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| Author | : Timothy J. Lovelace |
| Publisher | : Routledge |
| Total Pages | : 198 |
| Release | : 2004-03 |
| Genre | : Literary Criticism |
| ISBN | : 1135886016 |
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : John Timothy Lovelace |
| Publisher | : Psychology Press |
| Total Pages | : 187 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9780415967631 |
Many readers are aware of Alfred Tennyson's treatment of legendary battles in such poems as 'Boadicea', 'The Revenge', 'Battle of Brunanburh' and 'Achilles over the Trench'. Yet among Tennyson's most neglected works are his first battle poems, pieces that reflect the poet's immersion in the literature of the heroic age. J. Timothy Lovelace argues that Tennyson's war poems reflect image patterns of the Iliad and the Aeneid, and reinvigorate the heroic ethos that informs these and other ancient texts. Highlighting the heroic aspects of Maud and the Idylls of the King, this book shows that Tennyson's early grounding in the Homeric tradition greatly influenced his later, celebrated work on martial subjects.
| Author | : Laurence W. Mazzeno |
| Publisher | : McFarland |
| Total Pages | : 251 |
| Release | : 2020-09-15 |
| Genre | : Literary Criticism |
| ISBN | : 1476673217 |
Alfred Tennyson was a poet all his life, writing more than a thousand works in virtually every poetic genre. Considered by his Victorian contemporaries the pre-eminent poet of the age, he has become a canonical figure who is widely read and studied today. Consequently, his poems appear on the syllabi of both survey courses in Victorian literature as well as upper-division and graduate-level topics courses that cover Victorian studies or address subjects such as environmental studies, religion, elegiac poetry, and Arthurian literature. This companion makes Tennyson's poetry accessible to contemporary readers by identifying some of the formal elements of the poems, highlighting their relevance to Tennyson's Victorian contemporaries, and explaining their enduring appeal and value. Entries in the companion, organized alphabetically, provide essential details about Tennyson's most anthologized poems, offer suggestions for reading and interpretation, and elucidate unfamiliar historical and literary allusions. Additional entries, a biography of Tennyson, and a selected bibliography of recent criticism offer information about the people, places, events, and issues that influenced Tennyson or were important to him and his contemporaries.
| Author | : Tim Kendall |
| Publisher | : Oxford University Press |
| Total Pages | : 771 |
| Release | : 2007-02-22 |
| Genre | : Literary Criticism |
| ISBN | : 0199282668 |
The Handbook ranges widely and in depth across 20th-century war poetry, incorporating detailed discussions of some of the key poets of the period. It is an essential resource for scholars of particular poets and for those interested in wider debates. Contributors include some of the most important international poetry critics of our time.
| Author | : Chris Jones |
| Publisher | : Oxford University Press |
| Total Pages | : 336 |
| Release | : 2018-08-09 |
| Genre | : Literary Criticism |
| ISBN | : 0192557955 |
Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on 'early' language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontology, and the evolutionary life sciences since James Hutton's apprehension of 'deep time' in his 1788 Theory of the Earth. Fossil Poetry argues that two, roughly consecutive phases of poetic Anglo-Saxonism took place over the course of the nineteenth century: firstly, a phase of 'constant roots' whereby Anglo-Saxon is constructed to resemble, and so to legitimize a tradition of English Romanticism conceived as essential and unchanging; secondly, a phase in which the strangeness of many of the 'extinct' philological forms of early English is acknowledged, and becomes concurrent with a desire to recover and recuperate the fossils of Anglo-Saxon within contemporary English poetry. The volume advances new readings of work by a variety of poets including Walter Scott, Henry Longfellow, William Wordsworth, William Barnes, Walt Whitman, Ralph Waldo Emerson, William Morris, Alfred Tennyson, and Gerard Hopkins.
| Author | : M. Sherwood |
| Publisher | : Springer |
| Total Pages | : 210 |
| Release | : 2013-03-05 |
| Genre | : Literary Criticism |
| ISBN | : 1137288906 |
Through an examination of Tennyson's 'domestic poetry' - his portrayals of England and the English - in their changing nineteenth-century context, this book demonstrates that many of his representations were 'fabrications', more idealized than real, which played a vital part in the country's developing identity and sense of its place in the world.
| Author | : Isobel Armstrong |
| Publisher | : Routledge |
| Total Pages | : 576 |
| Release | : 2019-01-30 |
| Genre | : Literary Collections |
| ISBN | : 1317688805 |
In Victorian Poetry: Poetry, Poetics and Politics, Isobel Armstrong rescued Victorian poetry from its longstanding sepia image as ‘a moralised form of romantic verse' and unearthed its often subversive critique of nineteenth-century culture and politics. In this uniquely comprehensive and theoretically astute new edition, Armstrong provides an entirely new preface that notes the key advances in the criticism of Victorian poetry since her classic work was first published in 1993. A new chapter on the alternative fin de siècle sees Armstrong discuss Michael Field, Rudyard Kipling, Alice Meynell and a selection of Hardy lyrics. The extensive bibliography acts as a key resource for students and scholars alike.
| Author | : Shawn Smith |
| Publisher | : Routledge |
| Total Pages | : 257 |
| Release | : 2013-11-05 |
| Genre | : Literary Criticism |
| ISBN | : 1135492646 |
First Published in 2005. While many previous books on Pynchon allude to his fictional engagement with historical events and figures, this book explores Pynchon as a historical novelist and, by extension, historical thinker. The book interprets Pynchon's four major novels V., Gravity's Rainbow, Vineland, and Mason & Dixon through the prism of historical interpretation and representation. In doing so, it argues that Pynchon's innovative narrative techniques express his philosophy of history and historical representation through the form of his texts.
| Author | : Jason Camlot |
| Publisher | : Stanford University Press |
| Total Pages | : 336 |
| Release | : 2019-06-11 |
| Genre | : Literary Criticism |
| ISBN | : 1503609715 |
Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot's experimental readings of "The Waste Land" and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to modern periods and sheds new light on our own digitally mediated relationship to the past.
| Author | : Ann Ronchetti |
| Publisher | : Routledge |
| Total Pages | : 257 |
| Release | : 2013-02-01 |
| Genre | : Fiction |
| ISBN | : 1135878374 |
This book explores the relationship between aesthetic productivity and artists' degree of involvement in social and sexual life as depicted in Virginia Woolf's novels. Ann Ronchetti locates the sources of Woolf's lifelong preoccupation with the artist's relationship to society in her family heritage, her exposure to Walter Pater and the aesthetic movement, and the philosophical and aesthetic interests of the Bloomsbury group.
