The Basset-table (1705)
| Author | : Susanna Centlivre |
| Publisher | : |
| Total Pages | : |
| Release | : 2001 |
| Genre | : |
| ISBN | : |
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The Basset Table
| Author | : Susanna Centlivre |
| Publisher | : Broadview Press |
| Total Pages | : 174 |
| Release | : 2009-07-30 |
| Genre | : Drama |
| ISBN | : 1770480544 |
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The Basset Table follows the fortunes of Lady Reveller, who runs a table where her friends play the card game basset, and her struggle to avoid marrying Lord Worthy. Meanwhile, Lady Reveller’s cousin, Valeria, spends her time conducting scientific experiments and dissections, but her father intends to marry her off to the bluff sea-captain Hearty. How can Lady Reveller be persuaded to forego the delights of gambling? And how can Valeria avoid an unwanted marriage? This witty play paints a seductive picture of the thrills of the Restoration gaming table and challenges contemporary stereotypes of the learned lady. Appendices to this Broadview Edition include materials on female education, gambling, and writing for the stage, as well as eighteenth- and nineteenth-century critical writing on Centlivre and The Basset Table.
The Basset-Table. a Comedy. as It Is Acted at the Theatre-Royal in Drury-Lane, by Her Majesty's Servants. by the Author of the Gamester
| Author | : SUSANNA. CENTLIVRE |
| Publisher | : Gale Ecco, Print Editions |
| Total Pages | : 76 |
| Release | : 2018-04-23 |
| Genre | : |
| ISBN | : 9781385323557 |
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) N000071 Author of The gamester = Susanna Centlivre. P.64 misnumbered 94. With a half-title. Narcissus Luttrell's copy dated by him 4 Dec. 1705. London: printed for William Turner at the Angel at Lincolns-Inn-Back-Gate; and sold by J. Nutt near Stationers-Hall, 1706 [1705]. [12], 94 [i.e. 64] p.; 4°
Popular Plays by Women in the Restoration and Eighteenth Century
| Author | : Tanya M. Caldwell |
| Publisher | : Broadview Press |
| Total Pages | : 300 |
| Release | : 2011-06-30 |
| Genre | : Drama |
| ISBN | : 1551119161 |
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This anthology offers a selection of popular dramatic works by female playwrights from Aphra Behn in the 1670s through Hannah Cowley in the later eighteenth century. These plays were successful as plays of their time, not just as plays by women, together providing evidence that women dramatists often managed better than their male counterparts to please diverse audiences, who were notoriously fickle as well as predisposed to oppose them. Accessible to both graduates and undergraduates, Popular Plays by Women shows how these playwrights captured audiences through wit, social awareness, and dramatic dexterity. As well as including the prologues and epilogues of the four plays presented, this anthology provides additional materials in which female playwrights discuss the prejudices and special difficulties they face.
The Poetics of Scientific Investigation in Seventeenth-Century England
| Author | : Claire Preston |
| Publisher | : Oxford University Press |
| Total Pages | : 310 |
| Release | : 2015-12-17 |
| Genre | : Science |
| ISBN | : 0191009970 |
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The writing of science in the period 1580-1700 is artfully, diffidently, carelessly, boldly, and above all self-consciously literary. The Poetics of Scientific Investigation in Seventeenth-Century English Literature considers the literary textures of science writing — its rhetorical figures, neologisms, its uses of parody, romance, and various kinds of verse. The experimental and social practices of science are examined through literary representations of the laboratory, of collaborative retirement, of virtual, epistolary conversation, and of an imagined paradise of investigative fellowship and learning. Claire Preston argues that the rhetorical, generic, and formal qualities of scientific writing are also the intellectual processes of early-modern science itself. How was science to be written in this period? That question, which piqued natural philosophers who were searching for apt conventions of scientific language and report, was initially resolved by the humanist rhetorical and generic skills in which they were already highly trained. At the same time non-scientific writers, enthralled by the developments of science, were quick to deploy ideas and images from astronomy, optics, chemistry, biology, and medical practices. Practising scientists and inspired laymen or quasi-scientists produced new, adjusted, or hybrid literary forms, often collapsing the distinction between the factual and the imaginative, between the rhetorically ornate and the plain. Early-modern science and its literary vehicles are frequently indistinguishable, scientific practice and scientific expression mutually involved. Among the major writers discussed are Montaigne, Bacon, Donne, Browne, Lovelace, Boyle, Sprat, Oldenburg, Evelyn, Cowley, and Dryden.
Jonsonians: Living Traditions
| Author | : Brian Woolland |
| Publisher | : Routledge |
| Total Pages | : 376 |
| Release | : 2017-07-12 |
| Genre | : Social Science |
| ISBN | : 1351775146 |
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This title was first published in 2003. "Jonsonians" explores the theatrical traditions within which Ben Jonson was working, investigates the ways in which his work has influenced and informed the development of theatre from the early 17th century to the present day, and examines Jonson's theatre in relation to 20th- and 21st-century traditions of performance. It argues that although Jonsonian traditions are rarely acknowledged, they are vibrant and powerful forces that are very much alive today in the theatre of writers and directors as diverse as Caryl Churchill, David Mamet, Spike Lee, John Arden, Alan Ayckbourn and Peter Barnes. The book opens with essays on "Poetaster", "Sejanus", "Bartholomew Fair", "The New Inn" and "The Magnetic Lady" - each of which interrogates, in a variety of ways, the notion of "Jonsonian" theatre and considers the relationships of Jonson's theatre to classical traditions, to his contemporaries in England and Europe, and to modern performance practice and theory. The second section of the book includes essays on "The Sons of Ben" (including Richard Brome) Aphra Behn and "Daughters of Ben" (women working in the theatre in the post-Restoration period). The book concludes with an extensive section devoted to modern day Jonsonians, exploring how reading their work as Jonsonian might alter perceptions of contemporary theatre, and how seeing them as contemporary "Jonsonians" might affect our understanding of Jonson's theatre.
Civil Tongues and Polite Letters in British America
| Author | : David S. Shields |
| Publisher | : UNC Press Books |
| Total Pages | : 386 |
| Release | : 2012-12-01 |
| Genre | : History |
| ISBN | : 0807838349 |
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In cities from Boston to Charleston, elite men and women of eighteenth-century British America came together in private venues to script a polite culture. By examining their various 'texts'--conversations, letters, newspapers, and privately circulated manuscripts--David Shields reconstructs the discourse of civility that flourished in and further shaped elite society in British America.
The Poems of Robert Browning: Volume Five
| Author | : John Woolford |
| Publisher | : Taylor & Francis |
| Total Pages | : 595 |
| Release | : 2022-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 1317644506 |
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The Ring and the Book, published serially in 1868–9, is one of the most daring and innovative poems in the English language. The story is based on the trial of an Italian nobleman, Guido Franceschini, for the murder of his wife Pompilia in Rome in 1698. Browning’s discovery of the ‘old yellow book’, a bundle of legal documents and letters relating to the trial, on a second-hand market stall in Florence, sparked an imaginative engagement with this sordid tale of domestic cruelty, adultery, and greed which grew, through four years of arduous labour, into an epic peopled not by gods and warriors but by concrete, recognisably human beings. Fusing the technique of the dramatic monologue, the form he had made his own, with the grandeur of classical epic and the vivid realism of the modern novel, Browning created a unique hybrid form that allowed him not only to bring to life an entire historical period but also to reflect on the process of artistic creation itself – the forging of the golden ‘ring’ of the poem from the ‘pure crude fact’ of its historical original. This edition, comprising volumes 5 and 6 in the acclaimed Longman Annotated English Poets edition of Browning’s poems, does full justice to the scope and depth of Browning’s achievement. The headnote in volume 5 gives an authoritative account of the poem’s composition, publication, sources, and reception, making use of hitherto unpublished letters and textual material. In addition to giving readers help, where needed, with historical and linguistic comprehension, the notes track Browning’s formidable range of allusion, from the most erudite to the most vulgar. The appendices in volume 6 present a selection from the original sources, a list of variants from extant proofs, and key passages from Browning’s fascinating and revealing correspondence with one of the earliest readers of the poem, Julia Wedgwood. The aim is to enable readers not just to understand the poem as an object of study, but to take pleasure in its abounding intellectual and emotional energies.
Theatre and Culture in Early Modern England, 1650-1737
| Author | : Catie Gill |
| Publisher | : Routledge |
| Total Pages | : 189 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351880128 |
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Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that uncouples Restoration drama from eighteenth-century drama. Individual essays demonstrate the significant contrasts between the theatre of different decades and the context of performance, paying special attention to the literary innovation and socio-political changes that contributed to the evolution of drama. Exploring the developments in both tragedy and comedy, and in literary production, specific topics include the playwright's relationship to the monarch, women writers' connection to the audience, the changing market for plays, and the rise of the bourgeoisie. This collection also examines aspects of gender and class through the exploration of women's impact on performance and production, masculinity and libertinism, master/servant relationships, and dramatic representations of the coffee house. Accompanied by a list of Spanish-English plays and a chronology of monarch's reigns and significant changes in theatre history, From Leviathan to Licensing Act is a valuable tool for scholars of Restoration and eighteenth-century performance, providing groundwork for future research and investigation.
A Cultural History of Early Modern Europe
| Author | : Charlie R. Steen |
| Publisher | : Routledge |
| Total Pages | : 351 |
| Release | : 2019-11-21 |
| Genre | : History |
| ISBN | : 1000733335 |
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A Cultural History of Early Modern Europe examines the relationships that developed in cities from the time of the late Renaissance through to the Napoleonic period, exploring culture in the broadest sense by selecting a variety of sources not commonly used in history books, such as plays, popular songs, sketches, and documents created by ordinary people. Extending from 1480 to 1820, the book traces the flourishing cultural life of key European cities and the opportunities that emerged for ordinary people to engage with new forms of creative expression, such as literature, theatre, music, and dance. Arranged chronologically, each chapter in the volume begins with an overview of the period being discussed and an introduction to the key figures. Cultural issues in political, religious, and social life are addressed in each section, providing an insight into life in the cities most important to the creative developments of the time. Throughout the book, narrative history is balanced with primary sources and illustrations allowing the reader to grasp the cultural changes of the period and their effect on public and private life. A Cultural History of Early Modern Europe is ideal for students of early modern European cultural history and early modern Europe.
