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| Author | : Y. Bocharinkova |
| Publisher | : Literary Licensing, LLC |
| Total Pages | : 144 |
| Release | : 2011-10-01 |
| Genre | : |
| ISBN | : 9781258151966 |
Additional Author Is M. Gabovich. From Ballet School To Bolshoi Theatre And Back; The Making Of A Ballerina; Inside The Bolshoi Ballet.
| Author | : Ėlla Bocharnikova |
| Publisher | : |
| Total Pages | : 156 |
| Release | : 1959 |
| Genre | : Ballet |
| ISBN | : |
| Author | : Simon Morrison |
| Publisher | : Liveright Publishing |
| Total Pages | : 512 |
| Release | : 2016-10-11 |
| Genre | : Performing Arts |
| ISBN | : 0871408309 |
In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.
| Author | : I︠U︡riĭ Nikolaevich Grigorovich |
| Publisher | : TFH Publications |
| Total Pages | : 142 |
| Release | : 1986 |
| Genre | : Performing Arts |
| ISBN | : |
| Author | : Anne Searcy |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 199 |
| Release | : 2020-10-07 |
| Genre | : Performing Arts |
| ISBN | : 0190945109 |
"During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice-versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today"--
| Author | : Ėlla Bocharnikova |
| Publisher | : |
| Total Pages | : 152 |
| Release | : 1959 |
| Genre | : Ballet |
| ISBN | : |
| Author | : Maya Plisetskaya |
| Publisher | : Yale University Press |
| Total Pages | : 404 |
| Release | : 2008-10-01 |
| Genre | : Music |
| ISBN | : 0300130716 |
divdivMaya Plisetskaya, one of the world’s foremost dancers, rose to become a prima ballerina of Moscow’s Bolshoi Ballet after an early life filled with tragedy and loss. In this spirited memoir, Plisetskaya reflects on her personal and professional odyssey, presenting a unique view of the life of a Soviet artist during the troubled period from the late 1930s to the 1990s. Plisetskaya recounts the execution of her father in the Great Terror and her mother’s exile to the Gulag. She describes her admission to the Bolshoi in 1943, the roles she performed there, and the endless petty harassments she endured, from both envious colleagues and Party officials. Refused permission for six years to tour with the company, Plisetskaya eventually performed all over the world, working with such noted choreographers as Roland Petit and Maurice Béjart. She recounts the tumultuous events she lived through and the fascinating people she met—among them the legendary ballet teacher Agrippina Vaganova, George Balanchine, Frank Sinatra, Rudolf Nureyev, and Dmitri Shostakovich. And she provides fascinating details about testy cocktail-party encounters with Khrushchev, tours abroad when her meager per diem allowance brought her close to starvation, and KGB plots to capitalize on her friendship with Robert Kennedy. Gifted, courageous, and brutally honest, Plisetskaya brilliantly illuminates the world of Soviet ballet during an era that encompasses both repression and cultural détente. Still prima ballerina assoluta with the Bolshoi Ballet, Maya Plisetskaya also travels around the world performing and lecturing. At the Bolshoi’s gala celebrating her 75th birthday, President Vladimir Putin presented her with Russia’s highest civilian honor, the medal for service to the Russian state, second degree. Tim Scholl is professor of Russian language and literature at Oberlin College. Antonina W. Bouis is the prize-winning translator of more than fifty books, including fiction, nonfiction, and memoirs by such figures as Andrei Sakharov, Elena Bonner, and Dmitri Shostakovich. /DIV/DIV
| Author | : A. Zolotov |
| Publisher | : Hyperion Books |
| Total Pages | : 248 |
| Release | : 1987-12-01 |
| Genre | : |
| ISBN | : 9780569548113 |
| Author | : Boris Pokrovskiĭ |
| Publisher | : Random House Value Publishing |
| Total Pages | : 250 |
| Release | : 1979 |
| Genre | : Music |
| ISBN | : |
Recounts the history of the theatre and includes a summary of 21 operas and 18 ballets produced there.
| Author | : David Hallberg |
| Publisher | : Simon and Schuster |
| Total Pages | : 424 |
| Release | : 2017-11-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 1476771170 |
David Hallberg, the first American to join the famed Bolshoi Ballet as a principal dancer and the dazzling artist The New Yorker described as “the most exciting male dancer in the western world,” presents a look at his artistic life—up to the moment he returns to the stage after a devastating injury that almost cost him his career. Beginning with his real-life Billy Elliot childhood—an all-American story marred by intense bullying—and culminating in his hard-won comeback, Hallberg’s “moving and intelligent” (Daniel Mendelsohn) memoir dives deep into life as an artist as he wrestles with ego, pushes the limits of his body, and searches for ecstatic perfection and fulfillment as one of the world’s most acclaimed ballet dancers. Rich in detail ballet fans will adore, Hallberg presents an “unsparing…inside look” (The New York Times) and also reflects on universal and relatable themes like inspiration, self-doubt, and perfectionism as he takes you into daily classes, rigorous rehearsals, and triumphant performances, searching for new interpretations of ballet’s greatest roles. He reveals the loneliness he felt as a teenager leaving America to join the Paris Opera Ballet School, the ambition he had to tame as a new member of American Ballet Theatre, and the reasons behind his headline-grabbing decision to be the first American to join the top rank of Bolshoi Ballet, tendered by the Artistic Director who would later be the victim of a vicious acid attack. Then, as Hallberg performed throughout the world at the peak of his abilities, he suffered a crippling ankle injury and botched surgery leading to an agonizing retreat from ballet and an honest reexamination of his entire life. Combining his powers of observation and memory with emotional honesty and artistic insight, Hallberg has written a great ballet memoir and an intimate portrait of an artist in all his vulnerability, passion, and wisdom. “Candid and engrossing” (The Washington Post), A Body of Work is a memoir “for everyone with a heart” (DC Metro Theater Arts).
