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| Author | : Susan C. Scott |
| Publisher | : Department of Art History |
| Total Pages | : 0 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : 9780915773084 |
This work studies the art of interpreting.
| Author | : Terry Barrett, Professor |
| Publisher | : McGraw-Hill Education |
| Total Pages | : 288 |
| Release | : 2002-11-27 |
| Genre | : Art |
| ISBN | : 9780767416481 |
Interpreting Art: Reflecting, Wondering, and Responding introduces readers to the varied methodologies of art interpretation without unnecessary jargon, presenting difficult and complex issues in an understandable way for beginning students without alienating more sophisticated readers.
| Author | : Graeme Farnell |
| Publisher | : |
| Total Pages | : 404 |
| Release | : 2015-10-13 |
| Genre | : Business & Economics |
| ISBN | : 9781910144664 |
Oral history and art: sculpture forms part of a series of three books - the other two focus on paiting and phtooraphy - drawn from oral history transcripts in the collection of the Archives of American Art, Smithsonian Institution. Containing the complete transcripts of unique interviews with ground breaking artists whose work has profoundly changed both our understanding of the world and the course of art itself.
| Author | : Catherine Weir |
| Publisher | : Routledge |
| Total Pages | : 230 |
| Release | : 2017-09-08 |
| Genre | : Psychology |
| ISBN | : 135129542X |
Interpreting Visual Art explores the psychological and cognitive mechanisms that underlie one's interpretation of art. After the brain encodes visual information, this encoding is then processed by perceptual mechanisms to identify objects and depth in pictures. The brain incorporates many factors in order for people to "see" the art. Cognitive processes have a major role in how people interpret artworks because attention, memory, and language are also linked to the aesthetic experience. Catherine Weir and Evans Mandes first examine major attributes of aesthetic judgement - balance, symmetry, color, line, and shape - from an empirical point of view as opposed to more philosophical and speculative approaches. Then, they explore the perceptual process, paying special attention to art history in the Western world and emphasizing techniques from cave paintings to modern art. The role beauty and emotions play in our interpretations of pictures have been investigated from many approaches: evolutionary psychology, neuroscience, and appraisal theory. Through the application of empirical research in cognitive science to master works from Botticelli to Pollock, readers are introduced to a research-oriented understanding of how art has been perceived, interpreted, and appreciated in the twenty-first century. This book will appeal to those interested in art as well as those teaching art history, psychology, and neuroscience.
| Author | : Sidney Geist |
| Publisher | : Harvard University Press |
| Total Pages | : 316 |
| Release | : 1988 |
| Genre | : Art |
| ISBN | : 9780674459557 |
In this remarkable book the sculptor and writer Sidney Geist presents a revolutionary interpretation of the art of Cézanne. Geist argues that Cézanne's paintings are fertile with reflections of the artist's private world and passionate concerns. Looking at more than two hundred works, all reproduced in the book, he identifies the symbolism that gives form to a hidden significance in the paintings--concealed allusions to Cézanne himself and to his relations with his wife and mother, his father, his son, and his friend Zola, as well as a circle of colleagues including Pissarro, Frederic Bazille, and Ambroise Vollard. It is a complex pattern of symbols expressed in both secondary visual images and in verbal connections, including rebuses and puns. In reading these paintings for symbolic meaning Geist opens the way to a fuller understanding of Cézanne as well as to new ways of looking at pictures. Interpretation of this kind in its turn explains formal aspects of the paintings with a richness not possible in abstract analysis.
| Author | : Harry Obst |
| Publisher | : AuthorHouse |
| Total Pages | : 282 |
| Release | : 2010-04-14 |
| Genre | : History |
| ISBN | : 1452006164 |
What is going on behind closed doors when the President of the United States meets privately with another world leader whose language he does not speak. The only other American in the room is his interpreter who may also have to write the historical record of that meeting for posterity. In his introduction, the author leads us into this mysterious world through the meetings between President Reagan and Mikhail Gorbachev and their highly skilled interpreters. The author intimately knows this world, having interpreted for seven presidents from Lyndon Johnson through Bill Clinton. Five chapters are dedicated to the presidents he worked for most often: Johnson, Nixon, Ford, Carter, and Reagan. We get to know these presidents as seen with the eyes of the interpreter in a lively and entertaining book, full of inside stories and anecdotes. The second purpose of the book is to introduce the reader to the profession of interpretation, a profession most Americans know precious little about. This is done with a minimum of theory and a wealth of practical examples, many of which are highly entertaining episodes, keeping the reader wanting to read on with a minimum of interruptions.
| Author | : Christopher Whitehead |
| Publisher | : Routledge |
| Total Pages | : 244 |
| Release | : 2011-12-02 |
| Genre | : Art |
| ISBN | : 1136506136 |
In this pioneering book, Christopher Whitehead provides an overview and critique of art interpretation practices in museums and galleries. Covering the philosophy and sociology of art, traditions in art history and art display, the psychology of the aesthetic experience and ideas about learning and communication, Whitehead advances major theoretical frameworks for understanding interpretation from curators’ and visitors’ perspectives. Although not a manual, the book is deeply practical. It presents extensively researched European and North American case studies involving interviews with professionals engaged in significant cutting-edge interpretation projects. Finally, it sets out the ethical and political responsibilities of institutions and professionals engaged in art interpretation. Exploring the theoretical and practical dimensions of art interpretation in accessible language, this book covers: The construction of art by museums and galleries, in the form of collections, displays, exhibition and discourse; The historical and political dimensions of art interpretation; The functioning of narrative, categories and chronologies in art displays; Practices, discourses and problems surrounding the interpretation of historical and contemporary art; Visitor experiences and questions of authorship and accessibility; The role of exhibition texts, new interpretive technologies and live interpretation in art museum and gallery contexts. Thoroughly researched with immediately practical applications, Interpreting Art in Museums and Galleries will inform the practices of art curators and those studying the subject.
| Author | : D. V. L. Smith |
| Publisher | : John Wiley & Sons |
| Total Pages | : 248 |
| Release | : 2004-05-14 |
| Genre | : Business & Economics |
| ISBN | : 0470020296 |
The Art and Science of Interpreting Market Research Evidence offers a complete account of the way today's researchers interpret evidence and apply it to decision making. David Smith and Jonathan Fletcher show how to assess your current deciphering processes, and present an innovative framework integrating quantitative and qualitative approaches for analysing complex data-sets. With its holistic approach to interpretation and its 10-step process for making it work in practice, this book will equip you with a deep understanding of data analysis and ultimately improve your judgment to produce better business decisions. "This is modern commercial research, where the mind of the researcher is finally acknowledged as admissible data. Prior knowledge, pragmatism, experience are all robust grist to the 'holistic' research mill. A must-read for anyone getting to grips with 21st century market research." Virginia Valentine, Semiotic Solutions
| Author | : Els van Baarle |
| Publisher | : Batsford Books |
| Total Pages | : 283 |
| Release | : 2018-02-15 |
| Genre | : Design |
| ISBN | : 1849944768 |
An inspirational and practical book on how to interpret and collaborate on different themes in textile art. With foreword by Marie-Therese Wisniowski, who runs Art Quill Studio. This stunning collection showcases the work produced by renowned textile artists Els van Baarle and Cherilyn Martin, and explores how – even when working from the same starting point – textile art can produce a myriad interpretations of shape, form, colour and technique. Els and Cherilyn have chosen six themes for their own starting point, each full of inspiration and artistic potential: Memory (both personal experiences and historical events); Graven (cemetery) images and idols; Books as objects; Pompeii and archaeological excavations; Walls; and Everyday items. For each of the themes the authors have provided a personal interpretation of the work and a description of the techniques they used, along with step-by-step instructions. In the chapter on memory, for example, Cherilyn demonstrates how old fabrics and textiles (which themselves have a unique history all of their own) can be recycled to incorporate your own stitched drawings. Alternatively, Els explores Procion Dye techniques to create colourful and striking fabrics that bear no resemblance to Els work on the same theme. The trend for collaborative textile art is increasing in popularity. This fascinating guide provides a rich seam of inspiration from two renowned artists, exploring how to get the most from your collaborations and produce beautiful and unique work.
| Author | : Liz Rideal |
| Publisher | : Rizzoli Publications |
| Total Pages | : 257 |
| Release | : 2015-04-14 |
| Genre | : Art |
| ISBN | : 0789329166 |
This charmingly illustrated, highly informative field guide to understanding art history is small enough to fit in a pocket yet serious enough to provide real answers. This seventh entry in the hugely popular How to Read series is a one-stop guide to understanding the world’s great artworks. The book explains the aesthetics of schools of painting from the Renaissance masters and Impressionists to the Cubists and Modernists. It enables readers to develop swiftly an understanding of the vocabulary of painting and to discover how to look at diverse paintings in detail.In the first part of the book, the author reveals how to read paintings by considering five key areas: shape and support, style and medium, compositional devices, genre, and the meaning of recurring motifs and symbols. The second part explores fifty paintings through extracted details, accompanied by insightful commentary, training the reader and viewer to understand context and discover meaning within art. How to Read Art is the perfect companion for anyone interested in paintings and a book that no art lover’s home should be without.
