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| Author | : Anastasia Belina |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2019-12-05 |
| Genre | : Music |
| ISBN | : 1107182166 |
A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
| Author | : William A. Everett |
| Publisher | : Cambridge University Press |
| Total Pages | : 503 |
| Release | : 2017-09-21 |
| Genre | : Music |
| ISBN | : 1107114748 |
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
| Author | : Nicholas Till |
| Publisher | : Cambridge University Press |
| Total Pages | : 365 |
| Release | : 2012-10-18 |
| Genre | : Music |
| ISBN | : 0521855616 |
The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.
| Author | : Mervyn Cooke |
| Publisher | : Cambridge University Press |
| Total Pages | : 430 |
| Release | : 2005-12-08 |
| Genre | : Music |
| ISBN | : 9780521780094 |
This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.
| Author | : David Eden |
| Publisher | : Cambridge University Press |
| Total Pages | : 289 |
| Release | : 2009-08-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 0521888492 |
An international team of contributors, including film director Mike Leigh, presents fresh insights into the work of Gilbert and Sullivan.
| Author | : David Eden |
| Publisher | : Cambridge University Press |
| Total Pages | : 289 |
| Release | : 2009-08-06 |
| Genre | : Music |
| ISBN | : 1139828479 |
Memorable melodies and fanciful worlds – the comic operas of Gilbert and Sullivan remain as popular today as when they were first performed. This Companion provides a timely guide to the history and development of the collaboration between the two men, including a fresh examination of the many myths and half-truths surrounding their relationship. Written by an international team of specialists, the volume features a personal account from film director Mike Leigh on his connection with the Savoy Operas and the creation of his film Topsy-Turvy. Starting with the early history of the operatic stage in Britain, the Companion places the operas in their theatrical and musical context, investigating the amateur performing tradition, providing new perspectives on the famous patter songs and analysing their dramatic and operatic potential. Perfect for enthusiasts, performers and students of Gilbert and Sullivan's enduring work, the book examines their legacy and looks forward to the future.
| Author | : Derek B. Scott |
| Publisher | : Cambridge University Press |
| Total Pages | : 393 |
| Release | : 2022-06-23 |
| Genre | : Music |
| ISBN | : 9781108723329 |
Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900-1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core.
| Author | : |
| Publisher | : Cambridge University Press |
| Total Pages | : 379 |
| Release | : |
| Genre | : |
| ISBN | : 0521823595 |
| Author | : Jacqueline Waeber |
| Publisher | : Cambridge University Press |
| Total Pages | : 723 |
| Release | : 2022-12-22 |
| Genre | : Music |
| ISBN | : 1108915914 |
The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of opera and its developments during the first century of its existence. From opera's Italian foundations to its growth through Europe and the Americas, the volume charts the changing landscape – on stage and beyond – which shaped the way opera was produced and received. With a range from opera's sixteenth-century antecedents to the threshold of the eighteenth century, this path breaking book is broad enough to function as a comprehensive introduction, yet sufficiently detailed to offer valuable insights into most of early opera's many facets; it guides the reader towards authoritative written and musical sources appropriate for further study. It will be of interest to a wide audience, including undergraduate and graduate students in universities and equivalent institutions, and amateur and professional musicians.
| Author | : Scott L. Balthazar |
| Publisher | : Cambridge University Press |
| Total Pages | : 368 |
| Release | : 2004-11-18 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521635356 |
This Companion provides a biographical, theatrical, and social-cultural background for Verdi's operas, examines in detail important general aspects of its style and method of composing, and synthesizes stylistic themes in discussions of representative works. Aspects of Verdi's milieu, style, creative process, and critical reception are explored in essays by highly reputed specialists. Like others in the series this Companion is aimed primarily at students and opera lovers.
