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The Best of Mbongeni Ngema

The Best of Mbongeni Ngema
Author: Mbongeni Ngema
Publisher:
Total Pages: 268
Release: 1995
Genre: Musicals
ISBN:

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Mbongeni Ngema's Sarafina!

Mbongeni Ngema's Sarafina!
Author: Mbongeni Ngema
Publisher:
Total Pages: 140
Release: 2005
Genre: Musicals
ISBN:

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Woza Albert!

Woza Albert!
Author: Percy Mtwa
Publisher: Bloomsbury Publishing
Total Pages: 161
Release: 2018-02-22
Genre: Performing Arts
ISBN: 1350025062

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Woza Albert! is one of the most popular and influential plays to have come out of the South African cultural struggle of the 1980s and a central work in the canon of South African theatre. Working with the idea of the Second Coming of Jesus Christ taking place in apartheid South Africa, the playwrights improvised a brilliant two-man show consisting of 26 vignettes, commenting on and satirising life under the apartheid regime. The play has become one of the most anthologized and produced South African plays both in South Africa, and internationally and is studied widely in schools as well as universities. This Student Edition contains a commentary and notes by Temple Hauptfleisch, Emeritus Professor at Stellenbosch University, South Africa. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: · A contextualised chronology of the play and the playwrights' lives and works · an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created · a succinct overview of the creation processes followed and subsequent performance history of the piece · an analysis of, and commentary on, some of the major themes and specific issues addressed by the text · a bibliography of suggested primary and secondary materials.


The Best Plays of 1989-1990

The Best Plays of 1989-1990
Author: Otis L. Guernsey
Publisher: Hal Leonard Corporation
Total Pages: 676
Release: 2000-04
Genre: Music
ISBN: 9781557830906

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Gathers highlights from the season's ten best plays and information on plays produced in the United States


The Best Plays of 1988-1989

The Best Plays of 1988-1989
Author: Otis L. Guernsey
Publisher: Hal Leonard Corporation
Total Pages: 684
Release: 2000-02
Genre: Music
ISBN: 9781557830579

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Covers plays produced in New York, awards, details of productions, prizes, people, and publications, as well as the editors' choices of the ten best plays


Heart of a Strong Woman

Heart of a Strong Woman
Author: Fred Khumalo
Publisher: Kwela Books
Total Pages: 240
Release: 2020
Genre: Man-woman relationships
ISBN: 9780795709838

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The Best Plays of 1993-1994

The Best Plays of 1993-1994
Author: Otis L. Guernsey
Publisher: Hal Leonard Corporation
Total Pages: 690
Release: 2004-08
Genre: Drama
ISBN: 9780879101831

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"Featuring scenes from the ten best plays"--Jacket.


Beyond Memory

Beyond Memory
Author: Max Mojapelo
Publisher: African Minds
Total Pages: 377
Release: 2008
Genre: Biography & Autobiography
ISBN: 1920299289

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South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.


The Best Plays

The Best Plays
Author:
Publisher:
Total Pages: 688
Release: 1988
Genre: Drama
ISBN:

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South African Theatre as/and Intervention

South African Theatre as/and Intervention
Author:
Publisher: BRILL
Total Pages: 318
Release: 2021-11-22
Genre: Literary Criticism
ISBN: 9004484205

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One of the most striking features of cultural life in South Africa has been the extent to which one area of cultural practice - theatre - has more than any other testified to the present condition of the country, now in transition between its colonial past and a decolonized future. But in what sense and how far does the critical force of theatre in South Africa as a mode of intervention continue? In the immediate post-election moment, theatre seemed to be pursuing an escapist, nostalgic route, relieved of its historical burden of protest and opposition. But, as the contributors to this volume show, new voices have been emerging, and a more complex politics of the theatre, involving feminist and gay initiatives, physical theatre, festival theatre and theatre-for-education, has become apparent. Both new and familiar players in South African theatre studies from around the world here respond to or anticipate the altered conditions of the country, while exploring the notion that theatre continues to 'intervene.' This broad focus enables a wide and stimulating range of approaches: contributors examine strategies of intervention among audiences, theatres, established and fledgling writers, canonical and new texts, traditional and innovative critical perspectives. The book concludes with four recent interviews with influential practitioners about the meaning and future of theatre in South Africa: Athol Fugard, Fatima Dike, Reza de Wet, and Janet Suzman.