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The Art of the Renaissance in Eastern Europe

The Art of the Renaissance in Eastern Europe
Author: Jan Białostocki
Publisher: Ithaca, N.Y. : Cornell University Press
Total Pages: 356
Release: 1976
Genre: Art
ISBN:

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"Little has been written about the influence of Italian Renaissance art in eastern Europe, even though the Florentine artists who were invited to Buda or Cracow brought with them a more refined and more original form of their art than the Lombards took to France and Germany. This handsome volume, which contains more than 350 illustrations, describes how Hungary, Bohemia, and Poland succumbed to the irrepressible new style. Concerned primarily with architecture, sculpture, and architectural decoration, Professor Białostocki concentrates on the direct impact of Tuscan and North Italian artists known to have worked in various eastern European cities and courts. Taking a functionalist approach, he considers the historical background of patronage and humanism, and he discusses the most typical artistic projects of the time: the castle, the chapel, the tomb, and the town. His concluding chapter deals with the period when late Renaissance, mannerism, and early baroque coexisted to form a hybrid style. A comprehensive bibliography offers previously uncollected material in several eastern European languages. An outstanding contribution to Renaissance studies, this book should not only encourage the exploration of new areas of comparative study but also make enlightening reading for nonexperts interested in the art of the Renaissance." --


The Art of the Renaissance in Eastern Europe

The Art of the Renaissance in Eastern Europe
Author: Jan Białostocki
Publisher:
Total Pages: 354
Release: 1976
Genre: Art
ISBN:

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"Little has been written about the influence of Italian Renaissance art in eastern Europe, even though the Florentine artists who were invited to Buda or Cracow brought with them a more refined and more original form of their art than the Lombards took to France and Germany. This handsome volume, which contains more than 350 illustrations, describes how Hungary, Bohemia, and Poland succumbed to the irrepressible new style. Concerned primarily with architecture, sculpture, and architectural decoration, Professor Białostocki concentrates on the direct impact of Tuscan and North Italian artists known to have worked in various eastern European cities and courts. Taking a functionalist approach, he considers the historical background of patronage and humanism, and he discusses the most typical artistic projects of the time: the castle, the chapel, the tomb, and the town. His concluding chapter deals with the period when late Renaissance, mannerism, and early baroque coexisted to form a hybrid style. A comprehensive bibliography offers previously uncollected material in several eastern European languages. An outstanding contribution to Renaissance studies, this book should not only encourage the exploration of new areas of comparative study but also make enlightening reading for nonexperts interested in the art of the Renaissance." --


Global Interests

Global Interests
Author: Lisa Jardine
Publisher: Cornell University Press
Total Pages: 236
Release: 2000
Genre: Art
ISBN: 9780801438080

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In this re-assessment of Renaissance art, Lisa Jardine and Jerry Brotton examine the ways in which European civilization defined itself between 1450 and 1550.


Byzantine Art and Renaissance Europe

Byzantine Art and Renaissance Europe
Author: Angeliki Lymberopoulou
Publisher: Routledge
Total Pages: 307
Release: 2016-12-05
Genre: History
ISBN: 1351953869

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Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.


Court, Cloister, and City

Court, Cloister, and City
Author: Thomas DaCosta Kaufmann
Publisher: University of Chicago Press
Total Pages: 576
Release: 1995
Genre: Art
ISBN: 0226427307

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In this book, Thomas DaCosta Kaufmann chronicles more than three hundred years of painting, sculpture, and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, Ukraine, Lithuania and western parts of the Russian Federation. Massive in scale, the book is highly accessible and lavishly illustrated. The readability of the text and the entirely new insights it provides into three hundred years of Central European history make this a vital introduction to one of the least understood periods in the history of art.


Periodization in the Art Historiographies of Central and Eastern Europe

Periodization in the Art Historiographies of Central and Eastern Europe
Author: Shona Kallestrup
Publisher: Taylor & Francis
Total Pages: 327
Release: 2022-06-07
Genre: Art
ISBN: 1000602079

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This volume critically investigates how art historians writing about Central and Eastern Europe in the late nineteenth and early twentieth centuries engaged with periodization. At the heart of much of their writing lay the ideological project of nation-building. Hence discourses around periodization – such as the mythicizing of certain periods, the invention of historical continuity and the assertion of national specificity – contributed strongly to identity construction. Central to the book’s approach is a transnational exploration of how the art histories of the region not only interacted with established Western periodizations but also resonated and ‘entangled’ with each other. In their efforts to develop more sympathetic frameworks that refined, ignored or hybridized Western models, they sought to overcome the centre–periphery paradigm which equated distance from the centre with temporal belatedness and artistic backwardness. The book thus demonstrates that the concept of periodization is far from neutral or strictly descriptive, and that its use in art history needs to be reconsidered. Bringing together a broad range of scholars from different European institutions, the volume offers a unique new perspective on Central and Eastern European art historiography. It will be of interest to scholars working in art history, historiography and European studies.


Revealing the African Presence in Renaissance Europe

Revealing the African Presence in Renaissance Europe
Author: Natalie Zemon Davis
Publisher: Walters Art Gallery
Total Pages: 143
Release: 2012
Genre: Africans in art
ISBN: 9780911886788

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"This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."


Renaissance and Baroque Art and Culture in the Eastern Polish-Lithuanian Commonwealth (1506-1696)

Renaissance and Baroque Art and Culture in the Eastern Polish-Lithuanian Commonwealth (1506-1696)
Author: Urszula Szulakowska
Publisher: Cambridge Scholars Publishing
Total Pages: 459
Release: 2019-01-29
Genre: Art
ISBN: 1527527433

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This monograph serves as an introduction to the art, architecture and literary culture of the Eastern Polish-Lithuanian Commonwealth in the 16th and 17th centuries. The geographical area under discussion comprises the regions of contemporary Lithuania, western Belarus and western Ukraine. The introduction of the Renaissance and Baroque classical revival into these lands is considered here within the political context of nationalistic and religious loyalties, as well as economic status and class. The central discussion focuses on the issue of national identity and religious loyalty in the inter-relation between the Byzantine inheritance of the Lithuanian and Ruthenian populace and the Polonizing Catholic influences entering from the west. A close study is made of the royal, noble and urban patronage of the richly-diverse visual and literary modes developed in these two centuries, as well as examining the cultural achievements of the many national groups in the Eastern Commonwealth, including Ruthenians, Lithuanians, Poles, Armenians, Jews, Karaite and Islamic Tatars. A major issue explored here is the problem of restoring and conserving the vast amount of devastated material culture in these regions, particularly in Belarus.


Renaissance

Renaissance
Author: Fouad Sabry
Publisher: One Billion Knowledgeable
Total Pages: 410
Release: 2024-02-02
Genre: Business & Economics
ISBN:

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What is Renaissance The Renaissance is a period in history and a cultural movement marking the transition from the Middle Ages to modernity, covering the 15th and 16th centuries and characterized by an effort to revive and surpass the ideas and achievements of classical antiquity; it occurred after the crisis of the Late Middle Ages and was associated with great social change in most fields and disciplines, including art, architecture, politics, literature, exploration and science. Those who advocate for a "long Renaissance" may, in addition to the conventional periodization, place the beginning of the Renaissance in the 14th century and the end of the Renaissance in the 17th century.The conventional viewpoint places more emphasis on the early modern characteristics of the Renaissance and contends that it was a departure from the past. On the other hand, many historians of today place more emphasis on the medieval aspects of the Renaissance and contend that it was an extension of the Middle Ages. The early Renaissance of the 15th century and the Italian Proto-Renaissance, which began around 1250 or 1300, overlap significantly with the Late Middle Ages, which is traditionally dated to approximately 1350-1500. The Middle Ages themselves were a lengthy period filled with gradual changes, similar to the modern age. The Renaissance, which is a transitional period between both the Middle Ages and the Modern Age, has close similarities to both of these periods, particularly the late and early sub-periods of either of the two. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: Renaissance Chapter 2: Periodization Chapter 3: Coluccio Salutati Chapter 4: Leonardo Bruni Chapter 5: Dark Ages (historiography) Chapter 6: Renaissance humanism Chapter 7: Renaissance art Chapter 8: Italian Renaissance Chapter 9: Northern Renaissance Chapter 10: Poggio Bracciolini Chapter 11: Late Middle Ages Chapter 12: Italian classical music Chapter 13: Science in the Renaissance Chapter 14: Humanism Chapter 15: Manufacturing Chapter 16: Renaissance architecture in Central and Eastern Europe Chapter 17: Continuity thesis Chapter 18: Industrial Revolution Chapter 19: Jacopo d'Angelo Chapter 20: Greek scholars in the Renaissance Chapter 21: Index of Renaissance articles (II) Answering the public top questions about renaissance. (III) Real world examples for the usage of renaissance in many fields. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of Renaissance.


The Art of Renaissance Europe

The Art of Renaissance Europe
Author: Bosiljka Raditsa
Publisher: Metropolitan Museum of Art
Total Pages: 225
Release: 2000
Genre: Art, Renaissance
ISBN: 0870999532

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Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.