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| Author | : Harvard University |
| Publisher | : |
| Total Pages | : 574 |
| Release | : 1836 |
| Genre | : |
| ISBN | : |
| Author | : Harvard University |
| Publisher | : |
| Total Pages | : 674 |
| Release | : 1827 |
| Genre | : |
| ISBN | : |
| Author | : Harvard University |
| Publisher | : Palala Press |
| Total Pages | : |
| Release | : 2016-05-23 |
| Genre | : |
| ISBN | : 9781358907531 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Harvard University |
| Publisher | : Wentworth Press |
| Total Pages | : 110 |
| Release | : 2019-03-21 |
| Genre | : History |
| ISBN | : 9781010493969 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 1827 |
| Genre | : |
| ISBN | : |
| Author | : Harvard University President's Office |
| Publisher | : Forgotten Books |
| Total Pages | : 484 |
| Release | : 2018-03-18 |
| Genre | : Reference |
| ISBN | : 9780364897973 |
Excerpt from Fourteenth Annual Report of the President of Harvard University: To the Overseers, on the State of the Institution for the Academic Year, 1838-39 To the Honorable and Reverend Board of Overseers of Harvard University. The President of the University respectfully Reports, That the state of the seminary, during the last and present Academic year, has been highly satisfactory. The conduct of the undergraduates has been generally quiet and orderly, and their attention to their studies, regular and faithful. Which is respectfully submitted by Josiah Quincy, President. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
| Author | : Harvard University |
| Publisher | : |
| Total Pages | : 630 |
| Release | : 1868 |
| Genre | : |
| ISBN | : |
| Author | : Harvard University |
| Publisher | : |
| Total Pages | : 364 |
| Release | : 1865 |
| Genre | : |
| ISBN | : |
| Author | : Harvard University |
| Publisher | : |
| Total Pages | : 662 |
| Release | : 1879 |
| Genre | : |
| ISBN | : |
| Author | : Ryan Skinnell |
| Publisher | : University Press of Colorado |
| Total Pages | : 208 |
| Release | : 2016-09-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1607325055 |
First-year composition became the most common course in American higher education not because it could “fix” underprepared student writers, but because it has historically served significant institutional interests. That is, it can be “conceded” in multiple ways to help institutions solve political, promotional, and financial problems. Conceding Composition is a wide-ranging historical examination of composition’s evolving institutional value in American higher education over the course of nearly a century. Based on extensive archival research conducted at six American universities and using the specific cases of institutional mission, regional accreditation, and federal funding, this study demonstrates that administrators and faculty have introduced, reformed, maintained, threatened, or eliminated composition as part of negotiations related to nondisciplinary institutional exigencies. Viewing composition from this perspective, author Ryan Skinnell raises new questions about why composition exists in the university, how it exists, and how teachers and scholars might productively reconceive first-year composition in light of its institutional functions. The book considers the rhetorical, political, organizational, institutional, and promotional options conceding composition opened up for institutions of higher education and considers what the first-year course and the discipline might look like with composition’s transience reimagined not as a barrier but as a consummate institutional value.
