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Courtly Dance of the Renaissance

Courtly Dance of the Renaissance
Author: Fabritio Caroso
Publisher: Courier Corporation
Total Pages: 420
Release: 1995-01-01
Genre: Music
ISBN: 9780486286198

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Renaissance classic includes choreography and music for 49 dances from the period 1550 to 1610, plus guidance on court dress and etiquette for men and women. Indispensable source of authentic information.


The Dancing Body in Renaissance Choreography

The Dancing Body in Renaissance Choreography
Author: Mark Franko
Publisher: Anthem Studies in Theatre and
Total Pages: 250
Release: 2021-11-02
Genre: Literary Criticism
ISBN: 9781785278013

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The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly social dance is analyzed in French and Italian dance treatises of the Renaissance through the intertexts of oratorical action, pedagogical discourses of civility and conceptions of value emanating from descriptions of social interaction in courtesy books.


Orchesography

Orchesography
Author: Thoinot Arbeau
Publisher: Courier Corporation
Total Pages: 274
Release: 1967-01-01
Genre: Performing Arts
ISBN: 0486217450

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The most valuable resource for 16th-century dances and dance music, this volume describes galliards, pavans, branles, gavottes, lavolta, basse dance, morris dance, and more, with detailed instructions of steps. 44 illustrations.


Dance Lexicon in Shakespeare and His Contemporaries

Dance Lexicon in Shakespeare and His Contemporaries
Author: Fabio Ciambella
Publisher: Routledge
Total Pages: 142
Release: 2021-05-23
Genre: Performing Arts
ISBN: 1000423573

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This book provides a thorough analysis of terpsichorean lexis in Renaissance drama. Besides considering not only the Shakespearean canon but also the Bard’s contemporaries (e.g., dramatists as John Marston and Ben Jonson among the most refined Renaissance dance aficionados), the originality of this volume is highlighted in both its methodology and structure. As far as methods of analysis are concerned, corpora such as the VEP Early Modern Drama collection and EEBO, and corpus analysis tools such as #LancsBox are used in order to offer the widest range of examples possible from early modern plays and provide co-textual references for each dance. Examples from Renaissance playwrights are fundamental for the analysis of connotative meanings of the dances listed and their performative, poetic and metaphoric role in sixteenth- and seventeenth-century drama. This study will be of great interest to Renaissance researchers, lexicographers and dance historians.