the "Bad" Quarto of Hamlet A Critical Study
Author | : George Ian Duthie |
Publisher | : CUP Archive |
Total Pages | : 306 |
Release | : 1978 |
Genre | : |
ISBN | : |
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Author | : George Ian Duthie |
Publisher | : CUP Archive |
Total Pages | : 306 |
Release | : 1978 |
Genre | : |
ISBN | : |
Author | : Brian Vickers |
Publisher | : Oxford University Press, USA |
Total Pages | : 608 |
Release | : 2004 |
Genre | : Drama |
ISBN | : 9780199269167 |
No issue in Shakespeare studies is more important than determining what he wrote. For over two centuries scholars have discussed the evidence that Shakespeare worked with co-authors on several plays, and have used a variety of methods to differentiate their contributions from his. In thiswide-ranging study, Brian Vickers takes up and extends these discussions, presenting compelling evidence that Shakespeare wrote Titus Andronicus together with George Peele, Timon of Athens with Thomas Middleton, Pericles with George Wilkins, and Henry VIII and The Two Noble Kinsmen with JohnFletcher.In Part One Vickers reviews the standard processes of co-authorship as they can be reconstructed from documents connected with the Elizabethan stage, and shows that every major, and most minor dramatists in the Elizabethan, Jacobean, and Caroline theatres collaborated in getting plays written andstaged. This is combined with a survey of the types of methodology used since the early nineteenth century to identify co-authorship, and a critical evaluation of some 'stylometric' techniques.Part Two is devoted to detailed analyses of the five collaborative plays, discussing every significant case made for and against Shakespeare's co-authorship. Synthesizing two centuries of discussion, Vickers reveals a solidly based scholarly tradition, building on and extending previous work,identifying the co-authors' contributions in increasing detail. The range and quantity of close verbal analysis brought together in Shakespeare, Co-Author present a compelling case to counter those 'conservators' of Shakespeare who maintain that he is the sole author of his plays.
Author | : Sonya Freeman Loftis |
Publisher | : Routledge |
Total Pages | : 379 |
Release | : 2017-11-27 |
Genre | : Literary Criticism |
ISBN | : 1351967452 |
"Post-Hamlet: Shakespeare in an Era of Textual Exhaustion" examines how postmodern audiences continue to reengage with Hamlet in spite of our culture’s oversaturation with this most canonical of texts. Combining adaptation theory and performance theory with examinations of avant-garde performances and other unconventional appropriations of Shakespeare’s play, Post-Hamlet examines Shakespeare’s Hamlet as a central symbol of our era’s "textual exhaustion," an era in which the reader/viewer is bombarded by text—printed, digital, and otherwise. The essays in this edited collection, divided into four sections, focus on the radical employment of Hamlet as a cultural artifact that adaptors and readers use to depart from textual "authority" in, for instance, radical English-language performance, international film and stage performance, pop-culture and multi-media appropriation, and pedagogy.
Author | : Emma Smith |
Publisher | : John Wiley & Sons |
Total Pages | : 384 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 0470776897 |
This Guide steers students through the critical writing on Shakespeare’s tragedies from the sixteenth century to the present day. Guides students through four centuries of critical writing on Shakespeare’s tragedies. Covers both significant early views and recent critical interventions. Substantial editorial material links the articles and places them in context. Annotated suggestions for further reading allow students to investigate further.
Author | : John Bate |
Publisher | : Elsevier |
Total Pages | : 179 |
Release | : 2014-05-17 |
Genre | : Drama |
ISBN | : 1483138410 |
How to Find Out About Shakespeare serves as a guide to the study of the poetry and plays of William Shakespeare. This book provides information on Shakespeare's life, his work, and the society in which he lived. Organized into 10 chapters, this book begins with an overview of England in which Shakespeare lived to develop a sense of his times, the ideas, as well as the social and political tension of England. This text then discusses the events of his life as well as the doubts that have been cast on his very existence. Other chapters look at the theater in which he earned his living and won his fame. This book discusses as well the literary criticism of his work, followed by a selection of special subjects and themes as dealt with by Shakespeare. The final chapter explains the main bibliographical tools for the study of Shakespeare. This book is a valuable resource for teachers, students, and librarians.
Author | : George Oppitz-Trotman |
Publisher | : Oxford University Press, USA |
Total Pages | : 337 |
Release | : 2020-06-29 |
Genre | : Literary Criticism |
ISBN | : 0198858809 |
Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected owing to the pre-eminence of national theatre histories and the difficulty of researching an inherently evanescent phenomenon across large distances. These contributions are here introduced in their proper contexts for the first time. Stages of Loss explores connections real and perceived between diminishments of national value and the material wealth transported by itinerant players; representations of loss, waste, and profligacy within the drama they performed; and the extent to which theatrical practice and the process of canonization have led to archival and interpretive losses in theatre history. Situating the English Comedians in a variety of economic, social, religious, and political contexts, it explores trends and continuities in the reception of their itinerant theatre, showing how their incorporation into modern theatre history has been shaped by derogatory assessments of travelling theatre and itinerant people in the seventeenth and eighteenth centuries. Stages of Loss reveals that the Western theatre institution took shape partly as a means of accommodating, controlling, evaluating, and concealing the work of migrant strangers.
Author | : Paul Menzer |
Publisher | : Associated University Presse |
Total Pages | : 272 |
Release | : 2008 |
Genre | : Drama |
ISBN | : 9780874130133 |
"While differences among the three early texts of Hamlet have been considered in terms of interpretive consequences, The Hamlets instead considers practical issues in the playhouses of early modern London. It examines how Shakespeare's company operated, how they may have treated the authorial text, what the actor's needs might have been, and how the three texts may be manifestations of the play's life in the theater. By studying cue-line variation in the three texts, the book introduces a unique method of analysis and constructs for Hamlet a new narrative of authorial, textual, and playhouse practices that challenges the customary assumptions about the transmission of Shakespeare's most textually troubling play."--BOOK JACKET.
Author | : Roland Mushat Frye |
Publisher | : Princeton University Press |
Total Pages | : 416 |
Release | : 2014-07-14 |
Genre | : Drama |
ISBN | : 1400852846 |
Drawing on recent advances in historical knowledge, the author describes contemporary attitudes toward issues such as rebellion, conscience, regicide, incest, retribution, and mourning. His investigation reveals a number of convincing new reasons for viewing Hamlet not as an irresolute young man but as a vigorous and determined figure in confrontation with the moral dilemmas of his age. By understanding the play in its original terms, we find that it takes on new depth and power for our own time. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Laurie Johnson |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 340 |
Release | : 2014-10-17 |
Genre | : Literary Criticism |
ISBN | : 1443869929 |
Shakespeare's Hamlet is considered by many to be the cornerstone of the English literary canon, a play that remains universally relevant. Yet it seems likely that we have spent so long reading the play for its capacity to reflect ourselves that we have lost sight of the thing itself. The goal of this book is to look beyond the Hamlet that has bedazzled critics for centuries, to seek to apprehend the play in all of its historical distinctness. This is not simply the search for what the play me...
Author | : Eleanor Chadwick |
Publisher | : Taylor & Francis |
Total Pages | : 305 |
Release | : 2023-11-30 |
Genre | : Performing Arts |
ISBN | : 1000994694 |
This book explores the notion that the emergent language of contemporary theatre, and more generally of modern culture, has links to much earlier forms of storytelling and an ancient worldview. This volume looks at our diverse and amalgamative theatrical inheritance and discusses various practitioners and companies whose work reflects and recapitulates ideas, approaches, and structures original to theatre’s ritual roots. Drawing together a range of topics and examples from the early Middle Ages to the modern day, Chadwick focuses in on a theatrical language which includes an emphasis on the psychosomatic, the non-linear, the symbolic, the liminal, the collective, and the sacred. This interdisciplinary work draws on approaches from the fields of anthropology, philosophy, historical and cognitive phenomenology, and neuroscience, making the case for the significance of historically responsive modes in theatre practice and more widely in our society and culture. Eleanor