The American Journal of Photography, Vol. XI, No. 7, July 1890
Author | : Various |
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Total Pages | : 0 |
Release | : 2019 |
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Author | : Various |
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Total Pages | : 0 |
Release | : 2019 |
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Total Pages | : 686 |
Release | : 1891 |
Genre | : Photography |
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Total Pages | : |
Release | : 1887 |
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Author | : Juan C. Abel |
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Total Pages | : 586 |
Release | : 1901 |
Genre | : Photography |
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Author | : Charles A. Seely |
Publisher | : |
Total Pages | : 389 |
Release | : 1858 |
Genre | : Photography |
ISBN | : |
The American Journal of Photography presents a contemporary view of the relatively new medium in 1858.
Author | : William S. Johnson |
Publisher | : Burns & Oates |
Total Pages | : 1000 |
Release | : 1990 |
Genre | : Photography |
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Total Pages | : 678 |
Release | : 1893 |
Genre | : Photography |
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Author | : John Hannavy |
Publisher | : Routledge |
Total Pages | : 1629 |
Release | : 2013-12-16 |
Genre | : Photography |
ISBN | : 1135873275 |
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
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Total Pages | : 648 |
Release | : 1893 |
Genre | : Photography |
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Author | : Juliet Hacking |
Publisher | : Bloomsbury Publishing |
Total Pages | : 248 |
Release | : 2020-10-29 |
Genre | : Photography |
ISBN | : 1350048542 |
Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written? Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualised for art and re-contextualised for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic'? Photography and the Arts revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the essays examine the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts.