The Art of Metal in Africa
Author | : Marie-Thérèse Brincard |
Publisher | : |
Total Pages | : 0 |
Release | : 1982 |
Genre | : Art metal-work |
ISBN | : |
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Author | : Marie-Thérèse Brincard |
Publisher | : |
Total Pages | : 0 |
Release | : 1982 |
Genre | : Art metal-work |
ISBN | : |
Author | : Marie-Thérèse Brincard |
Publisher | : Interbook, Incorporated |
Total Pages | : 170 |
Release | : 1982 |
Genre | : Art |
ISBN | : |
Author | : Marie-Thérèse Brincard |
Publisher | : |
Total Pages | : |
Release | : 1982 |
Genre | : |
ISBN | : |
Author | : Susan Susan Cooksey |
Publisher | : |
Total Pages | : 288 |
Release | : 2020-05-07 |
Genre | : |
ISBN | : 9781734323504 |
Author | : Marie-Thérèse Brincard |
Publisher | : |
Total Pages | : 159 |
Release | : 1982 |
Genre | : |
ISBN | : |
Author | : Edward Banchs |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Art |
ISBN | : 9781633851610 |
From cafes in Madagascar to quiet, dusty towns in the middle of the Kalahari, Edward seeks to understand exactly how the musicians live and struggle-- while experiencing the passion of rock and metal in Africa for himself"--Back cover
Author | : Karl-Ferdinand Schädler |
Publisher | : |
Total Pages | : 394 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
Author | : Michael S. Bisson |
Publisher | : Rowman & Littlefield |
Total Pages | : 326 |
Release | : 2000 |
Genre | : History |
ISBN | : 9780742502611 |
Gold. Copper. Iron. Metal working in Africa has been the subject of both popular lore and extensive archaeological investigation. In this volume, four leading archaeologists attempt to provide a complete synthesis of current debates and understandings: When, how and where was metal first introduced to the continent? How were iron and copper tools, implements, and objects used in everyday life, in trade, in political and cultural contexts? What role did metals play in the ideological systems of precolonial African peoples? Substantive chapters address the origins of African metal working and analyze the specific uses, technology, and ideology of both copper and iron. An ethnoarchaeological account in the words of a contemporary iron worker enriches the archaeological explanations. The volume will be of great value to scholars and students of archaeology, African history, and the history of technology.
Author | : Judith Perani |
Publisher | : Pearson |
Total Pages | : 416 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
Special features of this book: follows a geographical organization across the continent; each chapter is reader friendly with clear, accessible sub-headings; represents important religious and utilitarian art traditions from the Sahara desert, West Africa, Central Africa, Northeast Africa, Eastern Africa, and Southern Africa; gives special attention to the themes of gender, power, and life cycle rituals, which frequently intersect with one another to form an understanding of the arts of Africa; includes figurative sculpture, masquerades, architecture, textiles, dress, ceramics, wall painting, and leatherwork traditions; includes selected examples of the earliest known documented art works as well as contemporary art of each geographical region; includes an up-to-date bibliography, incorporating recent published field research for each chapter; and features 369 black and white illustrations, 16 colored plates, maps, and a time line.
Author | : Shadreck Chirikure |
Publisher | : Springer |
Total Pages | : 181 |
Release | : 2015-03-18 |
Genre | : Social Science |
ISBN | : 331911641X |
This book seeks to communicate to both a global and local audience, the key attributes of pre-industrial African metallurgy such as technological variation across space and time, methods of mining and extractive metallurgy and the fabrication of metal objects. These processes were transformative in a physical and metaphoric sense, which made them total social facts. Because the production and use of metals was an accretion of various categories of practice, a chaine operatoire conceptual and theoretical framework that simultaneously considers the embedded technological and anthropological factors was used. The book focuses on Africa’s different regions as roughly defined by cultural geography. On the one hand there is North Africa, Egypt, the Egyptian Sudan, and the Horn of Africa which share cultural inheritances with the Middle East and on the other is Africa south of the Sahara and the Sudan which despite interacting with the former is remarkably different in terms of technological practice. For example, not only is the timing of metallurgy different but so is the infrastructure for working metals and the associated symbolic and sociological factors. The cultural valuation of metals and the social positions of metal workers were different too although there is evidence of some values transfer and multi-directional technological cross borrowing. The multitude of permutations associated with metals production and use amply demonstrates that metals participated in the production and reproduction of society. Despite huge temporal and spatial differences there are so many common factors between African metallurgy and that of other regions of the world. For example, the role of magic and ritual in metal working is almost universal be it in Bolivia, Nepal, Malawi, Timna, Togo or Zimbabwe. Similarly, techniques of mining were constrained by the underlying geology but this should not in any way suggest that Africa’s metallurgy was derivative or that the continent had no initiative. Rather it demonstrates that when confronted with similar challenges, humanity in different regions of the world responded to identical challenges in predictable ways mediated as mediated by the prevailing cultural context. The success of the use of historical and ethnographic data in understanding variation and improvisation in African metallurgical practices flags the potential utility of these sources in Asia, Latin America and Europe. Some nuance is however needed because it is simply naïve to assume that everything depicted in the history or ethnography has a parallel in the past and vice versa. Rather, the confluence of archaeology, history and ethnography becomes a pedestal for dialogue between different sources, subjects and ideas that is important for broadening our knowledge of global categories of metallurgical practice.