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Bolshoi Confidential: Secrets of the Russian Ballet from the Rule of the Tsars to Today

Bolshoi Confidential: Secrets of the Russian Ballet from the Rule of the Tsars to Today
Author: Simon Morrison
Publisher: Liveright Publishing
Total Pages: 512
Release: 2016-10-11
Genre: Performing Arts
ISBN: 0871408309

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In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.


The Bolshoi

The Bolshoi
Author: Boris Pokrovskiĭ
Publisher: Random House Value Publishing
Total Pages: 250
Release: 1979
Genre: Music
ISBN:

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Recounts the history of the theatre and includes a summary of 21 operas and 18 ballets produced there.


The Official Bolshoi Ballet Book of Swan Lake

The Official Bolshoi Ballet Book of Swan Lake
Author: I︠U︡riĭ Nikolaevich Grigorovich
Publisher: TFH Publications
Total Pages: 142
Release: 1986
Genre: Performing Arts
ISBN:

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American–Soviet Cultural Diplomacy

American–Soviet Cultural Diplomacy
Author: Cadra Peterson McDaniel
Publisher: Lexington Books
Total Pages: 295
Release: 2014-11-18
Genre: History
ISBN: 0739199315

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American–Soviet Cultural Diplomacy: The Bolshoi Ballet’s American Premiere is the first full-length examination of a Soviet cultural diplomatic effort. Following the signing of an American-Soviet cultural exchange agreement in the late 1950s, Soviet officials resolved to utilize the Bolshoi Ballet’s planned 1959 American tour to awe audiences with Soviet choreographers’ great accomplishments and Soviet performers’ superb abilities. Relying on extensive research, Cadra Peterson McDaniel examines whether the objectives behind Soviet cultural exchange and the specific aims of the Bolshoi Ballet’s 1959 American tour provided evidence of a thaw in American-Soviet relations. Interwoven throughout this study is an examination of the Soviets’ competing efforts to create ballets encapsulating Communist ideas while simultaneously reinterpreting pre-revolutionary ballets so that these works were ideologically acceptable. McDaniel investigates the rationale behind the creation of the Bolshoi’s repertoire and the Soviet leadership’s objectives and interpretation of the tour’s success as well as American response to the tour. The repertoire included the four ballets, Romeo and Juliet, Swan Lake, Giselle, and The Stone Flower, and two Highlights Programs, which included excerpts from various pre- and post-revolutionary ballets, operas, and dance suites. How the Americans and the Soviets understood the Bolshoi’s success provides insight into how each side conceptualized the role of the arts in society and in political transformation. American–Soviet Cultural Diplomacy: The Bolshoi Ballet’s American Premiere demonstrates the ballet’s role in Soviet foreign policy, a shift to "artful warfare," and thus emphasizes the significance of studying cultural exchange as a key aspect of Soviet foreign policy and analyzes the continued importance of the arts in twenty-first century Russian politics.


Dancer, Daughter, Traitor, Spy

Dancer, Daughter, Traitor, Spy
Author: Elizabeth Kiem
Publisher: Soho Press
Total Pages: 225
Release: 2013-08-13
Genre: Young Adult Fiction
ISBN: 1616952644

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A timely YA thriller—part John Le Carré and part The Americans—about a Bolshoi ballerina trapped by family secrets and a legacy of espionage. The Bolshoi Saga: Marina Marina is born into privilege. A talented young dancer with Russia’s Bolshoi Ballet at the height of the Cold War, she seems destined to follow in the footsteps of her mother Svetlana, a Soviet Artist of the People. But when Svetlana disappears without explanation, Marina and her father have to get out. Fast. They defect to America, hoping they’ve escaped Russia’s secret police, hoping they can make a fresh start in New York. Instead they discover the web of intrigue around Brooklyn’s Brighton Beach is as tangled as the one they left behind.


A Body of Work

A Body of Work
Author: David Hallberg
Publisher: Simon and Schuster
Total Pages: 424
Release: 2017-11-07
Genre: Biography & Autobiography
ISBN: 1476771170

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David Hallberg, the first American to join the famed Bolshoi Ballet as a principal dancer and the dazzling artist The New Yorker described as “the most exciting male dancer in the western world,” presents a look at his artistic life—up to the moment he returns to the stage after a devastating injury that almost cost him his career. Beginning with his real-life Billy Elliot childhood—an all-American story marred by intense bullying—and culminating in his hard-won comeback, Hallberg’s “moving and intelligent” (Daniel Mendelsohn) memoir dives deep into life as an artist as he wrestles with ego, pushes the limits of his body, and searches for ecstatic perfection and fulfillment as one of the world’s most acclaimed ballet dancers. Rich in detail ballet fans will adore, Hallberg presents an “unsparing…inside look” (The New York Times) and also reflects on universal and relatable themes like inspiration, self-doubt, and perfectionism as he takes you into daily classes, rigorous rehearsals, and triumphant performances, searching for new interpretations of ballet’s greatest roles. He reveals the loneliness he felt as a teenager leaving America to join the Paris Opera Ballet School, the ambition he had to tame as a new member of American Ballet Theatre, and the reasons behind his headline-grabbing decision to be the first American to join the top rank of Bolshoi Ballet, tendered by the Artistic Director who would later be the victim of a vicious acid attack. Then, as Hallberg performed throughout the world at the peak of his abilities, he suffered a crippling ankle injury and botched surgery leading to an agonizing retreat from ballet and an honest reexamination of his entire life. Combining his powers of observation and memory with emotional honesty and artistic insight, Hallberg has written a great ballet memoir and an intimate portrait of an artist in all his vulnerability, passion, and wisdom. “Candid and engrossing” (The Washington Post), A Body of Work is a memoir “for everyone with a heart” (DC Metro Theater Arts).


Maximova & Vasiliev at the Bolshoi

Maximova & Vasiliev at the Bolshoi
Author: Roberta Lazzarini
Publisher: Princeton Book Company Publishers
Total Pages: 184
Release: 1995
Genre: Performing Arts
ISBN:

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Ballet in the Cold War

Ballet in the Cold War
Author: Anne Searcy
Publisher: Oxford University Press, USA
Total Pages: 199
Release: 2020-10-07
Genre: Performing Arts
ISBN: 0190945109

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"During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice-versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today"--