The Chicano/Hispanic Image in American Film
| Author | : Frank Javier Garcia Berumen |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 1995 |
| Genre | : Performing Arts |
| ISBN | : |
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Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Chicano Hispanic Image In American Film PDF full book. Access full book title The Chicano Hispanic Image In American Film.
The Latin Image in American Film
| Author | : Allen L. Woll |
| Publisher | : University of California, Latin American Center |
| Total Pages | : 160 |
| Release | : 1980 |
| Genre | : Performing Arts |
| ISBN | : |
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Chicano Images
| Author | : Christine List |
| Publisher | : Routledge |
| Total Pages | : 193 |
| Release | : 2013-12-04 |
| Genre | : Performing Arts |
| ISBN | : 1317928768 |
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Providing textual analysis of 12 feature films written and directed by filmmakers who explore aspects of the Chicano cultural movement, this book discusses films including Cheech and Chong's Still Smokin' (1983), El Norte (1985), and Break of Dawn (1988). The text analyzes the portrayal of Chicano, or Mexican American, identity in films by chicanos. Part historiography, part film analysis, part ethnography, this book offers a compelling story of how Chicanos challenge, subvert and create their own popular portrayals of Chicanismo. Historical stereotypical images in Hollywood films are discussed alongside contemporary images portrayed by Hollywood studios and independent Chicano filmmakers. The author examines the way in which newer films "construct new representations of Chicano culture" and present a greater variety of images of Chicanos for mainstream audiences. Originally published in 1996, this authoritative volume provides a full history of the Chicano cultural movement beginning in the 1960s as well as information on the development of Mexican American film production.
Latino Images in Film
| Author | : Charles Ramírez Berg |
| Publisher | : University of Texas Press |
| Total Pages | : 329 |
| Release | : 2009-09-15 |
| Genre | : Performing Arts |
| ISBN | : 0292783000 |
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The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.
Latin American Cinema
| Author | : Lisa Shaw |
| Publisher | : McFarland |
| Total Pages | : 228 |
| Release | : 2014-10-01 |
| Genre | : Performing Arts |
| ISBN | : 078648425X |
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Renewed interest in Latin American film industries has opened a host of paths of scholarly exploration. Productions from different countries reflect particular social attitudes, political climates and self-conceptions, and must be considered separately and as a whole. The search for national identity is a key component of Latin American films in a time of decreasing cultural diversity and pressures to westernize. Globalization and falling government support have fueled cross-border collaborations, calling into question the idea of a movie's "nationality," and leaving some nations' film industries on the brink of collapse. Whether thriving or barely surviving, struggling to remain distinct or embracing globalization on its own terms, addressing the government or society, Latin American cinema remains vibrant, offering a wealth of material to scholars of all stripes. These collected essays explore important elements of Latin American cinema and its associated national film industries. The first section of essays examines the impact of modernization on both Latin American screen images and the industry itself, offering modern and historical perspectives. The second section focuses on filmmakers who deal with issues of gender and sexuality, whether sexual transgression, the role of female characters, or societal attitudes towards sex and nudity. The final section of essays discusses the relationship between national identity and Latin American film industries: how movies are used to create a sense of self; Uruguay's ongoing identity crisis; and Brazil's use of Hollywood's stereotypical depiction of the country to depict itself. Photographs and an annotated bibliography accompany each essay, and an index supplements the text.
Latinos in American Films
| Author | : Jana Häntzschel |
| Publisher | : VDM Publishing |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Hispanic Americans in motion pictures |
| ISBN | : 9783836451574 |
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As the number of Latinos in the United States has been growing, making them the largest ethnic minority at the beginning of the twenty-first century, their presence in film has been increasing as well. Some Hispanic actors, like Antonio Banderas, Jennifer Lopez or Salma Hayek, have even become major stars. And Latinos have gained importance not only as actors on screen, but also behind the scenes as directors, producers and screenwriters. Has this growing influence changed their representation in Hollywood film? After a brief historical overview of the dominant images of Hispanics in American film, the author focuses on movies made since the 1980s. She explores contemporary Latino images in Hollywood film and compares them to past images, while also looking for new representations. To what extent are traditional depictions like the Latin lover, the bandit, the spitfire or the gangster still continued today? Which new representations have the Latinos in the movie industry contributed to balance the often stereotypical images of major Hollywood productions? The book is intended for people in film, media or ethnic studies and for film fans interested in Latino actors and movies.
The Film 'Tortilla Soup' in the Context of Mexican Life in USA and Type and Stereotype of Chicanos and Latinos in Film
| Author | : Sofie Renner |
| Publisher | : GRIN Verlag |
| Total Pages | : 38 |
| Release | : 2008-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 3638939677 |
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Seminar paper from the year 2003 in the subject American Studies - Literature, grade: 2 (B), University of Tubingen (English Seminar), course: HS Literature: Latino Images in U.S. Latino Film, 16 entries in the bibliography, language: English, abstract: I. Introduction In the following written analysis, I am going to deal with the topic "The film "Tortilla Soup" in context of Mexican Life in America and Type and Stereotype of Chicanos and Latinos in Film". In the main body, I am going to show II.1 Mexico with the points II.1.1 Mexican history, II.1.2 Mexican American Migration and II.1.3 Mexican Life in America. The next point will deal with the film "Tortilla Soup", II.2 About the film. I will divide this point into II.2.1 Plot, II.2.2 Major characters and actors and II.2.3 The picture of food in connection with family in "Tortilla Soup". After that, I will talk about II.3.1 Latinos and chicanos. This point will be divided into II.3.1 Type and Stereotype: Chicano Images in Film, II.3.2 What it means to be Latino in 2000 and II.3.4 Contemporary Latino films - the end of stereotypes?. The last point will be III. Conclusion. I think that the historical embedding of a film is extremely important to gain a better understanding of a film. I wanted to focus on Mexico first with its history, migration and the life of Mexicans in America. Then I wanted to talk about the film itself with the plot, main characters and the picture of food in connection with family in the film. And in the end, I wanted to deal with the topic of Chicano Images in Film, Latinos in the year 2000 and contemporary Latino films with a possible ending of stereotypes.
Censorship and Hollywood's Hispanic Image
| Author | : Alfred Richard |
| Publisher | : Greenwood |
| Total Pages | : 648 |
| Release | : 1993-04-22 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
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Between 1936 and 1955, Hollywood significantly changed its portrayal of Hispanics in motion pictures. This change resulted from the demands of the Production Code Administration, which required film makers to eliminate the more offensive stereotypical Hispanic images. This filmography chronicles all of the Hispanic-related films released during this period. The volume includes entries for nearly four thousand films. The entries are arranged in chapters, with each chapter devoted to a single year. Within the chapters, the entries are listed alphabetically by film title. Each entry includes production information, an annotation detailing the film's Hispanic significance, and references to additional materials. The volume concludes with an alphabetical index of film titles, an index of actors and actresses, an index of place names, a general subject index, and an index of songs. Film historians and scholars of Hispanic culture will find this work to be an indispensable reference tool.
Latino Image Makers in Hollywood
| Author | : Frank Javier Garcia Berumen |
| Publisher | : McFarland |
| Total Pages | : 345 |
| Release | : 2016-04-14 |
| Genre | : Performing Arts |
| ISBN | : 1476614113 |
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Latinos have been part of the Hollywood film industry for more than 100 years, yet beyond the remarkable success of a few, their visibility and clout have generally not reflected their significance in American society. Worse, the Latino image has suffered from widespread stereotyping in film, and performers face unjustified constraints in the kinds of roles available to them. Decade by decade from 1960 onward, this book analyzes important films made by or about Latinos, details the careers of Latino performers and filmmakers of the time, and analyzes how film portrayals of Latino characters and subjects connect with political and social trends of each decade. It discusses the role of gender, social class, and ethnicity in film portrayals and provides an overview of the diverse and dynamic Latino community in the United States, while celebrating a substantial and enduring contribution to Hollywood film history.
Stereotypes of Chicanos in the US
| Author | : Dominik Lorenz |
| Publisher | : GRIN Verlag |
| Total Pages | : 30 |
| Release | : 2008-11 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3640211057 |
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Seminar paper from the year 2008 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Freiburg, course: Mexicans in the US, 29 entries in the bibliography, language: English, abstract: In this term paper, negative stereotypes of Mexicans and Chicanos in the U.S. media will be examined. These stereotypes include violent, criminal and vile behavior while wearing a wide-brimmed sombrero with a bottle of tequila in hand. Why do they exist? What are the reasons for this? Berg argues that one prominent source for the dominant stereotype of Chicanos is the media, primarily the globally dominant U.S. media, and specifically - though not exclusively - Hollywood movies. According to the psychologist Yueh-Ting Lee, "stereotypes are probabilistic belief [which we] use to categorize people, objects, and events and we have to have them in order to deal with all the information in a world with which we are often uncertain as well as unfamiliar." A dangerous character is ascribed to stereotypes when we consider Bower's statement that stereotyping can be seen as a "breeding soil for errant generalizations about others that easily [merge] into racism, sexism, and other forms of bigotry." Since a complete presentation of the existing stereotypes would stretch the point, I will focus on the most popular stereotypes ascribed to Chicanos. Furthermore, the origin of these negative stereotypes towards this minority will be analysed. In order to explore this, I will place emphasis on stereotypes in American news, movies and in advertisement. Last but not least, I will talk about multicultural picture books and stereotypes therein. In the first part of this term paper, I will talk about blurred coverage in American news. Syque states that in creating stereotypes "we often mistakenly assume things are correlated when they are not; when we make this mistake, we will find ways to 'prove' it or simply believe and assert the correlation
