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| Author | : Barbara Parisi |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 414 |
| Release | : 2009 |
| Genre | : Performing Arts |
| ISBN | : 9781557837509 |
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
| Author | : Barbara Parisi |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 411 |
| Release | : 2010-04-20 |
| Genre | : Performing Arts |
| ISBN | : 1557837481 |
(Best American Short Plays). Applause is proud to continue the series that for over 60 years has been the standard of excellence for one-act plays in America. Our editor Barbara Parisi has selected the following 16 plays: DEBOOM: WHO GIVES THIS WOMAN? , by Mark Medoff; And Then , by Amelia Arenas; The Cleaning , by Zilvinas Jonusas; Breakfast and Bed , by Amy Fox; The News from St. Petersburg , by Rich Orloff; Double Murder , by Scott Klavan; Running in Circles Screaming , by Jeni Mahoney; Witness , by Peter Maloney; Asteroid Belt , by Lauren Feldman; Glass Knives , by Liliana Almendarez; Hearts and Minds , by Adam Kraar; In Conclusive Woman , by Julie (Pratt) Mollenkamp; Mixed MeSSages , by Mike Pasternack; Amouresque and Arabesque , by Victor Gluck; and The Birth of Theater , by Jules Tasca.
| Author | : William W. Demastes |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 244 |
| Release | : 2013-12-01 |
| Genre | : Performing Arts |
| ISBN | : 1480386138 |
BEST MONOLOGUES FROM BEST AMERICAN SHORT PLAYS VOLUME 1
| Author | : William W. Demastes |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 200 |
| Release | : 2015-04-01 |
| Genre | : Performing Arts |
| ISBN | : 1495028887 |
(Best American Short Plays). "Sticks and stones may break my bones, but words will never hurt me." Really? Words can break spirits, destroy confidence. They can also build hope and incite great acts of heroism. Playwrights know this, and so do theater audiences. Otherwise, why go? Words matter and carry clout every bit as dangerous as a hammer or crowbar. This, too, playwrights know. The monologues in this volume are full of such blows, striking at our imaginations and our memories, generating responses such as joyful laughter or chilling surprise. Others squeeze us into worlds we've never experienced, or perhaps experienced at the furthest edges of memory and recollection. Still others may help us alter the way we see certain things, people, or beliefs. Best Monologues from The Best American Short Plays, Volume Three is a collection of monologues drawn from the popular Best American Short Plays series, an archive of works from many of the best playwrights active today. Long or short, serious or not, excerpts or entireties, this collection abounds in speech acts that may trigger physical reactions and almost certainly will transform an attitude or two, drawing out lost memories, creating new ones, and definitely entertaining, engaging, amusing us all along the way.
| Author | : William W. Demastes |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 298 |
| Release | : 2014-09-01 |
| Genre | : Performing Arts |
| ISBN | : 1495009564 |
BEST MONOLOGUES FROM THE BEST AMERICAN SHORT PLAYS VOLUME 2
| Author | : Barbara Parisi |
| Publisher | : Applause Theatre & Cinema |
| Total Pages | : 382 |
| Release | : 2011-07-01 |
| Genre | : Performing Arts |
| ISBN | : 1557839360 |
(Applause Books). Applause is proud to continue the series that for over 70 years has been the standard of excellence for one-act plays in America. As previous series editor Ramon Delgado wrote in his introduction to The Best American Short Plays of 1989 , the choice of entries for each edition has been based on the same goal: "to include a balance among three categories of playwrights: 1) established playwrights who continue to practice the art and craft of the short play, 2) emerging playwrights whose record of productions indicate both initial achievement and continuing artistic productivity, and 3) talented new playwrights whose work may not have had much exposure but evidences promise for the future." From its inception, The Best American Short Plays has identified new, cutting-edge playwrights who have gone on to establish award-winning careers, including Tennessee Williams ( A Streetcar Named Desire ), Edward Albee ( Who's Afraid of Virginia Woolf ), Wendy Wasserstein ( The Heidi Chronicles ), David Mamet ( Glengarry Glen Ross ), and Horton Foote ( The Trip to Bountiful ). This volume is Barbara Parisi's fifth edition as series editor. The volumes of the new millennium include the work of playwrights Murray Schisgal, Adam Kraar, Theodore Mann, David Ives, and Mark Medoff, among others, and tackle complex human issues through diverse theatrical styles and a wide range of character perspectives.
| Author | : William W. Demastes |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 343 |
| Release | : 2013-06-01 |
| Genre | : Performing Arts |
| ISBN | : 148035502X |
(Applause Books). Applause is proud to continue the series that for over 70 years has been the standard of excellence for one-act plays in America. From its inception, The Best American Short Plays has identified new, cutting-edge playwrights who have gone on to establish award-winning careers, including Tennessee Williams, Edward Albee, Wendy Wasserstein, David Mamet, and Horton Foote. William W. Demastes made his debut as series editor with the well-received 2010-2011 volume, a diverse collection revolving around the multidimensional theme of love. Blogcritics said of the anthology: "This collection is a bountiful of pleasing oddities. Each work offers something worthwhile.... The collection runs the gamut of the most serious drama to the most irreverent topical mental trinkets...." Demastes returns and once again draws from works produced by some of America's finest theater companies in an effort to capture the wide range of styles, topics, and regional tastes that typifies American theater. The compilation includes works by John Guare, Neil LaBute, and A. R. Gurney, as well as contributions from a plethora of gifted, emerging playwrights.
| Author | : Robert Knopf |
| Publisher | : Taylor & Francis |
| Total Pages | : 234 |
| Release | : 2017-04-07 |
| Genre | : Performing Arts |
| ISBN | : 1317326563 |
The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction
| Author | : Rowman & Littlefield Publishers, Incorporated |
| Publisher | : |
| Total Pages | : |
| Release | : 2000 |
| Genre | : |
| ISBN | : 9781557837684 |
| Author | : William Demastes |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 135 |
| Release | : 2017-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 1611177391 |
A comprehensive study of an award-winning playwright known for unconventional blending of genres John Guare, one of the most innovative and influential contemporary American playwrights of the last sixty years, is best known for such works as House of Blue Leaves, winner of an Obie Award, the New York Drama Critics Circle Award for Best American Play, and four Tony Awards, and Six Degrees of Separation, recipient of the New York Drama Critics Circle Award for Best American Play and the Olivier Best Play Award and a finalist for the Pulitzer Prize in Drama. In Understanding John Guare, William W. Demastes provides a concise biography and analyzes the playwright's career from his earliest works produced off-off Broadway in the 1960s to his most recent Broadway play, A Free Man of Color, a finalist for the 2011 Pulitzer Prize in Drama. Often compared to his contemporaries Sam Shepard and David Mamet, who have distinctive voices tied to their mastery of realistic, idiomatic American English, Guare has a style that is perhaps more varied, Demastes speculates, the result of his formal training in theater. After earning a bachelor's degree from Georgetown University, Guare earned an M.F.A. from the Yale School of Drama. He then polished his theater craft in New York City during the exciting and turbulent 1960s, breaking from realist conventions and creating an unlikely blend of comedy, burlesque, stand-up comedy, and absurdly incongruous plotlines. The result has been a theater of surprise that is rich in stage action and experimentally invigorating. Demastes examines Guare's tools and techniques such as mixing serious with comic, creating characters who break into song and dance, inserting stand-up comedy routines, and drawing from the most absurd incongruities of everyday life. In doing so, Guare has created plays about the best and worst of humanity, about lost souls, and about delusional ideals.
