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| Author | : Paul Binski |
| Publisher | : |
| Total Pages | : 424 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : |
An informative and richly illustrated guide to over 200 outstanding illuminated manuscripts and leaves featured in this spectacular exhibition.
| Author | : Stella Panayotova |
| Publisher | : |
| Total Pages | : 360 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
26 papers delivered at the Conference held in Cambridge in December 2005 by a distinguished group of art historians and medievalists are presented here, each with illustrations.
| Author | : Stella Panayotova |
| Publisher | : Harvey Miller |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Illumination of books and manuscripts, Medieval |
| ISBN | : 9781909400566 |
"This richly illustrated catalogue accompanies the exhibition that celebrates the bicentenary of the Fitzwilliam Museum in Cambridge with a display of its finest illuminated manuscripts. Of all the medieval and Renaissance arts - from sculptures, ivories, frescoes and stained glass to easel and wall paintings - it is manuscript illuminations, protected inside volumes, that best preserve the glowing colours and precious metals that would have dazzled their original spectators. The focus of this exciting and innovative exhibition is on COLOUR: it integrates scientific and art historical analyses of painting materials and techniques with studies on the manuscripts' historic contexts of production, including the relationships between artists and patrons. Identifications of the pigments' chemical composition and methods of application are considered alongside their aesthetic impact as well as the multiple dimensions and meanings of colour appreciated by medieval and Renaissance viewers. Over 150 manuscripts are displayed in the exhibition dating from the 8th to the 19th century and all are catalogued and fully illustrated here. The manuscripts are grouped in 14 thematic sections each of which is introduced by an essay that includes further relevant illustrations and presents the scientific and art historical analyses in a broader cultural context. The majority of the exhibits are from the Museum's collection and the main focus is on Western European illumination, but examples of Byzantine, Armenian, Persian and Sanskrit manuscripts are also included. In addition there are special loans from other Cambridge, British and European collections. The catalogue entries and introductory essays are written by a team of leading manuscript scholars, scientists and conservators who offer an integrated, cross-disciplinary approach and new insights into the art of illumination."--
| Author | : Paul Binski |
| Publisher | : Cambridge University Press |
| Total Pages | : 725 |
| Release | : 2011-03-31 |
| Genre | : Art |
| ISBN | : 1139500600 |
Cambridge University Library's collection of illuminated manuscripts is of international significance. It originates in the medieval university and stands alongside the holdings of the colleges and the Fitzwilliam Museum. The University Library contains major European examples of medieval illumination from the ninth to the sixteenth centuries, with acknowledged masterpieces of Romanesque, Gothic and Renaissance book art, as well as illuminated literary texts, including the first complete Chaucer manuscript. This catalogue provides scholars and researchers easy access to the University Library's illuminated manuscripts, evaluating the importance of many of them for the very first time. It contains descriptions of famous manuscripts, for example the Life of Edward the Confessor attributed to Matthew Paris, as well as hundreds of lesser-known items. Beautifully illustrated throughout, the catalogue contains descriptions of individual manuscripts with up-to-date assessments of their style, origins and importance, together with bibliographical references.
| Author | : Jennifer Bain |
| Publisher | : Cambridge University Press |
| Total Pages | : 351 |
| Release | : 2021-11-04 |
| Genre | : Literary Criticism |
| ISBN | : 1108471358 |
This volume explores the extraordinary life and works of Hildegard of Bingen, medieval writer, composer, visionary, and monastic founder.
| Author | : Christopher De Hamel |
| Publisher | : |
| Total Pages | : 280 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : |
"Illuminated manuscripts are perhaps the most beautiful treasures to survive from the middle ages. This authoritative volume provides a comprehensive introduction to the medieval world of books, their production and their consumption. The text divides this world into different groups of readers and writers: missionaries, emperors, monks, students, aristocrats, priests, collectors and the general public. De Hamel is both informative and immensely readable, and the sumptuous illustrations render this book too good to be missed."--From Amazon.com
| Author | : Stella Panayotova |
| Publisher | : Thames and Hudson |
| Total Pages | : 362 |
| Release | : 2008-11-18 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
Having rested unknown for centuries in the Library of the Earls of Macclesfield at Shirburn Castle, Oxfordshire, the Macclesfield Psalter is the most important medieval manuscript discovered in living memory and has captured the nation's imagination.
| Author | : Jessica Berenbeim |
| Publisher | : Studies and Texts |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 9780888441942 |
The later Middle Ages was a time of profound connection between the spheres of bureaucracy and art. By discussing the two together, this book argues that art-historical methods offer an important contribution to diplomatics, and that works of art are important sources for the cultural reception of documentary practices. Documents are also an important model for representation, and an understanding of the paradigmatic role of the document suggests alternative dimensions to the interpretation of late-medieval art. Ultimately, the ways documents appeared, functioned, and were perceived have implications for objects of all kinds. The discourses of documentation suggested an essential and consequential connection between objects and events: documents offered a powerful and widely disseminated model for how ephemeral actions and relationships could find enduring material form. With the broad diffusion of administrative records, this idea came to manifest itself in other forms of visual culture. Medieval monks inventoried documents alongside the contents of their treasuries, set them on the altar, and wrote about fantastical charters of gold. Documents can still be a person's - or a nation's - most treasured possessions. As powerful objects of veneration and instruments of control, they connect medieval society and our own, testing modern perceptions of the Middle Ages as an entirely lost world.
| Author | : Conrad Rudolph |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1040 |
| Release | : 2019-05-07 |
| Genre | : Art |
| ISBN | : 1119077729 |
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
| Author | : Susan L'Engle |
| Publisher | : Harvey Miller |
| Total Pages | : 276 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : |
Catalog of an exhibition held Nov. 3-Dec. 16, 2001 at the Fitzwilliam Museum, Cambridge.
