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| Author | : Barbara Goldstein |
| Publisher | : University of Washington Press |
| Total Pages | : 360 |
| Release | : 2005 |
| Genre | : Public art |
| ISBN | : |
This is a nuts and bolts guide for arts professionals and volunteers creating public art in their communities, with information on planning, funding and legal issues.
| Author | : Michele Cohen |
| Publisher | : The Monacelli Press, LLC |
| Total Pages | : 248 |
| Release | : 2009-04-14 |
| Genre | : Art |
| ISBN | : |
What makes a good schoolhouse? Beyond the basics of classrooms and library, a good school inspires students and teachers and enhances the learning environment through its architecture and its art. Nowhere is this principle better demonstrated than in the New York City school system, the largest in the United States, where a collection of more than 1,500 artworks has been assembled over nearly 150 years. This extraordinarily diverse group ranges from stained glass by Tiffany Studios to vast mural cycles commissioned by the WPA to modern and contemporary works by Hans Hofmann, Ben Shahn, Romare Bearden, Faith Ringgold, and Vito Acconci. Education has been a priority for Mayor Michael R. Bloomberg, and school construction and public art have expanded dramatically under his leadership. New school buildings have been commissioned from noted architects including Polshek Partnership, Pei Cobb Freed, and Arquitectonica, with installations by Tony Oursler, Sarah Morris, and James Casebere. Public Art for Public Schools provides a comprehensive and insightful account of the history and future of this program, lavishly illustrated with archival images from the Department of Education and handsome new photographs by the noted architectural photographer Stan Ries, which were specially commissioned for this publication.
| Author | : Stephen Lucas |
| Publisher | : McGraw-Hill College |
| Total Pages | : 500 |
| Release | : 2004 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780072562965 |
Lucas' "The Art of Public Speaking" is the leading public speaking textbook in the field. Whether a novice or an experienced speaker when beginning the course, every student will learn how to be a better public speaker through Lucas' clear explanations. Creative activities, vivid examples, annotated speech samples, and foundation of classic and contemporary rhetoric provide students a strong understanding of public speaking. When instructors teach from this textbook, they benefit from Lucas' Integrated Teaching Package. The Annotated Instructor's Edition and Instructor's Manual, both written by Steve Lucas, provide teaching tips and give outlines on how to use the various supplements. As a result, instructors are able to see various teaching examples, how to integrate technology, and analyses and discussion questions for video clips in class. The Annotated Instructor's Edition, Instructor's Manual, Test Bank, CDs, videos, and other supplements provide instructors the tools needed to create a dynamic classroom. This edition has a supplement to meet the needs of online classes, Teaching Public Speaking Online with The Art of Public Speaking.
| Author | : Cameron Cartiere |
| Publisher | : Routledge |
| Total Pages | : 276 |
| Release | : 2008-05-07 |
| Genre | : Art |
| ISBN | : 113589468X |
This exciting new collection of essays by practicing artists, curators, activists, art writers, administrators, city planners, and educators offers divergent perspectives on the numerous facets of the public art process. The volume also includes a useful graphic timeline of public art history.
| Author | : Hilde Hein |
| Publisher | : Rowman Altamira |
| Total Pages | : 197 |
| Release | : 2006-07-27 |
| Genre | : Art |
| ISBN | : 075911417X |
Public Art acknowledges the trend among contemporary museums to promote participatory and processual exhibition strategies meant to elicit subjective experience. At the same time it valorizes the object-oriented tradition that has long differentiated museums from other institutions similarly committed to public service and the perpetuation of cultural values. To blend and expand these aims, Hein draws upon a movement toward ephemerality and impermanence in public art. She proposes a new dynamic for the museum that is temporal and pluralistic, while retaining a grounding in material things. The museum is an agent, not a repository; and like public art, it interacts constructively with passing and transitory publics. As an actor with social clout, the museum has moral impact and responsibilities beyond those of the individuals that comprise its collective identity. The book should be read by museum workers and students, by arts and foundation administrators, critics, educators, aestheticians, institutional historians and theorists, and by anyone interested in the transmission of cultural concepts and values.
| Author | : Oskar Bätschmann |
| Publisher | : Reaktion Books |
| Total Pages | : 241 |
| Release | : 2023-08-17 |
| Genre | : Art |
| ISBN | : 1789147271 |
A brief intellectual history of the idea of the art public. The Art Public explores the history of efforts to imagine a collective, general audience for art in the world. Oskar Bätschmann explores both written and pictorial evidence of the development of the “art public” as an idea and disentangles connections between art production, audiences, and actual reception. Two aspects shape the narrative: the transformation of the audience from passive recipient to active agent as well as satirical jabs at audiences by the likes of Cruikshank, Rowlandson, and Daumier. This sweeping account connects the ancient Greeks with Renaissance painters, modern writers, and contemporary movie stars in a deft survey of the ways we imagine art’s immediate impact on audiences and its afterlives in museums, galleries, and the world.
| Author | : Lynn Basa |
| Publisher | : Simon and Schuster |
| Total Pages | : 240 |
| Release | : 2012-02-28 |
| Genre | : Art |
| ISBN | : 1581159765 |
Public art commissions--how to find them, how to get them. * First-hand advice from experienced public artists * Written by an artist for artists * Includes expert information on public art law Learn how to find, apply for, compete for, and win a public art commission. First-hand interviews with experienced public artists and arts administrators provide in-the-trenches advice and insight, and a chapter on public art law, written by Barbara Hoffman, the country's leading public art law attorney, answers questions about this complex area. Packed with details on working with contracts, conflict, controversy, communities, committees, and more, The Artist’s Guide to Public Art shows artists the way to cut through the red tape and win commissions that are rewarding both financially and artistically.
| Author | : Arlene Raven |
| Publisher | : |
| Total Pages | : 392 |
| Release | : 1989 |
| Genre | : Art |
| ISBN | : |
| Author | : Cher Krause Knight |
| Publisher | : John Wiley & Sons |
| Total Pages | : 208 |
| Release | : 2011-09-23 |
| Genre | : Social Science |
| ISBN | : 1444360612 |
This book takes a bold look at public art and its populist appeal, offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of American public art – from FDR's New Deal to Christo's The Gates – and challenges preconceived notions of public art, expanding its definition to include a broader scope of works and concepts. Expands the definition of public art to include sites such as Boston's Big Dig, Las Vegas' Treasure Island, and Disney World Offers a refreshing alternative to the traditional rhetoric and criticism surrounding public art Includes insightful analysis of the museum and its role in relation to public art
| Author | : Sarah Schrank |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 226 |
| Release | : 2011-01-01 |
| Genre | : Art |
| ISBN | : 0812204107 |
"Art and the City" explores the contentious relationship between civic politics and visual culture in Los Angeles. Struggles between civic leaders and modernist artists to define civic identity and control public space highlight the significance of the arts as a site of political contest in the twentieth century.
