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| Author | : Sacvan Bercovitch |
| Publisher | : Cambridge University Press |
| Total Pages | : 568 |
| Release | : 1994 |
| Genre | : Literary Criticism |
| ISBN | : 9780521497336 |
Multi-volume history of American literature.
| Author | : Wiley Lee Umphlett |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 476 |
| Release | : 2006 |
| Genre | : History |
| ISBN | : 9780838640807 |
This book complements and expands on the commentary andconclusions of the author's initial inquiry into the modern era ofmedia-made culture in The Visual Focus of American Media Culture inthe Twentieth Century (FDUP, 2004). From the 1890s on to the 1920sand the Depression and World War II years, society's pervasivelycommunal focus demanded idealized images and romanticizedinterpretations of life. But the communal imperative, as it was impactedon by evolving social change, harbored the seeds of its owndisintegration.
| Author | : Aleksandra Nikčević Batrićević |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 260 |
| Release | : 2010-05-11 |
| Genre | : Social Science |
| ISBN | : 1443822434 |
The research presented in this book is authored by scholars coming from as distant regions as South Africa, the United States of America, Great Britain, France, Italy, Belarus, the Balkans. Needless to say that one of the good things about this international cooperation is that owing to their different socio-cultural backgrounds, these scholars have contributed to producing an extremely varied picture of ways of approaching the challenge of a changing world. The papers on literature and culture collected in this book contribute a further element of rigour into the discussion of numerous and always varying and changing borders of convention in a literary text, literary genre, and literary theory, as well as in general culture and everyday paths of life. Starting with oral cultures, over the classic literary masters, modernist and postmodernist textual and theoretical phenomena, the twentieth century flouting of numerous social and gender convention, through painting, film, dance, contemporary music, as well as graffiti, We have sought to stress that what is most noticeable from the evidence of their studies is that scholars today concern these issues through a dynamic global process and beyond any preconceived design, or any strict set of theoretical prescriptions, which would otherwise lead them to ignore the ever-shifting borders in literature and culture, as well as in global socio-cultural reality in general. The variety and complexity of these essays offer fresh views to the problem posed in the title of the book. Therefore, we trust that they will stimulate intellectual confrontation and circulation of ideas within the field of literature and cultural studies.
| Author | : Sacvan Bercovitch |
| Publisher | : Cambridge University Press |
| Total Pages | : 580 |
| Release | : 1994 |
| Genre | : Literary Criticism |
| ISBN | : 9780521301084 |
This is the first complete narrative history of nineteenth-century American poetry. Barbara Packer explores the neoclassical and satiric forms mastered by the early Federalist poets; the creative reaches of once-celebrated, and still compelling, poets like Longfellow and Whittier; the distinctive lyric forms developed by Emerson and the Transcendentalists. Shira Wolosky provides a new perspective on the achievement of female poets of the period, as well as a close appreciation of African-American poets, including the collective folk authors of the Negro spirituals. She also illuminates the major works of the period, from Poe through Melville and Crane, to Whitman and Dickinson. The authors of this volume discuss this extraordinary literary achievement both in formal terms and in its sustained engagement with changing social and cultural conditions. In doing so they recover and elucidate American poetry of the nineteenth century for our twenty-first century pleasure, profit, and renewed study.
| Author | : Dale M. Bauer |
| Publisher | : Cambridge University Press |
| Total Pages | : 1161 |
| Release | : 2012-05-24 |
| Genre | : Literary Criticism |
| ISBN | : 1316176002 |
The field of American women's writing is one characterized by innovation: scholars are discovering new authors and works, as well as new ways of historicizing this literature, rethinking contexts, categories and juxtapositions. Now, after three decades of scholarly investigation and innovation, the rich complexity and diversity of American literature written by women can be seen with a new coherence and subtlety. Dedicated to this expanding heterogeneity, The Cambridge History of American Women's Literature develops and challenges historical, cultural, theoretical, even polemical methods, all of which will advance the future study of American women writers – from Native Americans to postmodern communities, from individual careers to communities of writers and readers. This volume immerses readers in a new dialogue about the range and depth of women's literature in the United States and allows them to trace the ever-evolving shape of the field.
| Author | : |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1947 |
| Genre | : |
| ISBN | : |
| Author | : Mark Whalan |
| Publisher | : Cambridge University Press |
| Total Pages | : 948 |
| Release | : 2023-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 1108808026 |
The Cambridge History of American Modernism examines one of the most innovative periods of American literary history. It offers a comprehensive account of the forms, genres, and media that characterized US modernism: coverage ranges from the traditional, such as short stories, novels, and poetry, to the new media that shaped the period's literary culture, such as jazz, cinema, the skyscraper, and radio. This volume charts how recent methodologies such as ecocriticism, geomodernism, and print culture studies have refashioned understandings of the field, and attends to the contestations and inequities of race, sovereignty, gender, sexuality, and ethnicity that shaped the period and its cultural production. It also explores the geographies and communities wherein US modernism flourished-from its distinctive regions to its metropolitan cities, from its hemispheric connections to the salons and political groupings that hosted new cultural collaborations.
| Author | : Sacvan Bercovitch |
| Publisher | : Cambridge University Press |
| Total Pages | : 824 |
| Release | : 1994 |
| Genre | : Literary Criticism |
| ISBN | : 9780521497329 |
Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions.
| Author | : William Peterfield Trent |
| Publisher | : |
| Total Pages | : |
| Release | : 1921 |
| Genre | : American literature |
| ISBN | : |
| Author | : Sacvan Bercovitch |
| Publisher | : Cambridge University Press |
| Total Pages | : 652 |
| Release | : 1994 |
| Genre | : Literary Criticism |
| ISBN | : 9780521497312 |
Volume 6 of The Cambridge History of American Literature explores the emergence and flowering of modernism in the United States. David Minter provides a cultural history of the American novel from the 'lyric years' to World War I, through post-World War I disillusionment, to the consolidation of the Left in response to the mire of the Great Depression. Rafia Zafar tells the story of the Harlem Renaissance, detailing the artistic accomplishments of such diverse figures as Zora Neal Hurston, W. E. B. Du Bois, Langston Hughes, Nella Larsen, and Richard Wright. Werner Sollors examines canonical texts as well as popular magazines and hitherto unknown immigrant writing from the period. Taken together these narratives cover the entire range of literary prose written in the first half of the twentieth century, offering a model of literary history for our times, focusing as they do on the intricate interplay between text and context.
