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| Author | : Marion Kant |
| Publisher | : Cambridge University Press |
| Total Pages | : 406 |
| Release | : 2007-06-07 |
| Genre | : Music |
| ISBN | : 9780521539869 |
A collection of essays by international writers on the evolution of ballet.
| Author | : Anthony R. DelDonna |
| Publisher | : Cambridge University Press |
| Total Pages | : 343 |
| Release | : 2009-06-25 |
| Genre | : Music |
| ISBN | : 0521873584 |
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
| Author | : Lilian Karina |
| Publisher | : Berghahn Books |
| Total Pages | : 400 |
| Release | : 2004 |
| Genre | : History |
| ISBN | : 9781571816887 |
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
| Author | : Simon Trezise |
| Publisher | : Cambridge University Press |
| Total Pages | : 441 |
| Release | : 2015-02-19 |
| Genre | : Music |
| ISBN | : 0521877946 |
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
| Author | : Simon Critchley |
| Publisher | : Cambridge University Press |
| Total Pages | : 328 |
| Release | : 2002-07-25 |
| Genre | : Literary Collections |
| ISBN | : 9780521665650 |
A convenient and accessible guide to Levinas, first published in 2002, which emphasises the interdisciplinary significance of his work.
| Author | : Deborah Mawer |
| Publisher | : Cambridge University Press |
| Total Pages | : 316 |
| Release | : 2000-08-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521648561 |
A comprehensive introduction to the life, music and compositional aesthetic of Maurice Ravel.
| Author | : Davinia Caddy |
| Publisher | : Cambridge University Press |
| Total Pages | : 255 |
| Release | : 2012-04-26 |
| Genre | : Music |
| ISBN | : 1107014409 |
A fresh perspective on the Ballets Russes, focusing on relations between music, dance and the cultural politics of belle-époque Paris.
| Author | : Jonathan Cross |
| Publisher | : Cambridge University Press |
| Total Pages | : 348 |
| Release | : 2003-07-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521663779 |
Stravinsky's work spanned the major part of the twentieth century and engaged with nearly all its principal compositional developments. This Companion reflects the breadth of Stravinsky's achievement and influence in essays by leading international scholars on a wide range of topics. It is divided into three parts dealing with the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the leading Dutch composer Louis Andriessen and a major re-evaluation of 'Stravinsky and Us' by Richard Taruskin.
| Author | : David Bradby |
| Publisher | : Cambridge University Press |
| Total Pages | : 11 |
| Release | : 2006-09-14 |
| Genre | : Drama |
| ISBN | : 1139827294 |
A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.
| Author | : William A. Everett |
| Publisher | : Cambridge University Press |
| Total Pages | : 503 |
| Release | : 2017-09-21 |
| Genre | : Music |
| ISBN | : 1107114748 |
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
