The British Stage PDF Download

Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The British Stage PDF full book. Access full book title The British Stage.

The Cambridge History of British Theatre

The Cambridge History of British Theatre
Author: Jane Milling
Publisher: Cambridge University Press
Total Pages: 574
Release: 2004
Genre: English drama
ISBN: 0521650682

Download The Cambridge History of British Theatre Book in PDF, ePub and Kindle

Publisher Description


The Economics of the British Stage 1800-1914

The Economics of the British Stage 1800-1914
Author: Tracy C. Davis
Publisher: Cambridge University Press
Total Pages: 536
Release: 2007-06-21
Genre: Drama
ISBN: 9780521036856

Download The Economics of the British Stage 1800-1914 Book in PDF, ePub and Kindle

A comprehensive study of economic theory in relation to the development of nineteenth-century British theatre.


Writing the History of the British Stage

Writing the History of the British Stage
Author: Richard Schoch
Publisher: Cambridge University Press
Total Pages: 407
Release: 2016-09-12
Genre: Art
ISBN: 1107166926

Download Writing the History of the British Stage Book in PDF, ePub and Kindle

A study of British theatre historiography, from its origins in the Restoration to its development as an academic discipline in the twentieth century.


The London Stage 1920-1929

The London Stage 1920-1929
Author: J. P. Wearing
Publisher: Rowman & Littlefield
Total Pages: 1033
Release: 2014-03-27
Genre: Performing Arts
ISBN: 0810893029

Download The London Stage 1920-1929 Book in PDF, ePub and Kindle

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1920–1929: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1920 through December 1929. The volume chronicles more than 4,000 productions at 51 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Bulldog Drummond, The Emperor Jones, The Enchanted Cottage, Gentlemen Prefer Blondes, Hay Fever, Saint Joan, and Six Characters in Search of an Author, as well as numerous musical comedies (British and American), foreign works, operas, and ballets, revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1920-1929 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.


Affects in 21st-Century British Theatre

Affects in 21st-Century British Theatre
Author: Mireia Aragay
Publisher: Springer Nature
Total Pages: 285
Release: 2021-04-09
Genre: Performing Arts
ISBN: 3030584860

Download Affects in 21st-Century British Theatre Book in PDF, ePub and Kindle

This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Adebayo, Mike Bartlett, Alice Birch, Caryl Churchill, Tim Crouch and Andy Smith, Rachel De-lahay, Reginald Edmund, James Fritz, David Greig, Idris Goodwin, Zinnie Harris, Kieran Hurley, Lucy Kirkwood, Anders Lustgarten, Yolanda Mercy, Anthony Neilson, Lucy Prebble, Sh!t Theatre, Penelope Skinner, Stef Smith, Kae Tempest and debbie tucker green. The interpretations identify significant areas of tension as they relate affects to the fields of cognition, politics and hope. In this, the chapters uncover interrelations of thought, intention and empathy; they reveal the nexus between identities, institutions and ideology; and, finally, they explore how theatre can accomplish the transition from a sense of crisis to utopian visions.


Writing the History of the British Stage, 1660-1900

Writing the History of the British Stage, 1660-1900
Author: Richard W. Schoch
Publisher:
Total Pages: 393
Release: 2016
Genre: PERFORMING ARTS
ISBN: 9781316754474

Download Writing the History of the British Stage, 1660-1900 Book in PDF, ePub and Kindle

"This is the first book on British theatre historiography. It traces the practice of theatre history from its origins in the Restoration to its emergence as an academic discipline in the early twentieth century. In this compelling revisionist study, Richard Schoch reclaims the deep history of British theatre history, valorizing the usually overlooked scholarship undertaken by antiquarians, booksellers, bibliographers, journalists and theatrical insiders, none of whom considered themselves to be professional historians. Drawing together deep archival research, close readings of historical texts from the seventeenth, eighteenth and nineteenth centuries, and an awareness of contemporary debates about disciplinary practice, Schoch overturns received interpretations of British theatre historiography and shows that the practice - and the diverse practitioners - of theatre history were far more complicated and far more sophisticated than we had realised. His book is a landmark contribution to how theatre historians today can understand their own history"--


Changing Stages

Changing Stages
Author: Richard Eyre
Publisher: Knopf
Total Pages: 408
Release: 2001
Genre: Drama
ISBN:

Download Changing Stages Book in PDF, ePub and Kindle

Through the flash points of its glorious history, Richard Eyre and Nicholas Wright, two of today's most distinguished men of the theatre, celebrate the British and American stage as it has evolved over the course of the twentieth century. From "Pygmalion's first Eliza Doolittle (Mrs. Patrick Campbell, who enchanted playwright George Bernard Shaw in 1914) and her equally piquant successors, to Uta Hagen in "Who's Afraid of Virginia Woolf?; from Gertrude Lawrence and Noel Coward in his "Private Lives (their performance as dazzling as the play itself), to Michael Frayn's "Copenhagen--this stylish, astute, richly pictorial volume brings us the actors, directors, and playwrights who have shaped one hundred years of the theatre and the performances that live on in our minds . Lotte Lenya in "The Threepenny Opera, Laurence Olivier in the British production of Eugene O'Neill's viscerally American "Long Day's Journey into Night, Sidney Poitier in "A Raisin in the Sun, Judi Dench as Lady Macbeth, Arthur Miller's "Death of a Salesman, Tom Stoppard's "Rosencrantz and Guildenstern Are Dead . . . Here is the essential mixture of Shakespearean heritage, Irish magic, American vitality, and Russian pathos that converged on the stage in an efflorescence of dramatic innovation. Eyre and Wright's survey of this brilliant period is allusive, intelligent, and intimate, rich in anecdote and infused with a deep love and understanding of the theatre.


London in a Box

London in a Box
Author: Odai Johnson
Publisher: University of Iowa Press
Total Pages: 296
Release: 2017-05-15
Genre: Biography & Autobiography
ISBN: 1609384946

Download London in a Box Book in PDF, ePub and Kindle

2017 Theatre Library Association Freedley Award Finalist In this remarkable feat of historical research, Odai Johnson pieces together the surviving fragments of the story of the first professional theatre troupe based in the British North American colonies. In doing so, he tells the story of how colonial elites came to decide they would no longer style themselves British gentlemen, but instead American citizens. London in a Box chronicles the enterprise of David Douglass, founder and manager of the American Theatre, from the 1750s to the climactic 1770s. How he built this network of patrons and theatres and how it all went up in flames as the revolution began is the subject of this witty history. A treat for anyone interested in the world of the American Revolution and an important study for historians of the period.


Chekhov on the British Stage

Chekhov on the British Stage
Author: Patrick Miles
Publisher: Cambridge University Press
Total Pages: 278
Release: 1993-05-06
Genre: Biography & Autobiography
ISBN: 9780521384674

Download Chekhov on the British Stage Book in PDF, ePub and Kindle

This is the first book to consider the whole subject of Chekhov's impact on the British stage. Recently Chekhov's plays have come to occupy a place in the British classical repertoire second only to Shakespeare. The British, American and Russian authors of these essays examine this phenomenon both historically and synchronically. First they discuss why Chekhov's plays were so slow to find an audience in Britain, what the early productions were really like, and how Bernard Shaw, Peggy Ashcroft, the Moscow Art Theatre and politics influenced the British style of Chekhov. They then address the often controversial issues of directing, acting, designing and translating Chekhov in Britain today. The volume concludes with a selective chronology of British productions of Chekhov's plays and will be of interest to students and scholars of the theatre, as well as theatre-goers, theatre-practitioners and Russianists.