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| Author | : Billie Elizabeth Bennett |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 1998 |
| Genre | : Blues (Music) |
| ISBN | : |
| Author | : Carla Kaplan, Ph.D. |
| Publisher | : Anchor |
| Total Pages | : 906 |
| Release | : 2007-12-18 |
| Genre | : Biography & Autobiography |
| ISBN | : 0307430367 |
“ I mean to live and die by my own mind,” Zora Neale Hurston told the writer Countee Cullen. Arriving in Harlem in 1925 with little more than a dollar to her name, Hurston rose to become one of the central figures of the Harlem Renaissance, only to die in obscurity. Not until the 1970s was she rediscovered by Alice Walker and other admirers. Although Hurston has entered the pantheon as one of the most influential American writers of the 20th century, the true nature of her personality has proven elusive. Now, a brilliant, complicated and utterly arresting woman emerges from this landmark book. Carla Kaplan, a noted Hurston scholar, has found hundreds of revealing, previously unpublished letters for this definitive collection; she also provides extensive and illuminating commentary on Hurston’s life and work, as well as an annotated glossary of the organizations and personalities that were important to it. From her enrollment at Baltimore’s Morgan Academy in 1917, to correspondence with Marjorie Kinnan Rawlings, Langston Hughes, Dorothy West and Alain Locke, to a final query letter to her publishers in 1959, Hurston’s spirited correspondence offers an invaluable portrait of a remarkable, irrepressible talent.
| Author | : Cynthia Davis |
| Publisher | : Scarecrow Press |
| Total Pages | : 294 |
| Release | : 2013-05-09 |
| Genre | : Reference |
| ISBN | : 0810891530 |
Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was unique because her social and professional connections were not limited to literature but encompassed theatre, dance, film, anthropology, folklore, music, politics, high society, academia, and artistic bohemia. Hurston published four novels, three books of nonfiction, and dozens of short stories, plays, and essays. In addition, she won a long list of fellowships and prizes, including a Guggenheim and a Rosenwald. Yet by the 1950s, Hurston, like most of her Harlem Renaissance peers, had faded into oblivion. An essay by Alice Walker in the 1970s, however, spurred the revival of Hurston’s literary reputation, and her works, including her 1937 novel Their Eyes Were Watching God, have enjoyed an enduring popularity. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism consists of reviews of critical interpretations of Hurston’s work. In addition to publication information, each selection is carefully crafted to capture the author’s thesis in a short, pithy, analytical framework. Also included are original essays by eminent Hurston scholars that contextualize the bibliographic entries. Meticulously researched but accessible, these essays focus on gaps in Hurston criticism and outline new directions for Hurston scholarship in the twenty-first century. Comprehensive and up-to-date, this volume contains analytical summaries of the most important critical writings on Zora Neale Hurston from the 1970s to the present. In addition, entries from difficult-to-locate sources, such as small academic presses or international journals, can be found here. Although intended as a bibliographic resource for graduate and undergraduate students, this volume is also aimed toward general readers interested in women’s literature, African American literature, American history, and popular culture. The book will also appeal to scholars and teachers studying twentieth-century American literature, as well as those specializing in anthropology, modernism, and African American studies, with a special focus on the women of the Harlem Renaissance.
| Author | : Ernest J. Gaines |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 366 |
| Release | : 1995 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780878057832 |
Collected interviews with the award-winning African American author of A Lesson Before Dying, The Autobiography of Miss Jane Pittman, A Gathering of Old Men, "The Sky Is Gray," and many other works
| Author | : Richard J. Powell |
| Publisher | : |
| Total Pages | : 118 |
| Release | : 1989 |
| Genre | : African American art |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 776 |
| Release | : 2001 |
| Genre | : Dissertation abstracts |
| ISBN | : |
| Author | : Cary D. Wintz |
| Publisher | : Taylor & Francis |
| Total Pages | : 696 |
| Release | : 2004 |
| Genre | : African American arts |
| ISBN | : 9781579584573 |
From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedia of Harlem Renaissance website.
| Author | : Eliza Marcella Young |
| Publisher | : |
| Total Pages | : 468 |
| Release | : 1999 |
| Genre | : African American oral tradition |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 12 |
| Release | : 2007 |
| Genre | : African American art |
| ISBN | : |
| Author | : Rose P. Davis |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 225 |
| Release | : 1997-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 0313064911 |
Zora Neale Hurston (1891-1960) is one of 20th-century America's foremost fiction and folklore writers. Though she was criticized by some of her contemporaries, including Richard Wright and Ralph Ellison, her works are now frequently taught in literature courses and are widely admired for their style and substance. This reference book is a comprehensive guide to the large body of work written about her in the last 75 years. Included are annotated entries for books, dissertations, and theses written about Hurston's life and literary career. The volume also looks at hundreds of articles, book chapters, conference papers, reviews, children's books, and web sites. The bibliography additionally points the reader to guides and biographical sources and to anthologies where her works are collected. Finally, an exhaustive list of works by Hurston is provided, along with a catalog of the special collections where her manuscripts, correspondence, and ephemera are stored. Zora Neale Hurston (1891-1960) is one of 20th-century America's foremost fiction and folklore writers. One of the most important authors of the Harlem Renaissance and one of the first black anthropologists, she received little recognition during her lifetime. She was criticized by some of her contemporaries, including Richard Wright and Ralph Ellison, and her works were largely neglected until the early 1970s. Her works are now frequently taught in literature courses and are widely admired for their style and substance. Her anthropological study,IMules and Men (1935), is a pioneering examination of Voodoo and related folklore. As a novelist, she is best known as the author of Jonah's Gourd Vine (1934) and Their Eyes Were Watching God (1937). In addition, she was a prolific journalist who contributed to the most popular magazines and newspapers of her time. Though long neglected, Hurston has become firmly established in the literary canon, and scores of books and articles have been written about her. This reference book is a comprehensive guide to the large body of work written about her in the last 75 years. Included are annotated entries for books, dissertations, and theses written about Hurston's life and literary career. The volume also looks at hundreds of articles, book chapters, conference papers, reviews, children's books, and web sites. The bibliography additionally points the reader to guides and biographical sources and to anthologies where her works are collected. Finally, an exhaustive list of works by Hurston is provided, along with a catalog of the special collections where her manuscripts, correspondence, and ephemera are stored.
