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| Author | : Nicholas Till |
| Publisher | : Cambridge University Press |
| Total Pages | : 365 |
| Release | : 2012-10-18 |
| Genre | : Music |
| ISBN | : 0521855616 |
The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.
| Author | : Mervyn Cooke |
| Publisher | : Cambridge University Press |
| Total Pages | : 430 |
| Release | : 2005-12-08 |
| Genre | : Music |
| ISBN | : 9780521780094 |
This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.
| Author | : Nicholas Till |
| Publisher | : |
| Total Pages | : 351 |
| Release | : 2012 |
| Genre | : Opera |
| ISBN | : 9781107486362 |
This volume will give lovers of opera as well as those studying the subject a comprehensive approach to the many facets of opera in the past and today.
| Author | : David Charlton |
| Publisher | : Cambridge University Press |
| Total Pages | : 524 |
| Release | : 2003-09-04 |
| Genre | : Music |
| ISBN | : 1139825895 |
This 2003 Companion is a fascinating and accessible exploration of the world of grand opera. Through this volume a team of scholars and writers on opera examine those important Romantic operas which embraced the Shakespearean sweep of tragedy, history, love in time of conflict, and the struggle for national self-determination. Rival nations, rival religions and violent resolutions are common elements, with various social or political groups represented in the form of operatic choruses. The book traces the origins and development of a style created during an increasingly technical age, which exploited the world-renowned skills of Parisian stage-designers, artists, and dancers as well as singers. It analyses in detail the grand operas by Rossini, Auber, Meyerbeer and Halévy, discusses grand opera in Russia and Germany, and also in the Czech lands, Italy, Britain and the Americas. The volume also includes an essay by the renowned opera director David Pountney.
| Author | : Anthony R. DelDonna |
| Publisher | : Cambridge University Press |
| Total Pages | : 343 |
| Release | : 2009-06-25 |
| Genre | : Music |
| ISBN | : 0521873584 |
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
| Author | : Emanuele Senici |
| Publisher | : Cambridge University Press |
| Total Pages | : 290 |
| Release | : 2004-04-29 |
| Genre | : Music |
| ISBN | : 9780521001953 |
Publisher Description
| Author | : John Potter |
| Publisher | : Cambridge University Press |
| Total Pages | : 300 |
| Release | : 2000-04-13 |
| Genre | : Music |
| ISBN | : 1139825771 |
Ranging from medieval music to Madonna and beyond, this book covers in detail the many aspects of the voice. The volume is divided into four broad areas. Popular Traditions begins with an overview of singing traditions in world music and continues with aspects of rock, rap and jazz. The Voice in the Theatre includes both opera singing from the beginnings to the present day and twentieth-century stage and screen entertainers. Choral Music and Song features a history of the art song, essential hints on singing in a larger choir, the English cathedral tradition and a history of the choral movement in the United States. The final substantial section on performance practices ranges from the voice in the Middle Ages and the interpretation of early singing treatises to contemporary vocal techniques, ensemble singing, the teaching of singing, children's choirs, and a comprehensive exposition of vocal acoustics.
| Author | : Scott L. Balthazar |
| Publisher | : Cambridge University Press |
| Total Pages | : 368 |
| Release | : 2004-11-18 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521635356 |
This Companion provides a biographical, theatrical, and social-cultural background for Verdi's operas, examines in detail important general aspects of its style and method of composing, and synthesizes stylistic themes in discussions of representative works. Aspects of Verdi's milieu, style, creative process, and critical reception are explored in essays by highly reputed specialists. Like others in the series this Companion is aimed primarily at students and opera lovers.
| Author | : Thomas S. Grey |
| Publisher | : Cambridge University Press |
| Total Pages | : 692 |
| Release | : 2008-09-11 |
| Genre | : Music |
| ISBN | : 1139825941 |
Richard Wagner is remembered as one of the most influential figures in music and theatre, but his place in history has been marked by a considerable amount of controversy. His attitudes towards the Jews and the appropriation of his operas by the Nazis, for example, have helped to construct a historical persona that sits uncomfortably with modern sensibilities. Yet Wagner's absolutely central position in the operatic canon continues. This volume serves as a timely reminder of his ongoing musical, cultural, and political impact. Contributions by specialists from such varied fields as musical history, German literature and cultural studies, opera production, and political science consider a range of topics, from trends and problems in the history of stage production to the representations of gender and sexuality. With the inclusion of invaluable and reliably up-to-date biographical data, this collection will be of great interest to scholars, students, and enthusiasts.
| Author | : José Antonio Bowen |
| Publisher | : Cambridge University Press |
| Total Pages | : 585 |
| Release | : 2003-11-20 |
| Genre | : Music |
| ISBN | : 1107494788 |
In this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado's studio producer explains orchestral recording, and one of the world's most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time.
