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| Author | : Christopher B. Balme |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2008-09-18 |
| Genre | : Drama |
| ISBN | : 9780521856225 |
This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance.
| Author | : Tracy C. Davis |
| Publisher | : Cambridge University Press |
| Total Pages | : 361 |
| Release | : 2008-11-13 |
| Genre | : Drama |
| ISBN | : 1139828185 |
Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.
| Author | : Christopher Innes |
| Publisher | : Cambridge University Press |
| Total Pages | : 299 |
| Release | : 2013-05-02 |
| Genre | : Drama |
| ISBN | : 0521844495 |
The director was fundamental to the development of modern theatre. This Introduction explores the emergence of the director's artistic force.
| Author | : Thomas Postlewait |
| Publisher | : Cambridge University Press |
| Total Pages | : 360 |
| Release | : 2009-04-30 |
| Genre | : Drama |
| ISBN | : 9780521499170 |
This Introduction - an indispensable 'how to' guide for students and teachers alike - investigates the methods and aims of historical study in the performing arts, from archival research to historical writing. Beginning with case studies on Shakespearean theatre and avant-garde theatre, this study examines fundamental procedures and problems in documentary history and cultural history. It demonstrates how historians not only construct various kinds of performance events but also place them in relation to the historical agents, the political and social conditions, artistic traditions, audience responses, and historical periods. Drawing upon scholarship in classics, literary studies, art history, performance studies, and general history, Postlewait shows how to ask appropriate historical questions, construct evidence, use plays as historical documents, eliminate faulty sources, challenge unreliable witnesses, and develop historical arguments and narratives. The book concludes with a survey of the 'twelve cruxes' of research, analysis, and writing in theatre history.
| Author | : David Wiles |
| Publisher | : Cambridge University Press |
| Total Pages | : 339 |
| Release | : 2013 |
| Genre | : Drama |
| ISBN | : 0521766362 |
A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.
| Author | : Janette Dillon |
| Publisher | : Cambridge University Press |
| Total Pages | : 39 |
| Release | : 2006-06-12 |
| Genre | : Drama |
| ISBN | : 0521834740 |
An accessible introduction to early English theatre, from the late medieval period to 1642.
| Author | : Kirsten E. Shepherd-Barr |
| Publisher | : Cambridge University Press |
| Total Pages | : 237 |
| Release | : 2020-12-03 |
| Genre | : Art |
| ISBN | : 110847652X |
The first ever companion to theatre and science brings together research on key topics, performances, and new areas of interest.
| Author | : James R. Brandon |
| Publisher | : Cambridge University Press |
| Total Pages | : 266 |
| Release | : 1997-01-28 |
| Genre | : Drama |
| ISBN | : 9780521588225 |
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
| Author | : Joslin McKinney |
| Publisher | : Cambridge University Press |
| Total Pages | : 406 |
| Release | : 2009-11-19 |
| Genre | : Drama |
| ISBN | : 1316347788 |
Scenography – the manipulation and orchestration of the performance environment – is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists.
| Author | : Brian Crow |
| Publisher | : Cambridge University Press |
| Total Pages | : 208 |
| Release | : 1996-03-21 |
| Genre | : Drama |
| ISBN | : 9780521567220 |
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.
