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The Attentional Shaping of Perceptual Experience

The Attentional Shaping of Perceptual Experience
Author: Francesco Marchi
Publisher: Springer Nature
Total Pages: 157
Release: 2020-01-23
Genre: Philosophy
ISBN: 3030335585

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This monograph presents a clear account of when and how attentional processes can shape perceptual experience. This argument is based on the prediction-error minimization model of the mind. The author believes that the topic of attention should take a more central role in the debate about the influence of cognition on perception. Inside, he shows how this can be possible. The hypothesis that cognition may shape perceptual experience has been traditionally labeled as the cognitive penetrability of perceptual experience. Cognitive penetrability is relevant for several debates in philosophy and cognitive science. It tackles the possibility of gathering genuine knowledge on the basis of perceptual information about the world delivered by sensory channels. The problem, the author notes, is that if our previously acquired belief can shape current perceptual experiences, such experiences cannot serve as an adequate source of justification in retaining those beliefs or even forming new ones. He argues that cognitive penetration may sometimes happen through attentional processes, but that its occurrence need not undermine perceptual justification. The book provides an overview of the cognitive penetrability debate. The author discusses evidence that supports the occurrence of this phenomenon. Overall, this investigation offers readers a philosophical discussion of attention based on the biased-competition theory. It argues that attention is a property of mental representations that emerges from a metacognitive competition process.


Attentional Engines

Attentional Engines
Author: William P. Seeley
Publisher: Oxford University Press, USA
Total Pages: 289
Release: 2020-02-20
Genre: Philosophy
ISBN: 0190662158

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What is it about art that can be so captivating? How is it that we find value in the often odd and abstract objects and events we call artworks? William P. Seeley proposes that artworks are attentional engines. They are artifacts that have been intentionally designed to direct attention to critical stylistic features that reveal their point, purpose, or meaning. In developing this view, Seeley argues that there is a lot we can learn about the value of art from interdisciplinary research focused on our perceptual engagement with artworks. Recent breakthroughs in cognitive science and behavioral science can explain how we recognize artworks and how we differentiate them from more quotidian artifacts. Seeley pushes this line of reasoning, showing how cognitive science can help reveal the way artworks function as a unique source of value. He argues that our interactions with artworks draw on a broad base of shared artistic and cultural norms constitutive of different categories of art. Cognitive systems integrate this information into our experience of art, guiding attention and shaping what we perceive. Our understanding and appreciation of artworks is therefore carried in our perceptual experience of them. Attentional Engines explores the pitfalls and potential of this interdisciplinary strategy for understanding art. It articulates a cognitivist theory of art grounded in perceptual psychology and neuroscience and demonstrates its application to a range of puzzles in the philosophy of the arts. This includes questions about the nature of depiction, the role played by metakinesis in dance appreciation, the nature of musical expression, and the power of movies. The interdisciplinary and provocative theories Seeley presents will appeal to scholars and students interested in aesthetics, philosophy of mind, philosophy of art, and cognitive science.


Perceptual Experience

Perceptual Experience
Author: Tamar Szabo Gendler
Publisher: OUP Oxford
Total Pages: 560
Release: 2006-01-19
Genre: Philosophy
ISBN: 0191537276

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In the last few years there has been an explosion of philosophical interest in perception; after decades of neglect, it is now one of the most fertile areas for new work. Perceptual Experience presents new work by fifteen of the world's leading philosophers. All papers are written specially for this volume, and they cover a broad range of topics to do with sensation and representation, consciousness and awareness, and the connections between perception and knowledge and between perception and action. This will be the book on the philosophy of perception, a fascinating resource for philosophers and psychologists.


The Structure of Perceptual Experience

The Structure of Perceptual Experience
Author: James Stazicker
Publisher: John Wiley & Sons
Total Pages: 162
Release: 2015-06-02
Genre: Philosophy
ISBN: 1119061083

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This innovative new collection features six original essays exploring the spatial, temporal, and other structures that shape conscious perception. Includes cutting-edge research on an increasingly influential topic in the philosophy of the mind Explores structural differences between the senses and between different theories of perceptual experience Offers innovative new arguments on the philosophy of perception written by leading scholars in the field


Defending the Content View of Perceptual Experience

Defending the Content View of Perceptual Experience
Author: Diego Zucca
Publisher: Cambridge Scholars Publishing
Total Pages: 395
Release: 2015-10-13
Genre: History
ISBN: 1443884685

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In recent years, there has been a notable increase in philosophical interest in perception. Perception is the basic and primary way in which we get in touch with our world in cognitive and active terms: by perceiving the surrounding world, we come to form true beliefs about it and successfully inhabit it through our actions. As such, correctly understanding the nature of perception will help to shed light on many other central philosophical issues. This book offers a defence of the content view of perceptual experience, of the idea that our perceptual experiences represent the world as being a certain way, and so have representational content. An articulated framework is provided for understanding the nature of these experiences in terms of contentful states, as well as for exploring the epistemological, semantical and phenomenological consequences of such an understanding. In addition, the book also includes a detailed and systematic account of how we conceive and ascribe the content of our experiences and their relation to our phenomenology, beliefs and knowledge of the world.


Theatre and Aural Attention

Theatre and Aural Attention
Author: George Home-Cook
Publisher: Springer
Total Pages: 212
Release: 2015-05-10
Genre: Performing Arts
ISBN: 1137393696

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Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focusing on four core aural phenomena in theatre – noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres.


Cognitive Penetrability of Perception

Cognitive Penetrability of Perception
Author: Athanassios Raftopoulos
Publisher: Nova Publishers
Total Pages: 258
Release: 2005
Genre: Philosophy
ISBN: 9781590339916

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The issue of the cognitive impenetrability or penetrability of perception lay dormant for a long period of time. Though philosophers reacted to the relativism implied by the work of Hanson, Kuhn, and Feyerabend, they concentrated their efforts in dealing with the danger of the incommensurability of theories. They tried to show by philosophical and detailed historical analysis that scientists within different paradigms do communicate with each other and put their respective theories to the empirical test. Curiously enough the same philosophers did not seek to examine the very foundation of the relativistic trend, namely the thesis that perception is cognitively penetrable and theory-laden. In the last decade there has been a keen interest in studying the cognition/perception boundary. However, the discussion focused mainly on the grounding of conceptual content on perception and on the embodiment of cognition. The repercussions of these issues for the problem of the cognitive effects on perception were largely ignored. The chapters in this book address directly the issue of the cognitive penetrability of perception. The volume consists of eleven chapters, each one addressing the issue from a different perspective. Eight of the chapters were written by philosophers and cognitive scientists, and three by psychologists and neuropsychologists. These differences notwithstanding, the chapters share many common themes. The role of attention in perception, the contribution of action to perception, the relation between perception and scientific data, the examination of the content of perception and its nature and the detailed examination of the ways background knowledge affects perception, are among these themes. Most chapters combine philosophical analysis with psychological and/or neuropsychological evidence, which shows that there is consensus as to the kind of approaches that are currently deemed necessary for an adequate examination of the problem.


Cognition and Perception

Cognition and Perception
Author: Athanassios Raftopoulos
Publisher: MIT Press
Total Pages: 447
Release: 2009-07-17
Genre: Philosophy
ISBN: 0262258412

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An argument that there are perceptual mechanisms that retrieve information in cognitively and conceptually unmediated ways and that this sheds light on various philosophical issues. In Cognition and Perception, Athanassios Raftopoulos discusses the cognitive penetrability of perception and claims that there is a part of visual processes (which he calls “perception”) that results in representational states with nonconceptual content; that is, a part that retrieves information from visual scenes in conceptually unmediated, “bottom-up,” theory-neutral ways. Raftopoulos applies this insight to problems in philosophy of science, philosophy of mind, and epistemology, and examines how we access the external world through our perception as well as what we can know of that world. To show that there is a theory-neutral part of existence, Raftopoulos turns to cognitive science and argues that there is substantial scientific evidence. He then claims that perception induces representational states with nonconceptual content and examines the nature of the nonconceptual content. The nonconceptual information retrieved, he argues, does not allow the identification or recognition of an object but only its individuation as a discrete persistent object with certain spatiotemporal properties and other features. Object individuation, however, suffices to determine the referents of perceptual demonstratives. Raftopoulos defends his account in the context of current discussions on the issue of the theory-ladenness of perception (namely the Fodor-Churchland debate), and then discusses the repercussions of his thesis for problems in the philosophy of science. Finally, Raftopoulos claims that there is a minimal form of realism that is defensible. This minimal realism holds that objects, their spatiotemporal properties, and such features as shape, orientation, and motion are real, mind-independent properties in the world.


The Contents of Visual Experience

The Contents of Visual Experience
Author: Susanna Siegel
Publisher: Oxford University Press
Total Pages: 232
Release: 2011-02-04
Genre: Philosophy
ISBN: 0190294051

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What do we see? We are visually conscious of colors and shapes, but are we also visually conscious of complex properties such as being John Malkovich? In this book, Susanna Siegel develops a framework for understanding the contents of visual experience, and argues that these contents involve all sorts of complex properties. Siegel starts by analyzing the notion of the contents of experience, and by arguing that theorists of all stripes should accept that experiences have contents. She then introduces a method for discovering the contents of experience: the method of phenomenal contrast. This method relies only minimally on introspection, and allows rigorous support for claims about experience. She then applies the method to make the case that we are conscious of many kinds of properties, of all sorts of causal properties, and of many other complex properties. She goes on to use the method to help analyze difficult questions about our consciousness of objects and their role in the contents of experience, and to reconceptualize the distinction between perception and sensation. Siegel's results are important for many areas of philosophy, including the philosophy of mind, epistemology, and the philosophy of science. They are also important for the psychology and cognitive neuroscience of vision.