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The Antiphon

The Antiphon
Author: Djuna Barnes
Publisher:
Total Pages: 0
Release: 2000
Genre:
ISBN: 9781892295569

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Djuna Barnes's great verse drama, written in part about her own family, was first published in 1958, and was last reprinted in her Selected Writings of 1962. Since that time the play has been out of print. The play certainly is a strange one; even the author observes in her cautionary note to the volume that 'a misreading of the Antiphon is not impossible'.


Antiphon the Athenian

Antiphon the Athenian
Author: Michael Gagarin
Publisher: University of Texas Press
Total Pages: 246
Release: 2010-01-01
Genre: History
ISBN: 9780292781832

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Antiphon was a fifth-century Athenian intellectual (ca. 480-411 BCE) who created the profession of speechwriting while serving as an influential and highly sought-out adviser to litigants in the Athenian courts. Three of his speeches are preserved, together with three sets of Tetralogies (four hypothetical paired speeches), whose authenticity is sometimes doubted. Fragments also survive of intellectual treatises on subjects including justice, law, and nature (physis), which are often attributed to a separate Antiphon the Sophist. Were these two Antiphons really one and the same individual, endowed with a wide-ranging mind ready to tackle most of the diverse intellectual interests of his day? Through an analysis of all these writings, this book convincingly argues that they were composed by a single individual, Antiphon the Athenian. Michael Gagarin sets close readings of individual works within a wider discussion of the fifth-century Athenian intellectual climate and the philosophical ferment known as the sophistic movement. This enables him to demonstrate the overall coherence of Antiphon's interests and writings and to show how he was a pivotal figure between the sophists and the Attic orators of the fourth century. In addition, Gagarin's argument allows us to reassess the work of the sophists as a whole, so that they can now be seen as primarily interested in logos (speech, argument) and as precursors of fourth-century rhetoric, rather than in their usual role as foils for Plato.


Antiphon and Andocides

Antiphon and Andocides
Author:
Publisher: University of Texas Press
Total Pages: 203
Release: 2010-01-01
Genre: Literary Criticism
ISBN: 0292781849

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Classical oratory is an invaluable resource for the study of ancient Greek life and culture. The speeches offer evidence on Greek moral views, social and economic conditions, political and social ideology, and other aspects of Athenian culture that have been largely ignored: women and family life, slavery, and religion, to name just a few. This volume contains the works of the two earliest surviving orators, Antiphon and Andocides. Antiphon (ca. 480-411) was a leading Athenian intellectual and creator of the profession of logography ("speech writing"), whose special interest was law and justice. His six surviving works all concern homicide cases. Andocides (ca. 440-390) was involved in two religious scandals—the mutilation of the Herms (busts of Hermes) and the revelation of the Eleusinian Mysteries—on the eve of the fateful Athenian expedition to Sicily in 415. His speeches are a defense against charges relating to those events.


Antiphons

Antiphons
Author: Helen Adell Dickinson
Publisher:
Total Pages: 156
Release: 1920
Genre: Antiphonaries
ISBN:

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The Catholic Encyclopedia

The Catholic Encyclopedia
Author: Charles George Herbermann
Publisher:
Total Pages: 878
Release: 1913
Genre: Encyclopedias and dictionaries
ISBN:

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Antiphon the Sophist

Antiphon the Sophist
Author: Antiphon (of Athens.)
Publisher: Cambridge University Press
Total Pages: 508
Release: 2002-08-29
Genre: Literary Collections
ISBN: 9780521651615

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This edition collects all the surviving evidence for the fifth-century BCE Athenian sophist Antiphon and presents it together with a translation and a full commentary, which assesses its reliability and significance. Although Antiphon is not as familiar a figure as sophists such as Protagoras and Gorgias, substantial fragments have survived from his major works, On Truth and On Concord, including extensive remains preserved on papyrus. In addition, information about his doctrines is preserved by ancient writers ranging in time from Aristotle to Simplicius and beyond. The introduction provides a brief sketch of Antiphon, his works, and his place in the fifth-century BCE sophistic movement, including his important contribution to the contemporary debate over the relation of law (nomos) and nature (physis). It also deals with the controversial question of the identity of Antiphon the sophist in relation to Antiphon of Rhamnus and other men of the same name.


The Antiphon-, Responsory-, and Psalm Motets of Ludwig Senfl: Biographical sketch ; Textual aspects of the motets ; Technical aspects of music ; Motet chronology and stylistic considerations

The Antiphon-, Responsory-, and Psalm Motets of Ludwig Senfl: Biographical sketch ; Textual aspects of the motets ; Technical aspects of music ; Motet chronology and stylistic considerations
Author: James Cade Griesheimer
Publisher:
Total Pages: 656
Release: 1990
Genre: Motets
ISBN:

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The Antiphon

The Antiphon
Author: Djuna Barnes
Publisher:
Total Pages: 136
Release: 1958
Genre: American drama
ISBN:

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A three-act verse tragedy by Djuna Barnes. Set in England in 1939 after the beginning of World War Two, the drama presents the Hobbs family reunion in the family's ancestral home, Burley Hall. The play features many of the themes or motifs that run through Barnes's work, including betrayal, familial relations, regression and transgression. The dialogue is highly stylized and poetic. The play tells the story of the reunion of Augusta Hobbs, her brother, Jonathan Burley, and her four estranged adult children: Dudley, Elisha, Miranda and Jeremy. The play begins with the arrival at Burley Hall of Miranda, a 'tall woman in her late fifties', and a coachman, Jack Blow, that she has met in Dover during her journey to England from France. She reveals that, along with her sibling, uncle and mother, she has been summoned by her youngest brother Jeremy to the family's ancestral home. However, Jeremy is nowhere to be found upon their arrival. The building has not been occupied for some time and is in a state of dilapidation thanks to German bombing campaigns; the house's former contents are sprawled all over the set. Miranda is shortly joined by her uncle, Jonathan Burley, as well as her two brothers, Dudley, a manufacturer of watches and Elisha, a publicist, and later by her mother, Augusta. As they wait for Jeremy, they discuss family history and air old grievances, many of them about the family's deceased patriarch, Titus Hobbs. Dudley and Elisha exhibit a strong dislike for Miranda and their mother, playing a number of increasingly cruel and violent tricks upon them. Miranda starts to suspect that the invitation might have been a trap set by Dudley and Elisha to lure them to the home and murder them. Augusta, however, remains oblivious to her sons' behavior. Miranda and Augusta argue, with Miranda suggesting that just as Augusta was blind to the sexual and physical abuse she suffered at the hands of her father, she is also blind to the murderous intent that her sons present towards her. The final act begins with all the characters asleep on stage. Jeremy has still not arrived. Augusta, unable to sleep, begins to playact as if she was a young woman once again and that the traumatic events she has lived through have not happened. Miranda silently watches with horror and empathy. She tries to warn Augusta again of the violent dangers posed by Dudley and Elisha. However, Augusta, believing Miranda to be betraying her own family, smashes her skull with a curfew bell and kills her. Jack then reveals that he is, in fact, Jeremy and that he invited them to the house with the intent that the family would implode as they have. When he is asked why he did it by his uncle, he responds that 'This is the hour of the uncreate; the season of the sorrowless lamenting'. The play ends with Jonathan Burley watching his nephew, Jeremy, silently and 'with what appears to be indifference' leave the stage.