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| Author | : GABRIEL. BRENNAN DOHERTY (FIONA. BUTTIMER, NEIL.) |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2022 |
| Genre | : Irish drama |
| ISBN | : 9781782055068 |
"Terence MacSwiney's vital contribution to Irish theatre historiography; a re-evaluation of his complex relationship with Irish theatre; the discovery of another voice in Irish theatre and drama"--
| Author | : Gabriel Doherty |
| Publisher | : Atrium |
| Total Pages | : 320 |
| Release | : 2022-06-15 |
| Genre | : |
| ISBN | : 9781782055037 |
Terence MacSwiney is most famous as the central figure in one of the great hunger strikes in world history, which culminated in his death in October 1920, aged 41, in Brixton prison, London, after a fast of 74 days. For many years prior to his demise, however, he had been an active participant in the intense cultural and political debates that characterised Irish life in the late nineteenth and early twentieth centuries. In these exchanges MacSwiney employed a variety of literary forms to express his support for the political separation of Ireland from Britain and the promotion of indigenous culture. These writings, regrettably, were overshadowed by the manner of his death, and for the most part have been unavailable to the public ever since. The volume seeks to re-awaken interest in this aspect of MacSwiney's contribution to Irish life by making these texts available in a single volume for the first time. They cover the span of his adult life, from 1900 onwards: firstly as a published poet; subsequently as a dramatist, and finally as a prose writer. While his work as a member of Dáil Éireann, Lord Mayor of Cork and Commandant of the Cork no 1 Brigade of the IRA, meant that he had much less time to devote to his writings in the last eighteen months of his life, the last texts included here date from shortly before the arrest and imprisonment that provoked his hunger strike. The collection encompasses both published and unpublished material, the latter only previously available in archives. Following a general introduction that outlines the principal stages of MacSwiney's life, each of the major categories of his literary output -- poetry, drama and prose -- are presented in turn and accompanied by introductions that analyse and contextualise the texts.
| Author | : Terence McSweeney |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 152 |
| Release | : 2021-11-01 |
| Genre | : Performing Arts |
| ISBN | : 1496836103 |
Named a Nonfiction Book Awards Gold Winner by the Nonfiction Authors Association Gold Winner of the 2022 eLit Book Award for Popular Culture Winner of a National Indie Excellence Award in the category of “Movies & TV” Book of the Year 2021 in African Studies awarded by CESTAF Winner of the 2022 Best Book Award in the category of “Performing Arts” Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world in ways that transcended the dimensions of the superhero film. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies. McSweeney argues that Black Panther is one of the defining American films of the last decade and the most remarkable title in the Marvel Cinematic Universe (2008–). The MCU has become the largest film franchise in the history of the medium and has even shaped the contours of the contemporary blockbuster, but the narratives within it have almost exclusively perpetuated largely unambiguous fantasies of American heroism and exceptionalism. In contrast, Black Panther complicates this by engaging in an entirely different mythos in its portrayal of an African nation—never colonized by Europe—as the most powerful and technologically advanced in the world. McSweeney charts how and why Black Panther became a cultural phenomenon and also a battleground on which a war of meaning was waged at a very particular time in American history.
| Author | : McSweeney Terence McSweeney |
| Publisher | : Edinburgh University Press |
| Total Pages | : 356 |
| Release | : 2016-02-16 |
| Genre | : Performing Arts |
| ISBN | : 0748693114 |
This compelling, theoretically informed and up-to-date exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film from Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013). Through a vibrant analysis of a range of genres and films - which in turn reveal a strikingly diverse array of social, historical and political perspectives - this book explores the impact of 9/11 and the war on terror on American cinema in the first decade of the new millennium and beyond.
| Author | : Terence McSweeney |
| Publisher | : Edinburgh University Press |
| Total Pages | : 352 |
| Release | : 2016-12-05 |
| Genre | : Performing Arts |
| ISBN | : 1474413838 |
American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.
| Author | : Dermot Keogh |
| Publisher | : Cambridge University Press |
| Total Pages | : 330 |
| Release | : 2004-06-07 |
| Genre | : History |
| ISBN | : 9780521530521 |
A detailed study of the political relations between church and state in modern Ireland, this work is also an analysis of domestic politics within the context of Anglo-Vatican relations. Dealing exclusively with high ecclesiastical politics, it assesses the relative political strength of both the British and the Irish at the Vatican and challenges 'the myth of English dominance over the Papacy'. Dermot Keogh traces the 'quiet diplomacy' of bishops, politicians and the Vatican from the turbulent years of 1919-21, through the civil war period and the rule of William T. Cosgrove and Cumann na nGaedheal, to the re-emergence of Eamon de Valera and Fianna Fail as exponents of Catholic nationalism in the 1930s. The book draws extensively on unpublished documents and, for the first time, explores with the aid of primary sources the exchanges between bishops, politicians and the Vatican over a twenty-year period. It is an important contribution to the history of modern Ireland, Irish-Vatican and Anglo-Vatican relations, whose findings will lead to a radical revision of interpretations of Irish church-state relations.
| Author | : Terence McSweeney |
| Publisher | : Springer |
| Total Pages | : 297 |
| Release | : 2019-07-26 |
| Genre | : Social Science |
| ISBN | : 3030194582 |
This edited collection charts the first four seasons of Black Mirror and beyond, providing a rich social, historical and political context for the show. Across the diverse tapestry of its episodes, Black Mirror has both dramatized and deconstructed the shifting cultural and technological coordinates of the era like no other. With each of the nineteen chapters focussing on a single episode of the series, this book provides an in-depth analysis into how the show interrogates our contemporary desires and anxieties, while simultaneously encouraging audiences to contemplate the moral issues raised by each episode. What if we could record and replay our most intimate memories? How far should we go to protect our children? Would we choose to live forever? What does it mean to be human? These are just some of the questions posed by Black Mirror, and in turn, by this volume. Written by some of the foremost scholars in the field of contemporary film and television studies, Through the Black Mirror explores how Black Mirror has become a cultural barometer of the new millennial decades and questions what its embedded anxieties might tell us.
| Author | : Peter Davison |
| Publisher | : |
| Total Pages | : 312 |
| Release | : 1978 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : James Thomas Farrell |
| Publisher | : |
| Total Pages | : 216 |
| Release | : 1948 |
| Genre | : American essays |
| ISBN | : |
| Author | : Bruce Nelson |
| Publisher | : Princeton University Press |
| Total Pages | : 349 |
| Release | : 2013-12-26 |
| Genre | : History |
| ISBN | : 0691161968 |
This is a book about Irish nationalism and how Irish nationalists developed their own conception of the Irish race. Bruce Nelson begins with an exploration of the discourse of race--from the nineteenth--century belief that "race is everything" to the more recent argument that there are no races. He focuses on how English observers constructed the "native" and Catholic Irish as uncivilized and savage, and on the racialization of the Irish in the nineteenth century, especially in Britain and the United States, where Irish immigrants were often portrayed in terms that had been applied mainly to enslaved Africans and their descendants. Most of the book focuses on how the Irish created their own identity--in the context of slavery and abolition, empire, and revolution. Since the Irish were a dispersed people, this process unfolded not only in Ireland, but in the United States, Britain, Australia, South Africa, and other countries. Many nationalists were determined to repudiate anything that could interfere with the goal of building a united movement aimed at achieving full independence for Ireland. But others, including men and women who are at the heart of this study, believed that the Irish struggle must create a more inclusive sense of Irish nationhood and stand for freedom everywhere. Nelson pays close attention to this argument within Irish nationalism, and to the ways it resonated with nationalists worldwide, from India to the Caribbean.
