), and "Film Preservation in the Digital Age" (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom ("Joe Bob Briggs"), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts.
Author | : Jonathan Kirshner |
Publisher | : Cornell University Press |
Total Pages | : 223 |
Release | : 2019-06-15 |
Genre | : Performing Arts |
ISBN | : 1501736116 |
In When the Movies Mattered Jonathan Kirshner and Jon Lewis gather a remarkable collection of authors to revisit the unique era in American cinema that was New Hollywood. Ten eminent contributors, some of whom wrote about the New Hollywood movement as it unfolded across the 1960s and 1970s, assess the convergence of film-industry developments and momentous social and political changes that created a new type of commercial film that reflected those revolutionary influences in American life. Even as New Hollywood first took shape, film industry insiders and commentators alike realized its significance. At the time, Pauline Kael compared the New Hollywood to the "tangled, bitter flowering of American letters in the 1850s" and David Thomson dubbed the era "the decade when movies mattered." Thomson's words provide the impetus for this volume in which a cohort of seasoned film critics and scholars who came of age watching the movies of this era reflect upon and reconsider this golden age in American filmmaking. Contributors: Molly Haskell, Heather Hendershot, J. Hoberman, George Kouvaros, Phillip Lopate, Robert Pippin, David Sterritt, David Thomson
Author | : A. Van Jordan |
Publisher | : W. W. Norton & Company |
Total Pages | : 134 |
Release | : 2013-04 |
Genre | : Literary Criticism |
ISBN | : 0393239152 |
Each poem is inspired by the poet's reaction to a film, whose director and date appear before the poem. The poems range widely: from The great train robbery (1903), Birth of a nation, Chien Andalou, to Blazing Saddles, or the 2010 remake of Metropolis.
Author | : Jonathan Rosenbaum |
Publisher | : University of Illinois Press |
Total Pages | : 296 |
Release | : 2018-11-30 |
Genre | : Performing Arts |
ISBN | : 0252050908 |
Godard. Fuller. Rivette. Endfield. Tarr. In his celebrated career as a film critic, Jonathan Rosenbaum has undertaken wide-ranging dialogues with many of the most daring and important auteurs of our time. Cinematic Encounters collects more than forty years of interviews that embrace Rosenbaum's vision of film criticism as a collaboration involving multiple voices. Rosenbaum accompanies Orson Welles on a journey back to Heart of Darkness , the unmade film meant to be Welles's Hollywood debut. Jacques Tati addresses the primacy of décor and soundtrack in his comedic masterpiece PlayTime, while Jim Jarmusch explains the influence of real and Hollywoodized Native Americans in Dead Man. By arranging the chapters chronologically, Rosenbaum invites readers to pursue thematic threads as if the discussions were dialogues between separate interviews. The result is a rare gathering of filmmakers trading thoughts on art and process, on great works and false starts, and on actors and intimate moments.