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| Author | : Onyema Offoedu-Okeke |
| Publisher | : 5Continents |
| Total Pages | : 720 |
| Release | : 2012-07-01 |
| Genre | : Art |
| ISBN | : 9788874395477 |
Charts the development of modern Nigerian art, analyzing the achievements of leading artists while exploring arts movements within and surrounding the country throughout the past century, in a volume that includes coverage of the works of Olowere and Uche Okeke.
| Author | : Eckpo Eyo |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1977 |
| Genre | : |
| ISBN | : |
| Author | : Chukwuemeka Bosah |
| Publisher | : |
| Total Pages | : 280 |
| Release | : 2010 |
| Genre | : Art, Modern |
| ISBN | : 9780977339839 |
| Author | : Toyin Falola |
| Publisher | : 5Continents |
| Total Pages | : 288 |
| Release | : 2013-02-05 |
| Genre | : Art |
| ISBN | : 9788874395811 |
Nigerian art has long been sought after by art collectors in France. Accompanying an important exhibition, Arts of Nigeria in French Private Collections explores Nigeria’s rich artistic production through a collection of beautiful works, including many arresting figurative pieces, in a wide variety of media. Internationally known experts provide texts that introduce Nigeria, its peoples, and its assorted cultures. The superb photographs of the works add to the value of this sumptuous volume.
| Author | : Nigel Barley |
| Publisher | : Somogy Art Publishing |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 9782757209851 |
The Barbier-Mueller Museum invited the anthropologist Nigel Barley, a former curator at the British Museum, to take a look at the museum's Nigerian collection, which came into being over more than a hundred years, thanks to the personal and informed "eye" of the collectors Josef Mueller and Jean Paul Barbier-Mueller. Without aspiring to cover exhaustively the cultural production of Nigeria across the two millennia of its history, the Barbier-Mueller collection is very rich in several respects. Faithful to chronological continuity, it provides a sample of the production of the major cultural centers of Nigeria, shedding light on archaeological pieces from Nok, Katsina, and Sokoto, works from Ife and the kingdom of Benin, and Yoruba, Ijo, and Igbo objects, as well as items from the Cross River and the Benue Valley. By virtue of their rarity, certain pieces in the collection constitute "monuments" of African art. Others, by their emblematic force, are among its great "classics." The exhibition sets out to present these objects, including several displayed here for the first time, highlighting their aesthetic quality even while explaining, by means of the catalogue, the ethnographic context of their production and use. Nigel Barley provides new angles of approach for considering, understanding, and perhaps even better appreciating the art of Nigeria.
| Author | : Henry John Drewal |
| Publisher | : National Museum of African Art |
| Total Pages | : 238 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
Presents a major part of the extraordinary corpus of ancient Ife art in terra-cotta, stone, and metal, dating from the ninth to the fifteenth centuries.
| Author | : Jörg Adelberger |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 9780977834464 |
.".. accompanies an exhibition that opened at the Fowler Museum in February 2011 and will travel to venues in Washington, D.C., Stanford, and Paris"--Preface.
| Author | : Chukwuemeka Bosah |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Art, Nigerian |
| ISBN | : 9780996908450 |
The Art of Nigerian Women by Chukwuemeka Bosah is a tightly packaged tome--an astonishingly delightful companion to a meme that was broached in the author's A Celebration of Modern Nigerian Art: 101 Nigerian Artists, published in 2010. In the current volume, Bosah marshals the intellectual capacity of some of the best scholars and curatorial impresarios in the field to contextualize the diversity of works of the artists featured. This work is a feat that must be acknowledged by students of Nigerian art for a number of reasons. First, this book contributes significantly to our knowledge of Nigerian art by its lasered focus on Nigerian women. Second, the author brings to the fore, in the process, a smorgasbord of creative enactments and analyses in an assortment of media by our womenfolk. Third, while Nigeria now boasts of a budding tribe of scholars on the visual arts, this is the first time, to my knowledge, that a book of this type has been published. And this brings us to the fourth reason: this book is the irrefutable demonstration of the maxim about lions having their own historians to obviate distortions that hunters would bring to the history of the hunt. This is a pioneering work, one that deserves a prominent place on the shelves of corporate, institutional, college, and personal libraries. Bosah deserves our admiration for the courage and resources ploughed into this work.
| Author | : Chika Okeke-Agulu |
| Publisher | : Duke University Press Books |
| Total Pages | : 0 |
| Release | : 2015-03-02 |
| Genre | : Art |
| ISBN | : 9780822357322 |
Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic traditions and the stylistic sophistication that we have come to associate with twentieth-century modernist practices. He explores how these young Nigerian artists were inspired by the rhetoric and ideologies of decolonization and nationalism in the early- and mid-twentieth century and, later, by advocates of negritude and pan-Africanism. They translated the experiences of decolonization into a distinctive "postcolonial modernism" that has continued to inform the work of major Nigerian artists.
| Author | : Bode Omojola |
| Publisher | : Institut français de recherche en Afrique |
| Total Pages | : 175 |
| Release | : 1995 |
| Genre | : Performing Arts |
| ISBN | : 9782015385 |
ART MUSIC IN NIGERIA is the most comprehensive book on the works of modem Nigerian composers who have been influenced by European classical music. Relying on over 500 scores, archival materials and interviews with many Nigerian composers, the author traces the historical developments of this new idiom in Nigeria and provides a critical and detailed analysis of certain works. Written in a refreshing and lucid style and amply illustrated with music examples, the book represents a milestone in musicological research in Nigeria. Although written essentially for students and scholars of African music, this interesting book will also be enjoyed by the général reader.
