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The Cambridge Encyclopedia of Historical Performance in Music

The Cambridge Encyclopedia of Historical Performance in Music
Author: Colin Lawson
Publisher: Cambridge University Press
Total Pages: 765
Release: 2021-02-11
Genre: Music
ISBN: 9781107518476

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Recent decades have seen a major increase of interest in historical performance practice, but until now there has been no comprehensive reference tool available on the subject. This fully up-to-date, illuminating and accessible volume will assist readers in rediscovering and recreating as closely as possible how musical works may originally have sounded. Focusing on performance, this Encyclopedia contains entries in categories including issues of style, techniques and practices, the history and development of musical instruments, and the work of performers, scholars, theorists, composers and editors. It features contributions from more than 100 leading experts who provide a geographically varied survey of both theory and practice, as well as evaluation of and opinions on the resolution of problems in period performance. This timely and ground breaking book will be an essential resource for students, scholars, teachers, performers and audiences.


The Historical Performance of Music

The Historical Performance of Music
Author: Colin Lawson
Publisher: Cambridge University Press
Total Pages: 240
Release: 1999-11-11
Genre: Music
ISBN: 9780521627382

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A 1999 overview of historical performance, surveying issues and suggesting future developments.


The Historical Performance of Music

The Historical Performance of Music
Author: Colin James Lawson
Publisher:
Total Pages: 219
Release: 1999
Genre: Performance practice (Music)
ISBN: 9780511324970

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The Cambridge History of Musical Performance

The Cambridge History of Musical Performance
Author: Colin Lawson
Publisher: Cambridge University Press
Total Pages: 1066
Release: 2012-02-16
Genre: Music
ISBN: 1316184420

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The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.


The Cambridge Companion to the Orchestra

The Cambridge Companion to the Orchestra
Author: Colin James Lawson
Publisher: Cambridge University Press
Total Pages: 316
Release: 2003-04-24
Genre: Music
ISBN: 9780521001328

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This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.


The Cambridge History of World Music

The Cambridge History of World Music
Author: Philip V. Bohlman
Publisher: Cambridge University Press
Total Pages: 943
Release: 2013-12-12
Genre: Music
ISBN: 1316025667

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Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.


A Concise History of Western Music

A Concise History of Western Music
Author: Paul Griffiths
Publisher: Cambridge University Press
Total Pages: 335
Release: 2006-06-29
Genre: Music
ISBN: 0521842948

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Playing with History

Playing with History
Author: John Butt
Publisher: Cambridge University Press
Total Pages: 286
Release: 2002-05-30
Genre: Music
ISBN: 9780521013581

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This challenging 2002 study examines and ultimately defends the case for historically informed musical performance.


The Cambridge Companion to Mozart

The Cambridge Companion to Mozart
Author: Simon P. Keefe
Publisher: Cambridge University Press
Total Pages: 324
Release: 2003-05-22
Genre: Music
ISBN: 1139826646

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The Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time. Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer, enhancing the readers' appreciation of Mozart and his extraordinary output, regardless of their prior knowledge of the music. Part I situates Mozart in the context of late eighteenth-century musical environments and aesthetic trends that played a pivotal role in his artistic development and examines his methods of composition. Part II surveys Mozart's works in all of the genres in which he excelled and Part III looks at the reception of the composer and his music since his death. Part IV offers insight into Mozart's career as a performer as well as theoretical and practical perspectives on historically informed performances of his music.


The Cambridge Companion to Recorded Music

The Cambridge Companion to Recorded Music
Author: Nicholas Cook
Publisher: Cambridge University Press
Total Pages: 381
Release: 2009-11-26
Genre: Music
ISBN: 0521865824

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Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.