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| Author | : Thomas Fulton |
| Publisher | : Cambridge University Press |
| Total Pages | : 321 |
| Release | : 2018-04-26 |
| Genre | : Literary Criticism |
| ISBN | : 1107194237 |
The first volume to consider how the context of early modern biblical interpretation shaped Shakespeare's plays.
| Author | : Thomas Fulton |
| Publisher | : Cambridge University Press |
| Total Pages | : 322 |
| Release | : 2018-04-26 |
| Genre | : Literary Criticism |
| ISBN | : 1108558909 |
The Bible was everywhere in Shakespeare's England. Through sermons, catechisms, treatises, artwork, literature and, of course, biblical reading itself, the stories and language of the Bible pervaded popular and elite culture. In recent years, scholars have demonstrated how thoroughly biblical allusions saturate Shakespearean plays. But Shakespeare's audiences were not simply well versed in the Bible's content - they were also steeped in the practices and methods of biblical interpretation. Reformation and counter-reformation debate focused not just on the biblical text, but - crucially - on how to read the text. The Bible on the Shakespearean Stage is the first volume to integrate the study of Shakespeare's plays with the vital history of Reformation practices of biblical interpretation. Bringing together the foremost international scholars in the field of 'Shakespeare and the Bible', these essays explore Shakespeare's engagement with scriptural interpretation in the tragedies, histories, comedies, and romances.
| Author | : James Rees |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 1876 |
| Genre | : Bible and literature |
| ISBN | : |
| Author | : Sarah Lewis |
| Publisher | : Cambridge University Press |
| Total Pages | : 289 |
| Release | : 2020-09-24 |
| Genre | : Drama |
| ISBN | : 1108842194 |
An original study of the ways in which temporal concepts and gendered identities intersect in early modern theatre and culture.
| Author | : Naseeb Shaheen |
| Publisher | : University of Delaware |
| Total Pages | : 982 |
| Release | : 2011-09-16 |
| Genre | : Bibles |
| ISBN | : 1611493730 |
The hundreds of biblical references in Shakespeare's plays give ample evidence that he was well acquainted with Scripture. Not only is the range of his biblical references impressive, but also the aptness with which he makes them. Hamlet and Othello each have more than fifty biblical references. No study of Shakespeare's plays is complete that ignores Shakespeare's use of scripture. The Bibles that Shakespeare knew, however, were not those that are in use today. By the time the King James Bible appeared in 1611, Shakespeare's career was all but over, and the Anglican liturgy that is evident in his plays is likewise one that few persons are acquainted with. This volume provides a comprehensive survey of the English Bibles of Shakespeare's day, notes their similarities and differences, and indicates which version the playwright knew best. The thorny question of what constitutes a valid biblical reference is also discussed. The study of Shakespeare's biblical references is not based on secondary sources. The author owned one of the world's largest collections of early English bibles, including over one hundred copies of the Geneva bible and numerous editions of other Bibles, prayer books, and books of homilies of Shakespeare's day. To be of real worth, a study of Shakespeare's biblical references should also enable the reader to determine which references Shakespeare borrowed from his plot sources and which he added from his own memory as part of his design for the play. The author studies every source that Shakespeare is known to have read or consulted before writing each play and has examined the biblical references in those sources. Shaheen then points out which biblical references in his literary sources Shakespeare accepted, and how he adapted them in his plays. This information is especially valuable when assessing the theological meanings that are sometimes imposed on his plays, meanings that often go beyond what Shakespeare intended or what his audience must have understood. Biblical References in Shakespeare's Plays is considerably broader in scope than any other study of its kind and provides the scholarly checks and balances in dealing with the subject that previous studies lacked. .
| Author | : James 1802-1885 Rees |
| Publisher | : Wentworth Press |
| Total Pages | : 196 |
| Release | : 2016-08-27 |
| Genre | : History |
| ISBN | : 9781371214418 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Bill Bryson |
| Publisher | : Harper Collins |
| Total Pages | : 212 |
| Release | : 2009-10-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 0061983659 |
William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself. Bryson documents the efforts of earlier scholars, from today's most respected academics to eccentrics like Delia Bacon, an American who developed a firm but unsubstantiated conviction that her namesake, Francis Bacon, was the true author of Shakespeare's plays. Emulating the style of his famous travelogues, Bryson records episodes in his research, including a visit to a bunkerlike room in Washington, D.C., where the world's largest collection of First Folios is housed. Bryson celebrates Shakespeare as a writer of unimaginable talent and enormous inventiveness, a coiner of phrases ("vanish into thin air," "foregone conclusion," "one fell swoop") that even today have common currency. His Shakespeare is like no one else's—the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivaled in our time.
| Author | : James Rees |
| Publisher | : |
| Total Pages | : 188 |
| Release | : 1876 |
| Genre | : Bible |
| ISBN | : 9780841413481 |
Shakespeare and the Bible, to which is added, prayers on the stage, proper and improper; Shakespeare's use of the sacred name of deity; The stage viewed from a scriptural and moral point; The old mysteries and moralities the precursors of the English stage. A compendium of the religious wisdom of Shakespeare.
| Author | : Travis DeCook |
| Publisher | : Routledge |
| Total Pages | : 244 |
| Release | : 2011-07-27 |
| Genre | : Literary Criticism |
| ISBN | : 1136662758 |
Why do Shakespeare and the English Bible seem to have an inherent relationship with each other? How have these two monumental traditions in the history of the book functioned as mutually reinforcing sources of cultural authority? How do material books and related reading practices serve as specific sites of intersection between these two textual traditions? This collection makes a significant intervention in our understanding of Shakespeare, the Bible, and the role of textual materiality in the construction of cultural authority. Departing from conventional source study, it questions the often naturalized links between the Shakespearean and biblical corpora, examining instead the historically contingent ways these links have been forged. The volume brings together leading scholars in Shakespeare, book history, and the Bible as literature, whose essays converge on the question of Scripture as source versus Scripture as process—whether that scripture is biblical or Shakespearean—and in turn explore themes such as cultural authority, pedagogy, secularism, textual scholarship, and the materiality of texts. Covering an historical span from Shakespeare’s post-Reformation era to present-day Northern Ireland, the volume uncovers how Shakespeare and the Bible’s intertwined histories illuminate the enduring tensions between materiality and transcendence in the history of the book.
| Author | : James Rees |
| Publisher | : Forgotten Books |
| Total Pages | : 192 |
| Release | : 2018-04-22 |
| Genre | : History |
| ISBN | : 9781331498001 |
Excerpt from Shakespeare and the Bible: To Which Is Added Prayers on the Stage, Proper and Improper; Shakespeare's Use of the Sacred Name of Deity; The Stage Viewed From a Scriptural and Moral Point; The Old Mysteries and Moralities Precursors of the English Stage Where, all unrivalled, all alone, Bold Shakespeare sat, and look'd creation through, The minstrel monarch of the worlds he drew P That throne is cold that lyre in death unstrung, On whose proud note delighted wonder hung, Yet old oblivion, as in wrath he sweeps, One spot shall spare - the grave where Shakespeare sleeps. Rulers and ruled in common gloom may lie, But Nature's laureate bards shall never die, Art's chiselled boast, and glory's trophied shore, Must live in numbers, or can live no more. While sculptured Jove some nameless waste may claim, Still rolls th' Olympic car in Pindar's fame; Troy's doubtful walls, in ashes passed away, Yet frown on Greece in Homer's deathless lay Rome slowly sinking in her crumbling fanes, Stands all immortal in her Maro's strains So, too, yon giant empress of the isles, On whose broad sway the sun forever smiles, TO Time's unsparing rage one day must bend, And all her triumphs in her Shakespeare end. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
