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| Author | : Meredith Tromble |
| Publisher | : Univ of California Press |
| Total Pages | : 266 |
| Release | : 2005-12-05 |
| Genre | : Art |
| ISBN | : 0520239709 |
Contents of accompanying DVD-ROM on p. 221 of text.
| Author | : Howard Oransky |
| Publisher | : Univ of California Press |
| Total Pages | : 272 |
| Release | : 2015-09-15 |
| Genre | : Art |
| ISBN | : 0520288017 |
This catalogue is published in conjunction with the exhibition Covered in Time and History: The Films of Ana Mendieta, organized by Lynn Lukkas and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota.
| Author | : Eva Respini |
| Publisher | : Yale University Press |
| Total Pages | : 317 |
| Release | : 2018-01-01 |
| Genre | : Art |
| ISBN | : 0300228252 |
Art in the Age of the Internet, 1989 to Today is the first major thematic group exhibition in the United States to examine the radical impact of internet culture on visual art. Featuring 60 artists, collaborations, and collectives, the exhibition is comprised of over 70 works across a variety of mediums, including painting, performance, photography, sculpture, video, web-based projects, and virtual reality. The exhibition is divided into five sections that explore themes such as emergent ideas of the body and notions of human enhancement; the internet as a site of both surveillance and resistance; the circulation and control of images and information; the possibilities for exploring identity and community afforded by virtual domains; and new economies of visibility accelerated by social media. Throughout, the work in the exhibition addresses the internet-age democratization of culture that comprises our current moment. The earliest work in the exhibition is from 1989, the year that Tim Berners-Lee invented the World Wide Web. This development, and others that followed in quick succession, modernized the internet, and in the process radically changed our way of life--from how we access and generate information, make friends and share experiences, to how we imagine our future bodies and how nations police national security. 1989 also marked a watershed moment across the globe, with significant shifts in politics, geographies, and economies. Events such as the fall of the Berlin Wall and protests in Tiananmen Square signaled the beginning of our current globalized age, which cannot be imagined without the internet.
| Author | : Rudolf Frieling |
| Publisher | : Hatje Cantz |
| Total Pages | : 120 |
| Release | : 2019-06-17 |
| Genre | : |
| ISBN | : 9783775746113 |
At the center of this publication is Lynn Hershman Leeson's installation The Infinity Engine, modeled after a genetics laboratory. The artist demonstrates that the boundaries between natural and artificial life are dissolving at an increasingly rapid pace in the age of synthetic biology, and that today life itself can be artificially shaped. This includes DNA manipulation, artificial human organs manufactured via 3-D-bioprinting, antibody research, and use of DNA as a biological storage medium. Leeson presents these achievements as works of art embedded in an inimitable aesthetic. Documenting these work cycles in photographs of the exhibition at the HeK Basel, this volume also contains numerous essays that offer both a scientific context and insight into this trailblazing media artist's oeuvre and her current focus on biotechnology.
| Author | : Lynn Hershman-Leeson |
| Publisher | : |
| Total Pages | : 66 |
| Release | : 1995 |
| Genre | : Feminism |
| ISBN | : |
| Author | : Chrissie Iles |
| Publisher | : Yale University Press |
| Total Pages | : 253 |
| Release | : 2016-01-01 |
| Genre | : Performing Arts |
| ISBN | : 0300221878 |
A fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day, revealing the high stakes and transformative potential of these forms This generously illustrated publication surveys the work of filmmakers and artists who have pushed the material and conceptual boundaries of cinema. Over the past century, the material, optical, abstract, spatial, and tactile properties of film have been tested at a level of experimentation and utopian ambition that is generally unrecognized. Whether creating synesthetic or 3-D environments, projective or non-projective installations, generations of leading-edge artists have explored how technology transforms experience. The essays published here offer an intensive look at the themes of cinematic space, formats of the screen, animation and CGI, the body and the cyborg, and the materiality of film. Contributors place particular emphasis on the idea of the cinema as a sensorium and on the ways in which it defines the human body, both through representation and in relation to the projected image. An immersive plate section brings together rarely seen and previously unpublished stills, in addition to concept drawings from historic and contemporary films.
| Author | : Sonya Rapoport |
| Publisher | : Heyday Books |
| Total Pages | : 118 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9781597141871 |
Inexpensive retrospective catalog of an important and challenging figure in conceptual art. Catalog for a major exhibit at Mills College, Oakland, California opening in June 2012.
| Author | : Charlie Porter |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 426 |
| Release | : 2022-05-17 |
| Genre | : Art |
| ISBN | : 1324020415 |
An eye-opening and richly illustrated journey through the clothes worn by artists, and what they reveal to us. From Yves Klein’s spotless tailoring to the kaleidoscopic costumes of Yayoi Kusama and Cindy Sherman, from Andy Warhol’s denim to Martine Syms’s joy in dressing, the clothes worn by artists are tools of expression, storytelling, resistance, and creativity. In What Artists Wear, fashion critic and art curator Charlie Porter guides us through the wardrobes of modern artists: in the studio, in performance, at work or at play. For Porter, clothing is a way in: the wild paint-splatters on Jean-Michel Basquiat’s designer clothing, Joseph Beuys’s shamanistic felt hat, or the functional workwear that defined Agnes Martin’s life of spiritua labor. As Porter roams widely from Georgia O’Keeffe’s tailoring to David Hockney’s bold color blocking to Sondra Perry’s intentional casual wear, he weaves his own perceptive analyses with original interviews and contributions from artists and their families and friends. Part love letter, part guide to chic, with more than 300 images, What Artists Wear offers a new way of understanding art, combined with a dynamic approach to the clothes we all wear. The result is a radical, gleeful inspiration to see each outfit as a canvas on which to convey an identity or challenge the status quo.
| Author | : Rudolf Frieling |
| Publisher | : Thames and Hudson |
| Total Pages | : 220 |
| Release | : 2008-10-28 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
The first fully illustrated survey of participatory art and its key practitioners, published in association with the San Francisco Museum of Modern Art. This new survey covers the rich and varied history of participatory art, from early happenings and performances to current practices that demand audience interaction. As the hallmarks of Web 2.0--browsing, sharing, collecting, producing--increasingly permeate every aspect of society, this timely project reveals the ways in which artists and viewers have approached the creation of open works of art. The featured artists include Marina Abramovic and Ulay, Vito Acconci, Joseph Beuys, John Cage, Janet Cardiff, Lygia Clark, Kit Galloway and Sherrie Rabinowitz, Dan Graham, Hans Haacke, Allan Kaprow, Lynn Hershman Leeson, Antoni Muntadas, Yoko Ono, Nam June Paik, and Erwin Wurm. Original essays by Rudolf Frieling, Boris Groys, Robert Atkins, and Lev Manovich identify seminal moments in participatory practice from the 1950s to the present day. A rich array of plates introduce work by all the artists in the accompanying exhibition, with reproductions of significant projects by other major figures--from Helio Oiticica, Joan Jonas, and Gordon Matta-Clark to Rirkrit Tiravanija and SUPERFLEX--rounding out the survey.
| Author | : Apsara DiQuinzio |
| Publisher | : |
| Total Pages | : 336 |
| Release | : 2020-08 |
| Genre | : Art, Modern |
| ISBN | : 9780983881377 |
"In 1980 Lucy Lippard argued that feminist art is "neither a style nor a movement" but rather "a value system, a revolutionary strategy, a way of life." New Time: Art and Feminisms in the Twenty-First Century takes Lippard's statement as a point of departure, examining the values, strategies, and ways of life reflected in recent feminist art. Although artworks made since 2000 are the primary focus, the objects and installations discussed span several generations, mediums, geographies, and political sensibilities, conveying the heterogeneous, intergenerational, and gender-fluid nature of feminist practices. In keeping with Griselda Pollock's observation that "feminism is a historical project and thus is itself constantly shaped and remodelled in relation to the living process of women's struggles," New Time argues that feminist art in the twenty-first century encompasses myriad issues and perspectives and therefore cannot be reduced to a single subject, style, or agenda. It further reflects the forms of resistance that are constantly emerging in response to developments in politics and society. This richly illustrated volume presents works by more than seventy artists and collectives, including Laura Aguilar, Louise Bourgeois, Andrea Bowers, Judy Chicago, Ellen Gallagher, Luchita Hurtado, Lynn Hershman Leeson, Kalup Linzy, Goshka Macuga, Mai-Thu Perret, Carol Rama, Kiki Smith, Sturtevant, and Kara Walker. It examines their work though themes such as the problematic stereotypes associated with hysteria; the gendered gaze; the revisitation of historical subjects through a feminist lens; fragmented representations of the female body; shifting categories of gender; activism, domesticity, and labor; female anger; and feminist utopias"--
