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| Author | : Gavin Holman |
| Publisher | : Gavin Holman |
| Total Pages | : 241 |
| Release | : 2019-08-05 |
| Genre | : Reference |
| ISBN | : |
9th edition, 2019. A comprehensive list of books, articles, theses and other material covering the brass band movement, its history, instruments and musicology; together with other related topics (originally issued in book form in January 2009)
| Author | : Roy Newsome |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 412 |
| Release | : 2006 |
| Genre | : Music |
| ISBN | : 9780754607175 |
Taking up the story of bands and their development from the 1930s to the start of the new millennium, Roy Newsome discusses the contest tradition of brass bands, the Youth banding movement, repertoire, instrumentation and the impact of the media on bands and their music.
| Author | : Stooges Brass Band |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 259 |
| Release | : 2020-08-25 |
| Genre | : Biography & Autobiography |
| ISBN | : 1496830067 |
The Stooges Brass Band always had big dreams. From playing in the streets of New Orleans in the mid-1990s to playing stages the world over, they have held fast to their goal of raising brass band music and musicians to new heights—professionally and musically. In the intervening years, the band’s members have become family, courted controversy, and trained a new generation of musicians, becoming one of the city’s top brass bands along the way. Two decades after their founding, they have decided to tell their story. Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game is a collaboration between musician and ethnomusicologist Kyle DeCoste and more than a dozen members of the Stooges Brass Band, past and present. It is the culmination of five years of interviews, research, and writing. Told with humor and candor, it’s as much a personal account of the Stooges’ careers as it is a story of the city’s musicians and, even more generally, a coming-of-age tale about black men in the United States at the turn of the twenty-first century. DeCoste and the band members take readers into the barrooms, practice rooms, studios, tour vans, and streets where the music is made and brotherhoods are shaped and strengthened. Comprised of lively firsthand accounts and honest dialogue, Can’t Be Faded is a dynamic approach to collaborative research that offers a sensitive portrait of the humans behind the horns.
| Author | : Gavin Holman |
| Publisher | : Gavin Holman |
| Total Pages | : |
| Release | : |
| Genre | : |
| ISBN | : |
Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county
| Author | : Suzel Ana Reily |
| Publisher | : Routledge |
| Total Pages | : 302 |
| Release | : 2016-04-15 |
| Genre | : Music |
| ISBN | : 1317172655 |
Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.
| Author | : |
| Publisher | : Greenwood |
| Total Pages | : 0 |
| Release | : 1996-05-16 |
| Genre | : Music |
| ISBN | : 0313298262 |
Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.
| Author | : Mick Burns |
| Publisher | : LSU Press |
| Total Pages | : 312 |
| Release | : 2008-02-01 |
| Genre | : Music |
| ISBN | : 0807155837 |
Told in the words of the musicians themselves, Keeping the Beat on the Street celebrates the renewed passion and pageantry among black brass bands in New Orleans. Mick Burns introduces the people who play the music and shares their insights, showing why New Orleans is the place where jazz continues to grow. Brass bands waned during the civil rights era but revived around 1970 and then flourished in the 1980s when the music became cool with the younger generation. In the only book to cover this revival, Burns interviews members from a variety of bands, including the Fairview Baptist Church Brass Band, the Dirty Dozen, Tuba Fats' Chosen Few, and the Rebirth Brass Band. He captures their thoughts about the music, their careers, audiences, influences from rap and hip-hop, the resurgence of New Orleans social and pleasure clubs and second lines, traditional versus funk style, recording deals, and touring. For anyone who loves jazz and the city where it was born, Keeping the Beat on the Street is a book to savor. "We should be grateful to Mick Burns for undertaking the task of producing... the only book to cover the subject of what he rightly calls the brass band renaissance." -- New Orleans Music"A welcome look at the history of brass bands. These oral histories provide a valuable contribution to New Orleans musical history.... What shines through the musicians' words is love of craft, love of culture." -- New Orleans Times-Picayune "A seminal work about the Brass Bands of New Orleans." -- Louisiana Libraries
| Author | : Matt Sakakeeny |
| Publisher | : Duke University Press |
| Total Pages | : 249 |
| Release | : 2013-10-30 |
| Genre | : Music |
| ISBN | : 0822377209 |
Roll With It is a firsthand account of the precarious lives of musicians in the Rebirth, Soul Rebels, and Hot 8 brass bands of New Orleans. These young men are celebrated as cultural icons for upholding the proud traditions of the jazz funeral and the second line parade, yet they remain subject to the perils of poverty, racial marginalization, and urban violence that characterize life for many black Americans. Some achieve a degree of social mobility while many more encounter aggressive policing, exploitative economies, and a political infrastructure that creates insecurities in healthcare, housing, education, and criminal justice. The gripping narrative moves with the band members from back street to backstage, before and after Hurricane Katrina, always in step with the tap of the snare drum, the thud of the bass drum, and the boom of the tuba.
| Author | : Mark J. Fasman |
| Publisher | : Bloomington : Indiana University Press |
| Total Pages | : 472 |
| Release | : 1990 |
| Genre | : Music |
| ISBN | : |
| Author | : Trevor Herbert |
| Publisher | : OUP Oxford |
| Total Pages | : 402 |
| Release | : 2000-06-08 |
| Genre | : Music |
| ISBN | : 0191590126 |
The British Brass Band is based on an earlier volume, Bands, published by Open University Press (1991) as part of its Popular Music in Britain Series. It was hailed as the most detailed and scholarly treatment of its subject. For the present volume, the original chapters have been heavily revised and an additional three chapters added, together with new and extensive appendices, numerous illustrations, a bibliography, and a new introduction. The new material includes studies on brass band repertoire, performance practices, and the bands of the Salvation Army. The contributors are the pre-eminent authorities on the subject. The work as a whole can be taken as a study of both a unique (and often misunderstood) aspect of British music, and its interaction with broader spheres of social and cultural history. It is the most detailed and definitive study of the subject.
