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The Atlantic Sound

The Atlantic Sound
Author: Caryl Phillips
Publisher: Vintage
Total Pages: 290
Release: 2009-02-25
Genre: Travel
ISBN: 0307481743

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In this fascinating inquiry into the African Diaspora, Caryl Phillips embarks on a soul-wrenching journey to the three major ports of the transatlantic slave trade. Juxtaposing stories of the past with his own present-day experiences, Phillips combines his remarkable skills as a travel essayist with an astute understanding of history. From an West African businessman's interactions with white Methodists in nineteenth-century Liverpool to an eighteenth-century African minister's complicity in the selling of slaves to a fearless white judge's crusade for racial justice in 1940s Charleston, South Carolina, Phillips reveals the global the impact of being uprooted from one's home through resonant, powerful narratives.


To Feel the Music

To Feel the Music
Author: Neil Young
Publisher: BenBella Books
Total Pages: 173
Release: 2019-09-10
Genre: Music
ISBN: 1948836637

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Neil Young took on the music industry so that fans could hear his music—all music—the way it was meant to be heard. Today, most of the music we hear is com-pressed to a fraction of its original sound,while analog masterpieces are turning to dustin record company vaults. As these record-ings disappear, music fans aren't just losing acollection of notes. We're losing spaciousness,breadth of the sound field, and the ability tohear and feel a ping of a triangle or a pluckof a guitar string, each with its own reso-nance and harmonics that slowly trail off intosilence. The result is music that is robbed of its original quality—muddy and flat in sound compared to the rich, warm sound artists hear in the studio. It doesn't have to be this way, but the record and technology companies have incorrectly assumed that most listeners are satisfied with these low-quality tracks. Neil Young is challenging the assault on audio quality—and working to free music lovers from the flat and lifeless status quo. To Feel the Music is the true story of his questto bring high-quality audio back to musiclovers—the most important undertaking ofhis career. It's an unprecedented look insidethe successes and setbacks of creating thePono player, the fights and negotiationswith record companies to preserve master-pieces for the future, and Neil's unrelentingdetermination to make musical art availableto everyone. It's a story that shows how muchmore there is to music than meets the ear. Neil's efforts to bring quality audio to his fans garnered media attention when his Kickstarter campaign for his Pono player—a revolutionary music player that would combine the highest quality possible with the portability, simplicity and affordability modern listeners crave—became the third-most successful Kickstarter campaign in the website's history. It had raised more than $6M in pledges in 40 days. Encouraged by the enthusiastic response, Neil still had a long road ahead, and his Pono music player would not have the commercial success he'd imagined. But he remained committed to his mission, and faced with the rise of streaming services that used even lower quality audio, he was determined to rise to the challenge. An eye-opening read for all fans of Neil Young and all fans of great music, as well as readers interesting in going behind the scenes of product creation, To Feel the Music has an inspiring story at its heart: One determined artist with a groundbreaking vision and the absolute refusal to give up, despite setbacks, naysayers, and skeptics.


Mars by 1980

Mars by 1980
Author: David Stubbs
Publisher: Faber & Faber Social
Total Pages: 464
Release: 2018-11-27
Genre: Music
ISBN: 9780571346974

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The definitive guide to electronic music. In FUTURE SOUNDS, David Stubbs charts the evolution of electronic music from the earliest mechanical experiments in the late nineteenth century to the pre-World War I inventions of the Futurist Luigi Russolo, author of the "Art Of Noises" manifesto. He takes us through the musique concrète of radical composers such as Edgard Varèse, Pierre Schaeffer, and Karlheinz Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream: be it through the BBC Radiophonic Workshop and the work of pioneers like Delia Derbyshire, grandiose prog rock, or the more DIY approach of electronica, house, and techno. It's a tale of mavericks and future dreamers overcoming Luddite resistance, malfunctioning devices, and sonic mayhem. Its beginnings are in the world of avant-classical composition, but the book also encompasses the cosmic funk of Stevie Wonder, Giorgio Moroder, and unforgettable 80s electronic pop from the likes of Depeche Mode, Pet Shop Boys, and Laurie Anderson - right up to present day innovators on the underground scene. But above all, it's an essential story of authenticity: is this music? Is it legitimate? What drew its creators to make it? Where does it stand, in relation to rock and pop, classical and jazz music, to the modern society that generated it? And why does it resonate more strongly than ever in our own postmodern, seemingly post-futurist times? FUTURE SOUNDS is the definitive account that answers these questions.


Major Labels

Major Labels
Author: Kelefa Sanneh
Publisher: Penguin
Total Pages: 497
Release: 2021-10-05
Genre: Music
ISBN: 0525559604

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One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.


Twilight of the Gods

Twilight of the Gods
Author: Steven Hyden
Publisher: HarperCollins
Total Pages: 306
Release: 2018-05-08
Genre: Music
ISBN: 0062657151

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National Bestseller * Named one of Rolling Stone's Best Music Books of 2018 * One of Newsweek's 50 Best Books of 2018 * A Billboard Best of 2018 * A New York Times Book Review "New and Noteworthy" selection The author of the critically acclaimed Your Favorite Band is Killing Me offers an eye-opening exploration of the state of classic rock, its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life. Since the late 1960s, a legendary cadre of artists—including the Rolling Stones, Bob Dylan, Neil Young, Bruce Springsteen, Fleetwood Mac, the Eagles, Black Sabbath, and the Who—has revolutionized popular culture and the sounds of our lives. While their songs still get airtime and some of these bands continue to tour, its idols are leaving the stage permanently. Can classic rock remain relevant as these legends die off, or will this major musical subculture fade away as many have before, Steven Hyden asks. In this mix of personal memoir, criticism, and journalism, Hyden stands witness as classic rock reaches the precipice. Traveling to the eclectic places where geriatric rockers are still making music, he talks to the artists and fans who have aged with them, explores the ways that classic rock has changed the culture, investigates the rise and fall of classic rock radio, and turns to live bootlegs, tell-all rock biographies, and even the liner notes of rock’s greatest masterpieces to tell the story of what this music meant, and how it will be remembered, for fans like himself. Twilight of the Gods is also Hyden’s story. Celebrating his love of this incredible music that has taken him from adolescence to fatherhood, he ponders two essential questions: Is it time to give up on his childhood heroes, or can this music teach him about growing old with his hopes and dreams intact? And what can we all learn from rock gods and their music—are they ephemeral or eternal?


Sound, Image, Silence

Sound, Image, Silence
Author: Michael Gaudio
Publisher: U of Minnesota Press
Total Pages: 234
Release: 2019-11-26
Genre: Art
ISBN: 1452960909

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A visionary new approach to the Americas during the age of colonization, made by engaging with the aural aspects of supposedly “silent” images Colonial depictions of the North and South American landscape and its indigenous inhabitants fundamentally transformed the European imagination—but how did those images reach Europe, and how did they make their impact? In Sound, Image, Silence, noted art historian Michael Gaudio provides a groundbreaking examination of the colonial Americas by exploring the special role that aural imagination played in visible representations of the New World. Considering a diverse body of images that cover four hundred years of Atlantic history, Sound, Image, Silence addresses an important need within art history: to give hearing its due as a sense that can inform our understanding of images. Gaudio locates the noise of the pagan dance, the discord of battle, the din of revivalist religion, and the sublime sounds of nature in the Americas, such as lightning, thunder, and the waterfall. He invites readers to listen to visual media that seem deceptively couched in silence, offering bold new ideas on how art historians can engage with sound in inherently “mute” media. Sound, Image, Silence includes readings of Brazilian landscapes by the Dutch painter Frans Post, a London portrait of Benjamin Franklin, Thomas Edison’s early Kinetoscope film Sioux Ghost Dance, and the work of Thomas Cole, founder of the Hudson River School of American landscape painting. It masterfully fuses a diversity of work across vast social, cultural, and spatial distances, giving us both a new way of understanding sound in art and a powerful new vision of the New World.


The Sounds of Silence

The Sounds of Silence
Author: João Pedro Marques
Publisher: ITESO
Total Pages: 310
Release: 2006
Genre: History
ISBN: 9781571814470

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"... a significant contribution to the vast and rich international literature on abolitionism, its causes and consequences, main events and historical processes. Well-informed and up-to-date in relation to the most pressing debates on the abolition of slave trade, ...the study provides a much-needed counterpoint (and counterbalance) to an Anglocentric leaning that overwhelmingly dominates this field of studies." - e-Journal of Portuguese History "This book is the culmination of decades of careful research, and assumes an important place on a historiographical pitch steamrollered by an over-concentration on British perspectives." - European History Quarterly "This work elucidates, with clear prose and abundant evidence, a new and important finding: the top slave trading nation of the nineteenth century did not act only upon British will, but developed its own antislavery attitudes within a nationalistic context." - Enterprise & Society "His is a uniquely authoritative voice on abolition in Portugal, a far remove from the 'enlightened will of the masters' approach...that long dominated the historiography. The book is a spell-binding narrative with scholarship of the highest order. Marques is to be congratulated on breaking the silence surrounding the abolition of the slave trade of Portugal and bringing a Portuguese voice t6o international debates on abolition." - The International History Review "[Marques] offers an important contribution not only for those interested in the Atlantic slave trade but also enriches generally the transnationally or globally oriented historiography. " - H-Net, Clio-online Portugal was the pioneer of the transatlantic slave trade, the ruler of both Brazil and Angola - the all time champions of that trade -, and one of the last western countries to decree the abolition of slaving institutions. Paradoxically, and in spite of the overwhelming number of works devoted to the problems of slavery produced in recent decades, little was known about the way Portugal dealt with the twilight of the age of slavery and, most of all, with abolitionism. This book offers the first study of the abolition of the Portuguese slave trade, covering the period from the end of the eighteenth century to the mid-1860s, and bringing to life a dark and silenced corner in the history of the odious commerce. Based on a thorough examination of Portuguese and British historical sources - most of them never used before -, and on his awareness of the international scholarship in the field in which he writes, it investigates not only the Portuguese pro and anti-abolitionist attitudes but also the underlying ideologies, and whether and how those attitudes and ideologies changed over time and in the light of events in the political, economic and social spheres.


Atlantic Cruising Club's Guide to Long Island Sound Marinas

Atlantic Cruising Club's Guide to Long Island Sound Marinas
Author: Elizabeth Adams Smith
Publisher: Atlantic Cruising Club Incorporated
Total Pages: 288
Release: 2004-06-01
Genre: Reference
ISBN: 9780966402841

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Book with bound-in CD-ROM. In-depth consumer-oriented reports on recreational marine facilities Long Island Sound and environs -- from Block Island, Rhode Island to Cape May, New Jersey - including the Connecticut River, New York Harbor and the New Jersey Shore. Ojective, independent reviews and ratings on over 230 marinas. A full page is devoted to each facility and includes a photograph and up to 350 items of information - services, rates, boatyard services, and recreational facilities. Plus what?s nearby including restaurants, accommodations, entertainment, provisioning resources, general services, transportation, and medical aids ? and all available rates. A three-paragraph review expands on the listing and highlights other points of interest. The interactive, searchable CD-ROM includes over 1600 full-color photographs and permits searches on over 100 fields.


Literature and Music in the Atlantic World, 1767-1867

Literature and Music in the Atlantic World, 1767-1867
Author: Catherine Jones
Publisher: Edinburgh University Press
Total Pages: 288
Release: 2014-07-16
Genre: Social Science
ISBN: 074868462X

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This new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music.


World Music and the Black Atlantic

World Music and the Black Atlantic
Author: Aleysia K. Whitmore
Publisher: Oxford University Press
Total Pages: 265
Release: 2020-05-07
Genre: Music
ISBN: 0190083972

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In the mid-20th century, African musicians took up Cuban music as their own and claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. World Music and the Black Atlantic follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. World Music and the Black Atlantic examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. World Music and the Black Atlantic offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange.