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| Author | : Stanley Sadie |
| Publisher | : Cambridge University Press |
| Total Pages | : 222 |
| Release | : 1990-04-05 |
| Genre | : Music |
| ISBN | : 9780521399425 |
For all those who love music and wish to know more about its colourful history, development and theory.
| Author | : Stanley Sadie |
| Publisher | : Prentice Hall |
| Total Pages | : 428 |
| Release | : 1990 |
| Genre | : Music |
| ISBN | : |
| Author | : Stanley Sadie |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1996 |
| Genre | : |
| ISBN | : |
| Author | : Melanie Fritsch |
| Publisher | : Cambridge University Press |
| Total Pages | : 483 |
| Release | : 2021-04-29 |
| Genre | : Computers |
| ISBN | : 1108473024 |
A wide-ranging survey of video game music creation, practice, perception and analysis - clear, authoritative and up-to-date.
| Author | : Benedict Taylor |
| Publisher | : Cambridge University Press |
| Total Pages | : 403 |
| Release | : 2021-08-26 |
| Genre | : History |
| ISBN | : 1108475434 |
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
| Author | : Mark Everist |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2018-08-09 |
| Genre | : Music |
| ISBN | : 1108577075 |
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
| Author | : José Antonio Bowen |
| Publisher | : Cambridge University Press |
| Total Pages | : 585 |
| Release | : 2003-11-20 |
| Genre | : Music |
| ISBN | : 1107494788 |
In this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado's studio producer explains orchestral recording, and one of the world's most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time.
| Author | : Thomas S. Grey |
| Publisher | : Cambridge University Press |
| Total Pages | : 692 |
| Release | : 2008-09-11 |
| Genre | : Music |
| ISBN | : 1139825941 |
Richard Wagner is remembered as one of the most influential figures in music and theatre, but his place in history has been marked by a considerable amount of controversy. His attitudes towards the Jews and the appropriation of his operas by the Nazis, for example, have helped to construct a historical persona that sits uncomfortably with modern sensibilities. Yet Wagner's absolutely central position in the operatic canon continues. This volume serves as a timely reminder of his ongoing musical, cultural, and political impact. Contributions by specialists from such varied fields as musical history, German literature and cultural studies, opera production, and political science consider a range of topics, from trends and problems in the history of stage production to the representations of gender and sexuality. With the inclusion of invaluable and reliably up-to-date biographical data, this collection will be of great interest to scholars, students, and enthusiasts.
| Author | : Philip V. Bohlman |
| Publisher | : Cambridge University Press |
| Total Pages | : 943 |
| Release | : 2013-12-12 |
| Genre | : Music |
| ISBN | : 1316025667 |
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
| Author | : Mark Everist |
| Publisher | : Cambridge University Press |
| Total Pages | : 982 |
| Release | : 2011-03-03 |
| Genre | : Music |
| ISBN | : 1107495121 |
From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.
