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The Cambridge Companion to the Organ

The Cambridge Companion to the Organ
Author: Nicholas Thistlethwaite
Publisher: Cambridge University Press
Total Pages: 358
Release: 1999-03-04
Genre: Music
ISBN: 1107494036

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This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.


A New History of the Organ from the Greeks to the Present Day

A New History of the Organ from the Greeks to the Present Day
Author: Peter Williams
Publisher:
Total Pages: 290
Release: 1980
Genre: Music
ISBN:

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Most books dealing with the history of the organ have confined themselves to a single period, area, or even country. This invaluable new work is the first complete survey of the organ ever to have been made in any language. The author firmly bases his interpretations and judgment on extant documents whenever possible, on his practical experience in playing organs all over Europe, and on his close examination of a great variety of instruments at different stages of restoration or transformation. Eight chapters are devoted to the early period and four to the Renaissance. Then individual chapters consider the French classical organ, the organ of Bach, the Spanish baroque organ, the Italian baroque organ, the English organ before 1800, and the northern European organ. The final eight chapters discuss developments in the 19th and 20th centuries. Supplementing the text are a glossary and plates illustrating a full range of organs that are typical of their kind. The eminent English musicologist, organist, and harpsichordist, Peter (Fredric) Williams ranks among the foremost authorities on the organ.


The Cambridge Companion to Chomsky

The Cambridge Companion to Chomsky
Author: James McGilvray
Publisher: Cambridge University Press
Total Pages: 356
Release: 2005-02-24
Genre: Language Arts & Disciplines
ISBN: 9780521784313

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The Cambridge Companion to Elgar

The Cambridge Companion to Elgar
Author: Daniel M. Grimley
Publisher: Cambridge University Press
Total Pages: 280
Release: 2005-01-06
Genre: Music
ISBN: 1139827081

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Edward Elgar occupies a pivotal place in the British cultural imagination. His music has been heard as emblematic of Empire and the English landscape. The recent success of Anthony Payne's elaboration of the sketches for Elgar's Third Symphony has prompted a critical revaluation of his music. This Companion provides an accessible and vivid account of Elgar's work in its historical and cultural context. Established authorities on British music and scholars new in the field examine Elgar's music from a range of critical perspectives, including nationalism, post-colonialism, decadence, reception and musical influences. There are also chapters on interpretation, including his own (Elgar was the first major composer to commit a representative quantity of his own work to record), and on Elgar's relationships with the BBC and with his publishers. The book includes much new material, drawing on original research, as well as providing a comprehensive introduction to Elgar's major musical achievements.


The Cambridge Companion to the Orchestra

The Cambridge Companion to the Orchestra
Author: Colin James Lawson
Publisher: Cambridge University Press
Total Pages: 316
Release: 2003-04-24
Genre: Music
ISBN: 9780521001328

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This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.


The Cambridge Companion to Liszt

The Cambridge Companion to Liszt
Author: Kenneth Hamilton
Publisher: Cambridge University Press
Total Pages: 367
Release: 2005-09-22
Genre: Music
ISBN: 1139825755

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This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.


The Making of the Victorian Organ

The Making of the Victorian Organ
Author: Nicholas Thistlethwaite
Publisher: Cambridge University Press
Total Pages: 616
Release: 1999-08-26
Genre: Music
ISBN: 9780521663649

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This important 1990 book provides a comprehensive survey of English organ building during the most innovative fifty years in its history.


The Cambridge Companion to Bach

The Cambridge Companion to Bach
Author: John Butt
Publisher: Cambridge University Press
Total Pages: 348
Release: 1997-06-26
Genre: Music
ISBN: 1107493773

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The Cambridge Companion to Bach, first published in 1997, goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age. The second part discusses the music and Bach's compositional style, while Part Three considers Bach's influence and the performance and reception of his music through the succeeding generations. This Companion benefits from the insights and research of some of the most distinguished Bach scholars, and from it the reader will gain a notion of the diversity of current thought on this great composer.


The Cambridge Companion to the String Quartet

The Cambridge Companion to the String Quartet
Author: Robin Stowell
Publisher: Cambridge University Press
Total Pages: 672
Release: 2003-11-13
Genre: Music
ISBN: 1139826549

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This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.