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| Author | : Jaś Elsner |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 2018 |
| Genre | : Art, Early Christian |
| ISBN | : 019876863X |
First edition published in 1998 by Oxford University Press with the title Imperial Rome and Christian triumph: the art of the Roman Empire, AD 100-450.
| Author | : Jaś Elsner |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 344 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9780192842015 |
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
| Author | : Jeffrey F. Hamburger |
| Publisher | : Giles |
| Total Pages | : 216 |
| Release | : 2021 |
| Genre | : Antiques & Collectibles |
| ISBN | : 9781911282860 |
A highly-illustrated history and survey of centers of book production and use within the Holy Roman Empire over the course of seven hundred years.
| Author | : Nancy Lorraine Thompson |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 218 |
| Release | : 2007 |
| Genre | : Art, Roman |
| ISBN | : 1588392228 |
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
| Author | : Michael Jones (Archaeologist) |
| Publisher | : Yale University Press |
| Total Pages | : 241 |
| Release | : 2015-01-01 |
| Genre | : Architecture |
| ISBN | : 0300169124 |
"This publication is made possible by the generous support of the American people through the United States Agency for International Development (USAID)"--Page v.
| Author | : Katherine M. D. Dunbabin |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Art and society |
| ISBN | : 9780801456886 |
Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events.Images of spectacle appear in a wide range of artistic media, from the mosaics and paintings that decorated wealthy private houses to the sculpture of tomb monuments, and from luxury objects such as silver tableware to more humble ceramic lamps and pottery vessels. Dunbabin places the information derived from this visual material into the wider context provided by the written sources, both literary and epigraphic. This allows us to understand the functions that these images served in the social rituals of public and domestic life. By explicating both the social and cultural role of the spectacles themselves and the nature of their representation in art, Dunbabin provides a comprehensive portrait of the popular culture of the period.
| Author | : J. E. Lendon |
| Publisher | : Clarendon Press |
| Total Pages | : 340 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9780199247639 |
J. E. Lendon offers a new interpretation of how the Roman empire worked in the first four centuries AD. A despotism rooted in force and fear enjoyed widespread support among the ruling classes of the provinces on the basis of an aristocratic culture of honour shard by rulers and ruled. The competitive Roman and Greek aristocrats of the empire conceived of their relative standing in terms of public esteem or honour, and conceived of their cities - toward which they felt a warm patriotism - as entities locked in a parallel struggle for primacy in honour over rivals. Emperors and provincial governors exploited these rivalries to gain the indispensable co-operation of local magnates by granting honours to individuals and their cities. Since rulers strove for honour as well, their subjects manipulated them with honours in their turn. Honour - whose workings are also traced in the Roman army - served as a way of talking and thinking about Roman government: it was both a species of power, and a way - connived in by rulers and ruled - of concealing the terrible realities of imperial rule. -- Book Cover
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 522 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 1588392171 |
A history of the Department of Greek and Roman art -- Floor plan of the galleries of the Department of Greek and Roman art -- Art of the Neolithic and the Aegean bronze age : ca. 6000- B.C. -- Art of geometric and archaic Greece : ca. 1050-480 B.C. -- Art of classical Greece : ca. 480-323 B.C. -- Art of the Hellenistic Age : ca. 323-31 B.C. -- Art of Cyprus : ca. 3900 B.C.-ca. A.D. 100 -- Art of Etruria : ca. 900-100 B.C. -- Art of the Roman Empire : ca. 31 B.C.-A.D. 330 -- Notes on the works of art : Art of the Neolithic and the Aegean bronze age -- Art of geometric and archaic Greece -- Art of classical Greece -- Art of the Hellenistic age -- Art of Cyprus -- Art of Etruria -- Art of the Roman Empire -- Concordance -- Index of works of art
| Author | : Ranuccio Bianchi Bandinelli |
| Publisher | : George Braziller |
| Total Pages | : 494 |
| Release | : 1971 |
| Genre | : Art |
| ISBN | : |
| Author | : Eve D'Ambra |
| Publisher | : Pearson |
| Total Pages | : 260 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : |
This collection of scholarly, yet accessible articles focuses on themes encountered in the study of Roman art and architecture. It covers the forms and meanings of imperial propaganda, the role of art and architecture in conferring or enhancing status, the commemoration of ruler and citizen in portraiture and funerary art, the interpretation of mythological subjects, and the significance of sculptural displays in architectural settings. For Roman art historians and artists.
