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The Case for Shakespeare's Authorship of The Famous Victories, with the Complete Text of the Anonymous Play

The Case for Shakespeare's Authorship of The Famous Victories, with the Complete Text of the Anonymous Play
Author: Seymour Maitland Pitcher
Publisher: SUNY Press
Total Pages: 318
Release: 1961-01-01
Genre: Biography & Autobiography
ISBN: 9780873950022

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In the opinion of the author, the anonymous sixteenth-century playscript entitled "The Famous Victories of Henry the Fifth" is actually one of the first efforts by the young but spirited dramatist, William Shakespeare. Produced about 1586--when the still unknown playwright-actor was 22 years old--the play in question is neither poetic nor highly distinguished. But Professor Pitcher, an ardent Shakespearean scholar, here presents an interesting and ingenious argument for his belief that the unknown playwright was the Bard himself. The object of much critical disparagement and scholarly dispute, "The Famous Victories" covers approximately the same span of events as that in the playwright's famous trilogy immortalizing Henry of Monmouth. In its own time, it was considered exciting. "What a glorious thing it is," wrote Thomas Nash in 1592, "to have Henry the Fifth represented on the stage leading the French king prisoner and forcing him and the dolphin to swear fealty." Dr. Pitcher believes that Heming and Condell omitted "The Famous Victories" from their First Folio in 1623 because they felt it was not worthy of a place with the later, highly professional plays of Shakespeare, none of which contains such inexperienced writing. If Dr. Pitcher's line of reasoning is correct, his conclusion is of great value in dissipating some of the mystery surrounding Shakespeare's early years. For despite the play's slapstick and buffoonery, it shows that its 22-year-old author was no mere holder of horses at theatre doors, but was already well read enough among "rusty brass and wormeaten books" to piece together his story of "The Famous Victories" from the chronicles of Edward Hall, Raphael Holinshed, and John Stow. Certain to arouse violent discussion among Shakespearean scholars, Dr. Pitcher's book is the considered product of many years of thought and study. The text of the Elizabethan play concerned will in itself be of interest to students of the drama, and the possibility that Shakespeare himself penned its lines will lend an excitement to the reading of the scenes. The famous "Grafton portrait" of a youth believed to be the young Shakespeare appears as frontispiece.


The Case for Shakespeare's Authorship of The Famous Victories, with the Complete Text of the Anonymous Play

The Case for Shakespeare's Authorship of The Famous Victories, with the Complete Text of the Anonymous Play
Author: Seymour M. Pitcher
Publisher: State University of New York Press
Total Pages: 284
Release: 1961-06-30
Genre: Biography & Autobiography
ISBN: 1438416202

Download The Case for Shakespeare's Authorship of The Famous Victories, with the Complete Text of the Anonymous Play Book in PDF, ePub and Kindle

In the opinion of the author, the anonymous sixteenth-century playscript entitled "The Famous Victories of Henry the Fifth" is actually one of the first efforts by the young but spirited dramatist, William Shakespeare. Produced about 1586—when the still unknown playwright-actor was 22 years old—the play in question is neither poetic nor highly distinguished. But Professor Pitcher, an ardent Shakespearean scholar, here presents an interesting and ingenious argument for his belief that the unknown playwright was the Bard himself. The object of much critical disparagement and scholarly dispute, "The Famous Victories" covers approximately the same span of events as that in the playwright's famous trilogy immortalizing Henry of Monmouth. In its own time, it was considered exciting. "What a glorious thing it is," wrote Thomas Nash in 1592, "to have Henry the Fifth represented on the stage leading the French king prisoner and forcing him and the dolphin to swear fealty." Dr. Pitcher believes that Heming and Condell omitted "The Famous Victories" from their First Folio in 1623 because they felt it was not worthy of a place with the later, highly professional plays of Shakespeare, none of which contains such inexperienced writing. If Dr. Pitcher's line of reasoning is correct, his conclusion is of great value in dissipating some of the mystery surrounding Shakespeare's early years. For despite the play's slapstick and buffoonery, it shows that its 22-year-old author was no mere holder of horses at theatre doors, but was already well read enough among "rusty brass and wormeaten books" to piece together his story of "The Famous Victories" from the chronicles of Edward Hall, Raphael Holinshed, and John Stow. Certain to arouse violent discussion among Shakespearean scholars, Dr. Pitcher's book is the considered product of many years of thought and study. The text of the Elizabethan play concerned will in itself be of interest to students of the drama, and the possibility that Shakespeare himself penned its lines will lend an excitement to the reading of the scenes. The famous "Grafton portrait" of a youth believed to be the young Shakespeare appears as frontispiece.


Contested Will

Contested Will
Author: James Shapiro
Publisher: Simon and Schuster
Total Pages: 356
Release: 2011-04-19
Genre: Biography & Autobiography
ISBN: 1416541632

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Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.


Shakespeare by Another Name

Shakespeare by Another Name
Author: Margo Anderson
Publisher: Untreed Reads
Total Pages: 667
Release: 2011-11-04
Genre: Literary Criticism
ISBN: 1611871786

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The debate over the true author of the Shakespeare canon has raged for centuries. Astonishingly little evidence supports the traditional belief that Will Shakespeare, the actor and businessman from Stratford-upon-Avon, was the author. Legendary figures such as Mark Twain, Walt Whitman and Sigmund Freud have all expressed grave doubts that an uneducated man who apparently owned no books and never left England wrote plays and poems that consistently reflect a learned and well-traveled insider's perspective on royal courts and the ancient feudal nobility. Recent scholarship has turned to Edward de Vere, 17th Earl of Oxford-an Elizabethan court playwright known to have written in secret and who had ample means, motive and opportunity to in fact have assumed the "Shakespeare" disguise. "Shakespeare" by Another Name is the literary biography of Edward de Vere as "Shakespeare." This groundbreaking book tells the story of de Vere's action-packed life-as Renaissance man, spendthrift, courtier, wit, student, scoundrel, patron, military adventurer, and, above all, prolific ghostwriter-finding in it the background material for all of The Bard's works. Biographer Mark Anderson incorporates a wealth of new evidence, including de Vere's personal copy of the Bible (in which de Vere underlines scores of passages that are also prominent Shakespearean biblical references).


The English History Play in the age of Shakespeare

The English History Play in the age of Shakespeare
Author: Irving Ribner.
Publisher: Routledge
Total Pages: 371
Release: 2013-11-05
Genre: Literary Criticism
ISBN: 1136566856

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First published in 1957. This edition re-issues the second edition of 1965. Recognized as one of the leading books in its field, The English History Play in the Age of Shakespeare presents the most comprehensive account available of the English historical drama from its beginning to the closing of the theatres in 1642 and relates this development to Renaissance historiography and Elizabethan political theory.


The Noise of Threatening Drum

The Noise of Threatening Drum
Author: Larry S. Champion
Publisher: University of Delaware Press
Total Pages: 188
Release: 1990
Genre: Drama
ISBN: 9780874133875

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This work focuses on thirteen English Renaissance plays: the Anonymous Famous Victories of Henry V and Edward III, the apocryphal plays Sir John Oldcastle and Thomas, Lord Cromwell, the pseudo-Shakespearean Edmund Ironside, and Shakespeare's 1, 2, 3 Henry VI, King John, Richard II, 1, 2 Henry IV, and Henry V. Discussed are the spectators in the socially mixed audience who responded differently, depending on individual political biases, and who had to be considered if the plays were to reach the stage.