The Banks of the Wye: and Other Poems [by I. H. James].
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Total Pages | : 146 |
Release | : 1856 |
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Total Pages | : 146 |
Release | : 1856 |
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Author | : James Henry James |
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Total Pages | : 103 |
Release | : 1856 |
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Author | : |
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Total Pages | : 450 |
Release | : 1884 |
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Author | : Henry James Baron James |
Publisher | : |
Total Pages | : 103 |
Release | : 1856 |
Genre | : English poetry |
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Author | : Middle Temple (London, England). Library |
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Total Pages | : 1078 |
Release | : 1880 |
Genre | : Law |
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Author | : Merrilees Roberts |
Publisher | : Routledge |
Total Pages | : 244 |
Release | : 2020-04-22 |
Genre | : Literary Criticism |
ISBN | : 1000071375 |
Exploring the rhetorical and phenomenological links between shame and reticence, this book examines the psychology of Shelley’s anguished poet-Subject. Shelley’s struggles with the fragility of the ‘self’ have largely been seen as the result of thinking which connects emotional hyperstimulation to moral and political undermining of the individual ‘will’. This work takes a different approach, suggesting that Shelley’s insecurities stemmed from anxieties about the nature of aesthetic self-representation. Shame is an appropriate affective marker of such anxiety because it occurs at the cusp between internal and external self-evaluation. Shelley’s reticent poetics transfers an affective sense of shame to the reader and provokes interpretive responsibility. Paying attention to the affective contours of texts, this book presents new readings of Shelley’s major works. These interpretations show that awakening the reader’s ethical discretion creates a constructive dynamic which challenges influential deconstructive readings of the unfinished nature of Shelley’s work and thought.
Author | : Robert Bloomfield |
Publisher | : |
Total Pages | : 166 |
Release | : 1813 |
Genre | : Wales, South |
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Author | : Faculty of Advocates (Scotland). Library |
Publisher | : |
Total Pages | : 1038 |
Release | : 1878 |
Genre | : Jurisprudence |
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Author | : Middle Temple (London, England). Library |
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Total Pages | : 736 |
Release | : 1914 |
Genre | : Law |
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Author | : Sarah Houghton-Walker |
Publisher | : Oxford University Press |
Total Pages | : 308 |
Release | : 2023-04-25 |
Genre | : Literary Criticism |
ISBN | : 0192697803 |
Repetition has connotations of something boring, or unoriginal, or lacking in poetic skill, but repetition - in several different senses - dominates Wordsworth's poetry. This book explores those moments of repetition, placing them in the early nineteenth century context from which they emerged, and teasing out through extended close attention to the poetry itself the complexities of repetition and recapitulation. Drawing on extensive close readings of Wordsworth's poetry, the book asks what it means to repeat, and how saying things again, often in a way which recognises both sameness and difference at the same time, is fundamental to Wordsworth's attempt to write what he called 'sincere' verse. By analysing instances of repetition and the conjunctions which facilitate recapitulation within Wordsworth's writing, the book attempts to understand the context, in terms of ideas of repetition, from which Wordsworth's works emerge, and to consider repetition in a broad range of senses - from repeated words and sounds within particular poems, to ideas of translation, allusion, and echo. Houghton-Walker also argues the importance of the element of difference within even apparently 'pure' repetition. Such difference might be in perception, attitude, or understanding, but for Wordsworth, the subtle relationship between instances of what seems to be the same experience illuminates the potential for poetry to portray simultaneously the specific and the universal: to hold within its lines both immediate and general truths at the same time.