The Black Radical Tragic
| Author | : Jeremy Matthew Glick |
| Publisher | : |
| Total Pages | : 266 |
| Release | : 2015 |
| Genre | : BIOGRAPHY & AUTOBIOGRAPHY |
| ISBN | : 9781479814855 |
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The Black Radical Tragic
| Author | : Jeremy Matthew Glick |
| Publisher | : NYU Press |
| Total Pages | : 283 |
| Release | : 2016-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 1479885665 |
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2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical Association As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora. In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era.
The Black Radical Tragic
| Author | : Jeremy Matthew Glick |
| Publisher | : NYU Press |
| Total Pages | : 283 |
| Release | : 2016-01-15 |
| Genre | : History |
| ISBN | : 1479813192 |
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"Also available as an ebook" -- Verso title page.
'Taking Up Arms Against a Sea of Troubles'
| Author | : |
| Publisher | : |
| Total Pages | : 210 |
| Release | : 2007 |
| Genre | : Blacks in literature |
| ISBN | : |
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This dissertation examines a sampling of twentieth century literature generated in and around the Haitian Revolution through the optic of tragedy. It examines the tension between leader and mass base during the revolutionary process in a sampling of Afro Caribbean, African American, and European modernist texts and how this tension relates to C.L.R. James's definition of hamartia (tragic flaw), as formulated in his 1938 study The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution. James modifies Aristotle's understanding of hamartia in his Poetics to signify the degeneration of communication between leader and base in the making of modern day Haiti. The dramatic work and criticism of C.L.R. James, Eugene O'Neill, Paul Robeson, Edouard Glissant, and Lorraine Hansberry capitalize on this leader and base tension constitutive of Black radical aesthetic politics and attempt to stage a useful representation of the past in service of their individual political desires. This dissertation is in a dialog with David Scott's 2004 study Conscripts of Modernity: The Tragedy of Colonial Enlightenment, a text that argues that the tragic element of James's text was added into the latter version and worked to temper the study's earlier Romantic tone. This project asserts that a the tragic narrative existed in James all along and furthermore, that the tragic conceived as the relationship between leader and base is constitutive of a great deal of the literature in the Black radical tradition's effort to stage a past engagement with the Haitian revolution in service of a revolutionary future.
Black Radical
| Author | : Kerri K. Greenidge |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-11-19 |
| Genre | : Biography & Autobiography |
| ISBN | : 1631495348 |
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William Monroe Trotter (1872– 1934), though still virtually unknown to the wider public, was an unlikely American hero. With the stylistic verve of a newspaperman and the unwavering fearlessness of an emancipator, he galvanized black working- class citizens to wield their political power despite the violent racism of post- Reconstruction America. For more than thirty years, the Harvard-educated Trotter edited and published the Guardian, a weekly Boston newspaper that was read across the nation. Defining himself against the gradualist politics of Booker T. Washington and the elitism of W. E. B. Du Bois, Trotter advocated for a radical vision of black liberation that prefigured leaders such as Marcus Garvey, Malcolm X, and Martin Luther King Jr. Synthesizing years of archival research, historian Kerri Greenidge renders the drama of turn- of- the- century America and reclaims Trotter as a seminal figure, whose prophetic, yet ultimately tragic, life offers a link between the vision of Frederick Douglass and black radicalism in the modern era.
Tragic Magic
| Author | : Wesley Brown |
| Publisher | : Random House (NY) |
| Total Pages | : 184 |
| Release | : 1978 |
| Genre | : Fiction |
| ISBN | : |
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Tragic Magic is the story of Melvin Ellington, a.k.a. Mouth, a black, twenty-something, ex-college radical who has just been released from a five-year prison stretch after being a conscientious objector to the Vietnam War. Brown structures this first-person tale around Ellington's first day on the outside. Although hungry for freedom and desperate for female companionship, Ellington is haunted by a past that drives him to make sense of those choices leading up to this day. Through a filmic series of flashbacks the novel revisits Ellington's prison experiences, where he is forced to play the unwilling patsy to the predatorial Chilly and the callow pupil of the not-so-predatorial Hardknocks; then dips further back to Ellington's college days where again he takes second stage to the hypnotic militarism of the Black Pantheresque Theo, whose antiwar politics incite the impressionable narrator to oppose his parents and to choose imprisonment over conscription; and finally back to his earliest high school days where we meet in Otis the presumed archetype of Ellington's "tragic magic" relationships with magnetic but dangerous avatars of black masculinity in crisis. --biography.jrank.org.
You Say You Want a Revolution?
| Author | : Daniel Chirot |
| Publisher | : Princeton University Press |
| Total Pages | : 192 |
| Release | : 2022-02-08 |
| Genre | : History |
| ISBN | : 0691234329 |
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Why most modern revolutions have ended in bloodshed and failure--and what lessons they hold for today's world of growing extremism. Why have so many of the iconic revolutions of modern times ended in bloody tragedies? And what lessons can be drawn from these failures today, in a world where political extremism is on the rise and rational reform based on moderation and compromise often seems impossible to achieve? In YOU SAY YOU WANT A REVOLUTION?, Daniel Chirot examines a wide range of right- and left-wing revolutions around the world--from the late eighteenth century to today--to provide important new answers to these critical questions. A powerful account of the unintended consequences of revolutionary change, YOU SAY YOU WANT A REVOLUTION? is filled with critically important lessons for today's liberal democracies struggling with new forms of extremism."--Back cover
The Origin of German Tragic Drama
| Author | : Walter Benjamin |
| Publisher | : Verso Books |
| Total Pages | : 325 |
| Release | : 2020-05-05 |
| Genre | : Literary Criticism |
| ISBN | : 1789604737 |
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The Origin of German Tragic Drama is Walter Benjamin's most sustained and original work. It begins with a general theoretical introduction on the nature of the baroque art of the sixteenth and seventeenth centuries, concentrating on the peculiar stage-form of royal martyr dramas called Trauerspiel. Benjamin also comments on the engravings of Durer and the theatre of Calderon and Shakespeare. Baroque tragedy, he argues, was distinguished from classical tragedy by its shift from myth into history. Georg Lukacs, an opponent of Benjamin's aesthetics, singled out The Origin of German Tragic Drama as one of the main sources of literary modernism in the twentieth century.
The Black Jacobins
| Author | : C.L.R. James |
| Publisher | : Vintage |
| Total Pages | : 465 |
| Release | : 2023-08-22 |
| Genre | : History |
| ISBN | : 0593687337 |
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A powerful and impassioned historical account of the largest successful revolt by enslaved people in history: the Haitian Revolution of 1791–1803 “One of the seminal texts about the history of slavery and abolition.... Provocative and empowering.” —The New York Times Book Review The Black Jacobins, by Trinidadian historian C. L. R. James, was the first major analysis of the uprising that began in the wake of the storming of the Bastille in France and became the model for liberation movements from Africa to Cuba. It is the story of the French colony of San Domingo, a place where the brutality of plantation owners toward enslaved people was horrifyingly severe. And it is the story of a charismatic and barely literate enslaved person named Toussaint L’Ouverture, who successfully led the Black people of San Domingo against successive invasions by overwhelming French, Spanish, and English forces—and in the process helped form the first independent post-colonial nation in the Caribbean. With a new introduction (2023) by Professor David Scott.
A Political Companion to W. E. B. Du Bois
| Author | : Nick Bromell |
| Publisher | : University Press of Kentucky |
| Total Pages | : 319 |
| Release | : 2018-03-16 |
| Genre | : Political Science |
| ISBN | : 0813174937 |
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Literary scholars and historians have long considered W. E. B. Du Bois (1868–1963) an extremely influential writer and a powerful cultural critic. The author of more than one hundred books, hundreds of published articles, and founding editor of the NAACP journal The Crisis, Du Bois has been widely studied for his profound insights on the politics of race and class in America. An activist as well as a scholar, Du Bois proclaimed, "I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy." In A Political Companion to W. E. B. Du Bois, Nick Bromell assembles essays from both new and established scholars from a variety of disciplines to explore Du Bois's contributions to American political thought. The contributors establish a conceptual context within which to read the author, revealing how richly and variously he engaged with the aesthetic and theological modalities of political thinking and action. This volume further reveals how Du Bois's work challenges and revises contemporary political theory, providing commentary on the author's strengths and limitations as a theorist for the twenty-first century. In doing so, it helps readers gain an understanding of how Du Bois's work and life continue to stimulate lively and constructive debate about the theory and practice of democracy in America.
