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The Cambridge History of Music Criticism

The Cambridge History of Music Criticism
Author: Christopher Dingle
Publisher: Cambridge University Press
Total Pages:
Release: 2019-08-31
Genre: Music
ISBN: 1108637981

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Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.


The Cambridge History of Western Music Theory

The Cambridge History of Western Music Theory
Author: Thomas Christensen
Publisher: Cambridge University Press
Total Pages: 1033
Release: 2006-04-20
Genre: Music
ISBN: 1316025489

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The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.


The Cambridge History of World Music

The Cambridge History of World Music
Author: Philip V. Bohlman
Publisher: Cambridge University Press
Total Pages: 943
Release: 2013-12-12
Genre: Music
ISBN: 1316025667

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Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.


The Cambridge History of Seventeenth-Century Music

The Cambridge History of Seventeenth-Century Music
Author: Tim Carter
Publisher: Cambridge University Press
Total Pages: 636
Release: 2005-12-22
Genre: Music
ISBN: 9780521792738

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First published in 2005, this title provides extensive knowledge on seventeenth-century music.


Music Criticism in Nineteenth-Century France

Music Criticism in Nineteenth-Century France
Author: Katharine Ellis
Publisher: Cambridge University Press
Total Pages: 18
Release: 1995-09-14
Genre: Music
ISBN: 9780521454438

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In particular, Dr Ellis considers the music journalism of the Revue et Gazette musicale de Paris, the single most important specialist periodical of the mid nineteenth century, explaining how French music criticism was influenced by aesthetic and philosophical movements.


The Cambridge History of American Music

The Cambridge History of American Music
Author: David Nicholls
Publisher: Cambridge University Press
Total Pages: 668
Release: 1998-11-19
Genre: Music
ISBN: 9780521454292

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The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions.


The Cambridge History of Twentieth-Century Music

The Cambridge History of Twentieth-Century Music
Author: Nicholas Cook
Publisher: Cambridge University Press
Total Pages: 848
Release: 2004-08-05
Genre: Music
ISBN: 9780521662567

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Publisher Description


The History of Music

The History of Music
Author: Emil Naumann
Publisher:
Total Pages: 300
Release: 1886
Genre: Music
ISBN:

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Music and the Origins of Language

Music and the Origins of Language
Author: Downing A. Thomas
Publisher: Cambridge University Press
Total Pages: 211
Release: 1995-06-15
Genre: History
ISBN: 0521473071

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This study analyses reflections on music and considers ways in which it facilitates links between language and meaning.


The Cambridge History of Literary Criticism: Volume 6, The Nineteenth Century, c.1830–1914

The Cambridge History of Literary Criticism: Volume 6, The Nineteenth Century, c.1830–1914
Author: M. A. R. Habib
Publisher: Cambridge University Press
Total Pages: 796
Release: 2013-02-07
Genre: Literary Criticism
ISBN: 1316175170

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In the nineteenth century, literary criticism first developed into an autonomous, professional discipline in the universities. This volume provides a comprehensive and authoritative study of the vast field of literary criticism between 1830 and 1914. In over thirty essays written from a broad range of perspectives, international scholars examine the growth of literary criticism as an institution, and the major critical developments in diverse national traditions and in different genres, as well as the major movements of Realism, Naturalism, Symbolism and Decadence. The History offers a detailed focus on some of the era's great critical figures, such as Sainte-Beuve, Hippolyte Taine and Matthew Arnold, and includes essays devoted to the connections of literary criticism with other disciplines in science, the arts and Biblical studies. The publication of this volume marks the completion of the monumental Cambridge History of Literary Criticism from antiquity to the present day.